British Sculptors of the Twentieth Century

British Sculptors of the Twentieth Century

Author: Alan Windsor

Publisher: Routledge

Published: 2020-09-10

Total Pages: 612

ISBN-13: 1000160521

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This title was first published 2003. In the twentieth century, Britain was rich in artistic achievement, especially in sculpture. Just some of those working in this field were Jacob Epstein, Henri Gaudier-Brzeska, Henry Moore, Barbara Hepworth, Anthony Caro, Richard Long, Mona Hatoum and Anish Kapoor. The work of these and other known and less well-known artists has an astonishing variety and expressive power, a range and strength that has placed Britain at the hub of the artistic world. Alan Windsor has compiled a concise biographical dictionary of sculpture in Britain in book form. Richly informative and easy-to-use, this guide is an art-lover's and expert's essential reference. Written by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterization of the artist's work, and, where appropriate, major bibliographical references.


Art, Propaganda and Aerial Warfare in Britain during the Second World War

Art, Propaganda and Aerial Warfare in Britain during the Second World War

Author: Rebecca Searle

Publisher: Bloomsbury Publishing

Published: 2020-07-23

Total Pages: 167

ISBN-13: 1350075450

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The War Artists' Advisory Committee (WAAC) were responsible for the production of some of the most iconic images of the Second World War. Despite its rich historical value, this collection has been poorly utilised by historians and hasn't been subjected to the levels of analysis afforded to other forms of wartime culture. This innovative study addresses this gap by bringing official war art into dialogue with the social, economic and military histories of the Second World War. Rebecca Searle explores the tensions between the documentarist and propagandistic roles of the WAAC in their representation of aerial warfare in the battle for production, the Battle of Britain, the Blitz and the bombing of Germany. Her analyses demonstrate that whilst there was a strong correlation between war art and propaganda, the WAAC depicted many aspects of experience that were absent from wartime propaganda, such as class divisions within the services, gendered hierarchies within industries, civilian death and the true nature of the bombing of Germany. In addition, she shows that propagandistic constructions were not entirely separate from lived experience, but reflected experience and shaped the way that individuals made sense of the war. Accessibly written, highly illustrated and packed with valuable examples of the use of war art as historical source, this book will enhance our understanding of the social and cultural history of Britain during the Second World War.


Public Sculpture of Staffordshire and the Black Country

Public Sculpture of Staffordshire and the Black Country

Author: George Thomas Noszlopy

Publisher: Liverpool University Press

Published: 2005-01-01

Total Pages: 371

ISBN-13: 0853239894

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The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.


"William Reid Dick, Sculptor "

Author: Dennis Wardleworth

Publisher: Routledge

Published: 2017-07-05

Total Pages: 341

ISBN-13: 1351536885

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William Reid Dick (1878-1961) was one of a generation of British sculptors air-brushed out of art history by the Modernist critics of the late twentieth century. This long-overdue monograph adds to the recent revival of interest in this group of forgotten sculptors, by describing the life and work of arguably the leading figure of the group in unprecedented depth. The facts of Reid Dick's life and his most important works are presented against a backdrop of the historical, social and aesthetic changes taking place during his lifetime. Dennis Wardleworth elucidates why Reid Dick's reputation plummeted so quickly, and why his position in the history of British art deserves to be restored. This study draws upon a wealth of previously unpublished material, including over 2000 letters, and press cuttings and photographs in the Tate Archive, as well as letters and photographs held by Reid Dick's family. It traces the sculptor's story from his birth in the Gorbals in Glasgow, to his election to the Royal Academy and knighting by George V, to the decline of his career and his late-life connection with American millionaire and art collector Huntington Hartford. The first monograph on Reid Dick since 1945, the book also includes images of over 40 of his works and a listing of over 200 works identified by the author.


Sculpture and Archaeology

Sculpture and Archaeology

Author: Andrew Jones

Publisher: Routledge

Published: 2017-07-05

Total Pages: 238

ISBN-13: 1351549642

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In recent years the intersections between art history and archaeology have become the focus of critical analysis by both disciplines. Contemporary sculpture has played a key role in this dialogue. The essays in this volume, by art historians, archaeologists and artists, take the intersection between sculpture and archaeology as the prelude for analysis, examining the metaphorical and conceptual role of archaeology as subject matter for sculptors, and the significance of sculpture as a three-dimensional medium for exploring historical attitudes to archaeology.


