Sea-changes: Melville - Forster - Britten

Sea-changes: Melville - Forster - Britten

Author: Hanna Rochlitz

Publisher: Universitätsverlag Göttingen

Published: 2012

Total Pages: 597

ISBN-13: 3863950453

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E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirmsthe Forsterian creed of salvation through personal relationships.This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his lifewritings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.


E. M. Forster and Music

E. M. Forster and Music

Author: Tsung-Han Tsai

Publisher: Cambridge University Press

Published: 2021-05-27

Total Pages: 209

ISBN-13: 1108952445

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This book examines the political resonances of E. M. Forster's representations of music, offering readings of canonical and overlooked works. It reveals music's crucial role in his writing and draws attention to a previously unacknowledged eclecticism and complexity in Forster's ideological outlook. Examining unobtrusive musical allusions in a variety of Forster's writings, this book demonstrates how music provided Forster with a means of reflecting on race and epistemology, material culture and colonialism, literary heritage and national character, hero-worship and war, and gender and professionalism. It unveils how Forster's musical representations are mediated through a matrix of ideas and debates of his time, such as those about evolution, empire, Britain's relationship with the Continent, the rise of fascism, and the emergence of musicology as an academic discipline.


Storytelling in Opera and Musical Theater

Storytelling in Opera and Musical Theater

Author: Nina Penner

Publisher: Indiana University Press

Published: 2020-10-06

Total Pages: 309

ISBN-13: 0253052424

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Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.


Benjamin Britten in Context

Benjamin Britten in Context

Author: Vicki P Stroeher

Publisher: Cambridge University Press

Published: 2022-04-21

Total Pages: 427

ISBN-13: 1108755410

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Britten in Context offers historical, social, cultural, queer, musical, and political context for one of the pivotal British composers of the twentieth century. Engaging essays from leading scholars in music, art, theory, performance, religion, and cultural and music history reward readers of all academic levels.


Ideology in Britten's Operas

Ideology in Britten's Operas

Author: J. P. E. Harper-Scott

Publisher: Cambridge University Press

Published: 2018-09-06

Total Pages: 346

ISBN-13: 1108416365

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This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. To watch or listen is to engage with a vivid artistic testament to the ideological world of mid-twentieth-century Britain. But it is more than that, too, because in many ways Britten's operas continue to proffer a diagnosis of certain unresolved problems in our own time. Only rarely, as in Peter Grimes, which shows the violence inherent in all forms of social and psychological identification, does Britten unmistakably call into question fundamental precepts of his contemporary ideology. This has not, however, prevented some writers from romanticizing Britten as a quiet revolutionary. This book argues, in contrast, that his operas, and some interpretations of them, have obscured a greater social and philosophical complicity that it is timely - if at the same time uncomfortable - for his early twenty-first-century audiences to address.


The Dawn of Music Semiology

The Dawn of Music Semiology

Author: Jonathan Dunsby

Publisher: Boydell & Brewer

Published: 2017

Total Pages: 230

ISBN-13: 1580465625

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The dawn of music semiology showcases the work of ten leading musicologists inspired by the work of Jean-Jacques Nattiez. Reflecting the energy and diversity of the young field of music semiology, chapters in this volume discuss music and gesture, the psychology of music, and the role of ethnotheory, and offer new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, and modernism from Wagner to Boulez.


Sea-changes: Melville - Forster - Britten

Sea-changes: Melville - Forster - Britten

Author: Hanna Rochlitz

Publisher:

Published: 2011

Total Pages: 0

ISBN-13:

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E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.


The Cambridge Companion to Benjamin Britten

The Cambridge Companion to Benjamin Britten

Author: Mervyn Cooke

Publisher: Cambridge University Press

Published: 1999-06-28

Total Pages: 372

ISBN-13: 1139825631

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The Cambridge Companion to Benjamin Britten is a comprehensive guide to the composer's work, aimed both at the non-specialist and music student. It sheds light on both the composer's stylistic and personal development, offering new interpretations of his operatic works and discussing his characteristic working methods. Topics treated here in detail for the first time include Britten's work in the cinema in the 1930s, his lifelong pacifism and his strong interest in the music of the Far East; other chapters include reassessments of his relationship with W. H. Auden and his attitude towards childhood, comprehensive analyses of major works and a concise history of the Aldeburgh Festival. A distinguished team of contributors include some who worked with the composer during his lifetime, as well as leading representatives of the younger generation of Britten scholars on both sides of the Atlantic.


Darkness Now Visible

Darkness Now Visible

Author: Carol Gilligan

Publisher: Cambridge University Press

Published: 2018-08-09

Total Pages: 173

ISBN-13: 110867058X

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In the fall of 2016 those promoting patriarchal ideals saw their champion Donald Trump elected president of the United States and showed us how powerful patriarchy still is in American society and culture. Darkness Now Visible: Patriarchy's Resurgence and Feminist Resistance explains how patriarchy and its embrace of misogyny, racism, xenophobia, homophobia, and violence are starkly visible and must be recognized and resisted. Carol Gilligan and David A. J. Richards offer a bold and original thesis: that gender is the linchpin that holds in place the structures of unjust oppression through the codes of masculinity and femininity that subvert the capacity to resist injustice. Feminism is not an issue of women only, or a battle of women versus men - it is the key ethical movement of our age.


Why Love Leads to Justice

Why Love Leads to Justice

Author: David A. J. Richards

Publisher: Cambridge University Press

Published: 2016

Total Pages: 271

ISBN-13: 1107129109

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This book tells the stories of notable historical figures whose resistance of patriarchal laws transformed ethical, political, and legal standards.