Screening Reality

Screening Reality

Author: Steve Wharton

Publisher: Peter Lang

Published: 2006

Total Pages: 264

ISBN-13: 9783039100668

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Between 1940 and 1944 in German-occupied France, the previously disregarded documentary or film de complément took on a new and more prominent role for cinema audiences. Film programmes were obliged for the first time to show documentaries as well as the main feature. Vichy Government support and encouragement made documentary a vehicle for the palatable promotion of policy whilst ostensibly appearing neutral and didactic. Key to this task was the fostering of a climate in which documentary film could be appreciated in its own right, and so it was that special series of high quality documentaries were screened first in Paris and then across France. In 1943 a Government-sponsored Documentary Film Congress acknowledged that these screenings were « au service de la France et du Maréchal ». This book relates the films to their historical context with reference to other propaganda materials of the period, to indicate how this might have been achieved.


Screening Reality

Screening Reality

Author: Jon Wilkman

Publisher: Bloomsbury Publishing USA

Published: 2020-02-18

Total Pages: 521

ISBN-13: 1635571057

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“A towering achievement, and a volume I know I'll be consulting on a regular basis.”-Leonard Maltin "Authoritative, accessible, and elegantly written, Screening Reality is the history of American documentary film we have been waiting for." --Kenneth Turan, Los Angeles Times film critic From Edison to IMAX, Ken Burns to virtual environments, the first comprehensive history of American documentary film and the remarkable men and women who changed the way we view the world. Amidst claims of a new “post-truth” era, documentary filmmaking has experienced a golden age. Today, more documentaries are made and widely viewed than ever before, illuminating our increasingly fraught relationship with what's true in politics and culture. For most of our history, Americans have depended on motion pictures to bring the realities of the world into view. And yet the richly complex, ever-evolving relationship between nonfiction movies and American history is virtually unexplored. Screening Reality is a widescreen view of how American “truth” has been discovered, defined, projected, televised, and streamed during more than one hundred years of dramatic change, through World Wars I and II, the dawn of mass media, the social and political turmoil of the sixties and seventies, and the communications revolution that led to a twenty-first century of empowered yet divided Americans. In the telling, professional filmmaker Jon Wilkman draws on his own experience, as well as the stories of inventors, adventurers, journalists, entrepreneurs, artists, and activists who framed and filtered the world to inform, persuade, awe, and entertain. Interweaving American and motion picture history, and an inquiry into the nature of truth on screen, Screening Reality is essential and fascinating reading for anyone looking to expand an understanding of the American experience and today's truth-challenged times.


The Routledge Encyclopedia of Film Theory

The Routledge Encyclopedia of Film Theory

Author: Edward Branigan

Publisher: Routledge

Published: 2013-12-04

Total Pages: 767

ISBN-13: 1136472622

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The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.


Skepticism Films

Skepticism Films

Author: Philipp Schmerheim

Publisher: Bloomsbury Publishing USA

Published: 2017-06-29

Total Pages: 351

ISBN-13: 1501320149

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Skepticism Films: Knowing and Doubting the World in Contemporary Cinema introduces skepticism films as updated configurations of skepticist thought experiments which exemplify the pervasiveness of philosophical ideas in popular culture. Philipp Schmerheim defends a pluralistic film-philosophical position according to which films can be, but need not be, expressions of philosophical thought in their own right. It critically investigates the influence of ideas of skepticism on film-philosophical theories and develops a typology of skepticism films by analyzing The Truman Show, Inception, The Matrix, Vanilla Sky, The Thirteenth Floor, Moon and other contemporary skepticism films. With its focus on skepticism as one of the most significant philosophical problems, Skepticism Films provides a better understanding of the dynamic interplay between film, theories of film and philosophy.


Popular Ghosts

Popular Ghosts

Author: Esther Peeren

Publisher: Bloomsbury Publishing USA

Published: 2010-04-01

Total Pages: 638

ISBN-13: 1441149775

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Haunting has long been a compelling element in popular culture, and has become an influential category in academic engagements with politics, economics, and aesthetics. While recent scholarship has used psychoanalysis and the Gothic as frameworks with which to study haunting, this volume seeks to situate ghosts in the cultural imagination. The chapters in Popular Ghosts are united by the impulse to theorize the cultural work that ghosts do within the trans-historical contexts that comprise our understanding of everyday life. These authors study the theoretical and aesthetic genealogies of the spectral, while also commenting on the multiple everyday spaces that this category occupies. Rather than looking to a single tradition or medium, the essays in Popular Ghosts explore film, novels, photography, television, music, social practices, and political structures from different cultures to reopen the questions that surround our haunted sense of the everyday.


Handbook of Drug Screening

Handbook of Drug Screening

Author: Ramakrishna Seethala

Publisher: CRC Press

Published: 2001-07-24

Total Pages: 619

ISBN-13: 0824741447

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A presentation of screening techniques, modern technologies, and high-capacity instrumentation for increased productivity in the development and discovery of new drugs, chemical compounds, and targeted delivery of pharmaceuticals. It contains practical applications and examples of strategies in cell-based and cell-free screens as well as homogeneous, fluorescence, chemiluminescence, and radioactive-based technologies.


Critical Excess

Critical Excess

Author: Colin Davis

Publisher: Stanford University Press

Published: 2010-04-06

Total Pages: 235

ISBN-13: 0804763062

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This lucidly written book looks at the interpretative audacity of five major "overreaders"Jacques Derrida, Gilles Deleuze, Emmanuel Levinas, Slavoj i ek and Stanley Cavelland asks what is at stake and what is to be gained by their approaches to literature and film."


Vichy France and Everyday Life

Vichy France and Everyday Life

Author: Lindsey Dodd

Publisher: Bloomsbury Publishing

Published: 2018-06-28

Total Pages: 265

ISBN-13: 1350011606

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This wide-ranging volume brings together a blend of experienced and emerging scholars to examine the texture of everyday life for different parts of the wartime French population. It explores systems of coping, means of helping one another, confrontations with people or events and the challenges posed to and by Vichy's National Revolution during this difficult period in French and European history. The book focuses on human interactions at the micro level, highlighting lived experience within the complex social networks of this era, as French civilians negotiated the violence of war, the restrictions of Occupation, the shortages of daily necessities and the fear of persecution in their everyday lives. Using approaches drawn mostly from history, but also including oral history, film, gender studies and sociology, the text peers into the lives of ordinary men, women and children and opens new perspectives on questions of resistance, collaboration, war and memory; it tells some of the stories of the anonymous millions who suffered, coped, laughed, played and worked, either together at home or far apart in towns and villages across Occupied and Vichy France. Vichy France and Everyday Life is a crucial study for anyone interested in the social history of the Second World War or the history of France during the twentieth century.


Cine-Ethics

Cine-Ethics

Author: Jinhee Choi

Publisher: Routledge

Published: 2013-10-15

Total Pages: 266

ISBN-13: 1136745963

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This volume looks at the significance and range of ethical questions that pertain to various film practices. Diverse philosophical traditions provide useful frameworks to discuss spectators’ affective and emotional engagement with film, which can function as a moral ground for one’s connection to others and to the world outside the self. These traditions encompass theories of emotion, phenomenology, the philosophy of compassion, and analytic and continental ethical thinking and environmental ethics. This anthology is one of the first volumes to open up a dialogue among these diverse methodologies. Contributors bring to the fore some of the assumptions implicitly shared between these theories and forge a new relationship between them in order to explore the moral engagement of the spectator and the ethical consequences of both producing and consuming films