Anglo-Saxon Kingdoms

Anglo-Saxon Kingdoms

Author: Claire Breay

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9780712352024

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The Anglo-Saxon period stretches from the arrival of Germanic groups on British shores in the early 5th century to the Norman Conquest of 1066. During these centuries, the English language was used and written down for the first time, pagan populations were converted to Christianity, and the foundations of the kingdom of England were laid. This richly illustrated new book - which accompanies a landmark British Library exhibition - presents Anglo-Saxon England as the home of a highly sophisticated artistic and political culture, deeply connected with its continental neighbours. Leading specialists in early medieval history, literature and culture engage with the unique, original evidence from which we can piece together the story of the Anglo-Saxon kingdoms, examining outstanding and beautiful objects such as highlights from the Staffordshire hoard and the Sutton Hoo burial. At the heart of the book is the British Library's outstanding collection of Anglo-Saxon manuscripts, the richest source of evidence about Old English language and literature, including Beowulf and other poetry; the Lindisfarne Gospels, one of Britain's greatest artistic and religious treasures; the St Cuthbert Gospel, the earliest intact European book; and historical manuscripts such as Bede's Ecclesiastical History and the Anglo-Saxon Chronicle. These national treasures are discussed alongside other, internationally important literary and historical manuscripts held in major collections in Britain and Europe. This book, and the exhibition it accompanies, chart a fascinating and dynamic period in early medieval history, and will bring to life our understanding of these formative centuries.


British Art and the Seven Years' War

British Art and the Seven Years' War

Author: Douglas Fordham

Publisher: University of Pennsylvania Press

Published: 2010-09-10

Total Pages: 352

ISBN-13: 0812242432

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Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.


"Marketing Art in the British Isles, 1700 to the Present "

Author: Charlotte Gould

Publisher: Routledge

Published: 2017-07-05

Total Pages: 472

ISBN-13: 1351559117

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A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelled at the middle classes; as well as an unquestionable native British genius at reconciling jarring discourses. Essays explore the unresolved tension between artistic aspirations and commercial interest - a tension that has come to shape Britain's national artistic tradition - from the perspectives of artists, dealers and (super-) collectors, and the upwardly mobile middle classes whose consumerism gave rise to the British art market as it is known today. Specific case studies include Whistler, Roger Fry, Damien Hirst, and Charles Saatchi; essays consider art markets from London and Manchester to Paris and Flanders.


"Memory, Masculinity and National Identity in British Visual Culture, 1914?930 "

Author: Gabriel Koureas

Publisher: Routledge

Published: 2017-07-05

Total Pages: 227

ISBN-13: 1351558544

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With its specific focus on British representations of masculinity in relation to the trauma of the First World War and notions of national identity, class and sexuality, this book provides a much needed addition to the historiography of visual culture during the period. The study interrogates the complications arising out of issues of trauma, cultural expressions of sexuality and affect, as well as the ways in which these are encoded in diverse forms in visual culture and commemorative objects. Concentrating on masculinity and cultural memory, it investigates the ways in which these and the web of power relations that they entail worked during the interwar years in order to reconstruct the post-First World War British society. In the course of the narrative, the author looks at Bolshevism and the Returning Ex-Servicemen, the 1919 NUR Strike, the Central Labour College in conjunction with banners and revolution, as well as the Imperial War Graves, the Cenotaph, the London and North Western Railway memorial, the Machine Gun Corps Memorial and the establishment of the Imperial War Museum. He also excavates new archival material, particularly case studies of shell shock sufferers and film footage of male hysteria.


Scenes and Traces of the English Civil War

Scenes and Traces of the English Civil War

Author: Stephen Bann

Publisher: Reaktion Books

Published: 2020-09-02

Total Pages: 289

ISBN-13: 1789142288

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The English Civil War has become a frequent point of reference in contemporary British political debate. A bitter and bloody series of conflicts, it shook the very foundations of seventeenth-century Britain. This book is the first attempt to portray the visual legacy of this period, as passed down, revisited, and periodically reworked over two and a half centuries of subsequent English history. Highly regarded art historian Stephen Bann deftly interprets the mass of visual evidence accessible today, from ornate tombs and statues to surviving sites of vandalism and iconoclasm, public signage, and historical paintings of human subjects, events, and places. Through these important scenes and sometimes barely perceptible traces, Bann shows how the British view of the War has been influenced and transformed by visual imagery.