This book entitled ‘Scripting and steering of destiny - a monograph on the doctrine of Karma’ contains certain insights on how we script and steer our destiny, and face the music of comeuppance, in case we accumulate bad Karma. It expounds how the doctrine of inexorable Karma operates and serves us as a moral compass. This book is expected to invoke interest among all sections of readers.
Do you feel the soul of another calling to you? Do you know in your heart that your destiny and his wore meant to merge In the cosmos? We can help you find him. When Romiette Cappelle and her best friend, Destiny, decide to order The Scientific Soul Mate System from the back of Heavy Hunks magazine, they're not sure what they're getting into. But Destiny, a self-proclaimed psychic, assures Romi that for $44.99 plus shipping and handling, it's the only way they're ever going to find out who their soul mates really are. If nothing else, maybe Romi will get some insight into that recurring dream she's been having about fire and water. But they never expect that the scented candle and tube of dream ointment will live up to their promises and merge Romiette's destiny with that of Julio Montague, a boy she's just met in the "cosmos" of an Internet chat room. It turns out they go to the same high school, not to mention having almost the same names as Shakespeare's famous lovers! Sweet-scented dreams of Julio have almost overtaken Romi's nightmares... ...when suddenly they return, but this time in real life. It seems the Devildogs, a local gang, violently oppose the relationship of Romiette and Julio. Soon they find themselves haunted by the purple-clad shadows of the gang, and the fire and water of Romiette's dream merge in ways more terrifying -- and ultimately more affirming -- than even Destiny could have foreseen.
This first essay collection by the founder of the South Seattle Emerald—the Pacific Northwest’s most diverse & activist-oriented community newspaper—is sure to challenge & inspire readers to work towards a better future; to engage with the various structural impediments, social and racial, preventing a more just and equitable America. Social justice is an ideal. It’s not a reality. And while there are moments that make it feel tantalizingly close, the moment that follows often punts it right back to the far distance. Growing up black in south Seattle, journalist and essayist Marcus Harrison Green has a keen sense of exactly where and how things break down. From his own experience in the classroom and at the hands of police to his fierce dissection of the racism baked into media and journalism, Green makes poetry of the clarity that comes after long reflection. In this collection, Green bears sharp witness to the Black Lives Matter movement, his own journey into and out of religious faith, his grandmother’s lessons, his battle with bipolar disorder, human mortality, blatant hypocrisy, and much more. He shines a light on what hurts the most deeply in us: not only the brutal injustice of a world built by the powerful for the powerful, but the close proximity of that brutality to a persistent kernel of hope. Yet because there is hope, there is conviction. Green never falters in the knowledge that the struggle itself is something to tie ourselves to and define ourselves by. With astute analyses, evocative imagery, profound empathy, and the ability to laugh at it all, these essays, even with their collective weight, leave us much lighter than they found us. Long before America’s reckoning on racism and historical injustice, Marcus Harrison Green was busy peering into the nation’s psyche—and examining his own. These incisive essays, some outward looking and others tenderly personal, show why his vision of journalism as a force for social good is so suited for our times. Marcus wears his heart on his sleeve, as everyone in his beloved South Seattle knows, but as a Black man in a nation that’s only beginning to see the dignity of those who’ve been rendered powerless, he’s under no illusions about the hard work that will be required for this country face its sins and at last, make us all feel at home. These are of the chronicles of a nation wrestling with whether to reach for the best of itself, a man bearing his soul and a journalist coming to terms with his calling. ~Tyrone Beason, Journalist, Los Angeles Times Marcus Harrison Green’s incisive, big-hearted writing always stands out. He nails a high-difficulty landing every time, displaying the rare patience and empathy necessary to understand how someone can come to any point of view, while wielding the moral clarity and sociological insight that forces us to confront our own failures in facing the truth about poverty and racism. Along the way, he writes about himself with deep vulnerability in a way that illuminates not himself but the subjects of his writing, whom he clearly loves. More writers should emulate the way Green makes humanity and hope burst forth from the dispiriting statistics we see everyday. He never stops at “Why is this happening?”, instead persuading us to ask ourselves, “What are we doing about it?” ~Lawrence Lanahan, The Lines Between Us Writing is a tool of exploration, and readers of Marcus’ work get the benefit of his deep dives into family relationships, mental health, racial dynamics and many other parts of life that people leave largely unexamined because looking too closely feels perilous. Readers who go along with Marcus on his fearless journey in Readying to Rise may be inspired to look more closely at themselves and the world. ~Jerry Large, former Seattle Times columnist
In this fascinating survey of contemporary screen craft, David Cohen of Script and Variety magazines leads readers down the long and harrowing road every screenplay takes from idea to script to screen. In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters. Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco. Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.
This authoritative book presents conclusions of recent studies on road rage, summarizes legislative and police initiatives, and redefines driver education for all drivers.
There is a sense that permeates most acting classes which promotes the idea that acting is hard and you need to do a bunch of traditional steps if you're ever going to get anywhere. The flame of this concept is kept lit for two reasons. One is tradition. Successful actors and teachers in our theatrical history supposedly believed in or espoused such ideas and two; it is easier for teachers and actors to follow a path that is well worn. Actors feel intimidated to challenge the ideas and teachings of past masters. But isn't that exactly how every field of endeavor evolves? Think of where we'd be in science or medicine or sports if no one questioned past methods or tried to discover new ones. This book will show you an approach that is direct and to the point, an approach that will be far easier to remember and utilize. We'll use real life. We call it acting only because people are watching. "If you're an actor, this book will restore your sanity." Steven Pressfield, Author: The War of Art, Turning Pro, The Legend of Bagger Vance
Yet The Devil in Love reaches beyond, as its sophisticated play of gender shifts transforms a chronicle of fatal attraction into an ironic commentary on social and psychological mores.
Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir films, including acknowledged masterpieces like Laura, The Maltese Falcon, Sunset Boulevard, and Touch of Evil, as well as films not often associated with film noir like Spellbound, A Double Life, and Anatomy of a Murder. Phillips also examines overlooked or underappreciated films such as Song of the Thin Man, The Glass Key, Ministry of Fear, and Act of Violence. Also considered in this reevaluation are significant neo-noir films, among them Chinatown, Hammett, L.A. Confidential, and The Talented Mr. Ripley. In his analyses, Phillips draws upon a number of sources, including personal interviews with directors and others connected with their productions, screenplays, and evaluations of other commentators. Out of the Shadows explores not only the most celebrated noir films but offers new insight into underrated films that deserve reconsideration. Of interest to film historians and scholars, this volume will also appeal to anyone who wants a better understanding of the works that represent this unique cycle in American filmmaking.
