For the first time, this publication comprehensively documents and analyzes the Greek and Roman statuary discovered to date in the greater area of Syria. The text portion describes nearly all monuments in detail and classifies them in the context of the history of ancient sculpture. The associated volume of plates documents every item in detail, typically with four photographic views.--publisher's website.
For the first time, this publication comprehensively documents and analyzes the Greek and Roman statuary discovered to date in the greater area of Syria. The text portion describes nearly all monuments in detail and classifies them in the context of the history of ancient sculpture. The associated volume of plates documents every item in detail, typically with four photographic views.
The study of Roman sculpture has been an essential part of the disciplines of Art History and Classics since the eighteenth century. Famous works like the Laoco?n, the Arch of Titus, and the colossal portrait of Constantine are familiar to millions. Again and again, scholars have returned to sculpture to answer questions about Roman art, society, and history. Indeed, the field of Roman sculptural studies encompasses not only the full chronological range of the Roman world but also its expansive geography, and a variety of artistic media, formats, sizes, and functions. Exciting new theories, methods, and approaches have transformed the specialized literature on the subject in recent decades. Rather than creating another chronological catalogue of representative examples from various periods, genres, and settings, The Oxford Handbook of Roman Sculpture synthesizes current best practices for studying this central medium of Roman art, situating it within the larger fields of Art History, Classical Archaeology, and Roman Studies. This comprehensive volume fills the gap between introductory textbooks and highly focused professional literature. The Oxford Handbook of Roman Sculpture conveniently presents new technical, scientific, literary, and theoretical approaches to the study of Roman sculpture in one reference volume while simultaneously complementing textbooks and other publications that present well-known works in the corpus. The contributors to this volume address metropolitan and provincial material from the early republican period through late antiquity in an engaging and fresh style. Authoritative, innovative, and up-to-date, The Oxford Handbook of Roman Sculpture will remain an invaluable resource for years to come.
With contributions from thirty archaeologists, epigraphists, historians, and philologists, this book covers Palmyra's archaeological remains and history from its earliest phases in the pre-Roman era to the destruction of many of its monuments during the Syrian Civil War and subsequent looting. The authors give comprehensive overviews of already published evidence, as well as significant new findings and analyses from fieldwork, and cover a broad range of themes, which not only relate to the archaeology and history of the site, but also to its relationship with the rest of the ancient world as a major trade hub during the Roman period.
During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
Discover a comprehensive and cross-disciplinary handbook exploring several sub-regions and key themes perfect for a new generation of students A Companion to the Hellenistic and Roman Near East delivers the first complete handbook in the area of Hellenistic and Roman Near Eastern history. The book is divided into sections dealing with interdisciplinary source material, each with a great deal of regional variety and engaging with several key themes. It integrates discussions of the classical Near East with the typical undergraduate teaching syllabus in the Anglo-Saxon world. All contributors in this edited volume are leading scholars in their field, with a combination of established researchers and academics, and emerging voices. Contributors hail from countries across several continents, and work in various disciplines, including Ancient History, Archaeology, Art History, Epigraphy, Numismatics, and Oriental Studies. In addition to furthering the integration of the Levantine lands in the classical periods into the teaching canon, the book offers readers: The first comprehensively structured Companion and edited handbook on the Hellenistic and Roman Near East Extensive regional and sub-regional variety in the cross-disciplinary source material A way to compensate for the recent destruction of monuments in the region and the new generation of researchers’ inability to examine these historical stages in person An integration of the study of the Hellenistic and Roman Near East with traditional undergraduate teaching syllabi in the Anglo-Saxon world Perfect for undergraduate history and classics students studying the Near East, A Companion to the Hellenistic and Roman Near East will also earn a place in the libraries of graduate students and scholars working within Near Eastern studies, as well as interested members of the public with a passion for history.
"Friedland has done an excellent job of examining from all possible angles this difficult corpus of fragmentary statuary from Panias." -- Irene Bald Romano, University of Arizona, Bryn Mawr Classical Review (2013.03.41) This constitutes the first publication of a deposit of broken, marble statues, discovered in 1992 during excavations of the Roman Sanctuary of Pan at Caesarea Philippi (Banias, Israel). From 245 fragments, twenty-nine statues ranging from colossal to miniature and representing mainstream Graeco-Roman deities and mythological figures are reconstructed. Most date stylistically to the first through the late fourth centuries AD. A catalogue discusses each sculpture's subject, comparanda, workshop associations, and date; three interpretive chapters present the artistic and material origins of the sculptures; patterns of patronage, chronology of sculptural dedication, and display; and sculptural evidence for the sanctuary's pantheon.
