Scottish Art and Artists in Historical and Contemporary Context
Scottish Art and Artists in Historical and Contemporary Context

Author: Bill Hare

Publisher: Luath Press Ltd

Published: 2024-03-31

Total Pages: 408

ISBN-13: 1804251526

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In comparison with many who write about contemporary art, Hare is never self indulgent or wilfully obscure – there is no bogus theorising to be found here. From the Foreword by ALEXANDER MOFFAT Alan Davie • Eduardo Paolozzi • William Turnbull • Janet Boulton • Ian Hamilton Finlay • Joan Eardley • Anthony Hatwell • Colquhoun and MacBryde • Boyle Family • Jack Knox • Barbara Rae • Lys Hansen • Joyce Cairns • Doug Cocker • John Kirkwood • Steven Campbell • Ken Currie • Peter Howson • Henry Kondracki • Paul Reid • Iain Robertson • Douglas Gordon This book is a wide-ranging exploration of Scottish art and artists by one of Scotland's leading art historians. Navigating the intricacies of aesthetic debate with attitude and aplomb, Bill Hare examines the historical forces that have shaped Scottish art. His elegant, approachable writings are a treasure-house of informed discourse. Illuminating and perennially relevant, these essays offer stimulating perspectives and nuanced insights into the confluence of passion, mystery and myth that lies at the heart of the best of Scottish art.

The Dictionary of Scottish Painters, 1600 to the Present
The Dictionary of Scottish Painters, 1600 to the Present

Author: Julian Halsby

Publisher: Canongate Books

Published: 1998

Total Pages: 262

ISBN-13:

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Containing entries on over 2000 major and minor painters who have worked in Scotland, this edition gives them a historical context and lists relevant works, relationship to other artists and exhibition dates. In addition, generic movements and institutions are included.

Scottish Art Since 1960
Scottish Art Since 1960

Author: Craig Richardson

Publisher: Ashgate Publishing, Ltd.

Published: 2011

Total Pages: 234

ISBN-13: 9780754661245

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Providing an analysis and including discussion (interviewing artists, curators and critics and accessing non-catalogued personal archives) towards a new chronology, Richardson here examines and proposes a sequence of precisely denoted 'exemplary' works which outlines a self-conscious definition of the interrogative term 'Scottish art.' Richardson addresses key areas of cultural politics and identity to illuminate the development of Scottish art, enhancing our understanding of the dynamics of art practice today.

The Story of Scottish Art
The Story of Scottish Art

Author: Lachlan Goudie

Publisher: Thames & Hudson

Published: 2022

Total Pages: 0

ISBN-13: 9780500296950

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The compelling story of over 5,000 years of Scottish art, told by Lachlan Goudie, renowned contemporary Scottish artist, broadcaster and presenter of BBC Four's 'The Story of Scottish Art'. This is the story of how Scotland has defined itself through its art over the past 5000 years, from the earliest enigmatic Neolithic symbols etched onto the landscape of Kilmartin Glen to Glasgow's fame as a centre of artistic innovation today. Lachlan Goudie brings his perspective and passion as a practising artist and broadcaster to narrate the joys and struggles of artists across the millennia striving to fulfil their vision and the dramatic transformations of Scottish society reflected in their art. The Story of Scottish Art is beautifully illustrated with the diverse artworks that form Scotland's long tradition of bold creativity: Pictish carved stones and Celtic metalwork; Renaissance palaces and chapels; paintings of Scottish life and landscapes by Horatio McCulloch, David Wilkie and Joan Eardley; designs by master architect Charles Rennie Mackintosh; and collage and sculpture by Pop Art pioneer Eduardo Paolozzi. Lachlan tells the compelling story of how and why these and many other Scottish masterpieces were created, and the impact they have had on the world.

Scottish Art (Second) (World of Art)
Scottish Art (Second) (World of Art)

Author: Murdo MacDonald

Publisher: Thames & Hudson

Published: 2021-04-13

Total Pages: 404

ISBN-13: 0500776040

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Accessible, extensively researched, and beautifully illustrated, this updated volume by renowned scholar and author Murdo Macdonald sheds light on the history and cultural significance of Scottish art. At a time when issues of Scottish identity are the subject of fierce debate, Murdo Macdonald illuminates Scotland’s artistic past and present in this classic text in the World of Art series. Ranging from Neolithic standing stones and the art of the Picts and Gaels to Reformation and Enlightenment art and major figures in the contemporary art scene, Scottish Art explores the distinctive characteristics of Scottish art through the centuries. It examines the cultural heritage and intricate patterns of Celtic design, the importance of Highland and coastal landscapes, long-standing connections between French and Scottish artists, and how each of these factors influenced the development of art in Scotland. This new edition includes more than 200 full-color images of Scottish art from prehistoric times to the present. With masterpieces from artists such as Charles Rennie Mackintosh and Joan Eardley, this book is a thorough, authoritative, and accessible introduction to Scottish art.

Scottish Art since 1960
Scottish Art since 1960

Author: Craig Richardson

Publisher: Routledge

Published: 2017-07-05

Total Pages: 230

ISBN-13: 1351549790

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Craig Richardson here addresses key areas of cultural politics and identity in a way that not only illuminates the development of Scottish art, but teases out another strand of the plurality of developments which led to the success of artists throughout the UK in the 1990s. It is of the highest relevance whether one's perspective is that of the development of the Scottish art, British art or European art of this period. The book adds significantly to our knowledge of the art of this period in a way that will aid not only our historical understanding but our understanding of the dynamics of art practice today. Providing an analysis and including discussion (interviewing artists, curators and critics and accessing non-catalogued personal archives) towards a new chronology, Richardson here examines and proposes a sequence of precisely denoted 'exemplary' works which outlines a self-conscious definition of the interrogative term 'Scottish art.' Among the artists whose work is discussed are John Latham, Simon Starling, Alan Johnston, Roderick Buchanan, Glen Onwin, Christine Borland, William Johnstone, Joan Eardley, Alexander Moffat, Douglas Gordon, Alan Smith, Graeme Fagen, Ross Sinclair and many others. The discussion culminates in a critically original demonstration of the scope for further research and practice within the subject, facilitating national cultural debate on the character of Scottish-national visual art.

Across the Margins
Across the Margins

Author: Glenda Norquay

Publisher: Manchester University Press

Published: 2002

Total Pages: 234

ISBN-13: 9780719057496

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Contributors to this text discuss what it is to be British or Irish, and how people come to describe themselves as such. The study offers a interdisciplinary comparative analysis of the cultural formation of the Atlantic Archipelago.

Scotland, CEMA and the Arts Council, 1919-1967
Scotland, CEMA and the Arts Council, 1919-1967

Author: Euan McArthur

Publisher: Routledge

Published: 2016-04-01

Total Pages: 241

ISBN-13: 1317058755

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A case study of the relationship between arts and cultural policy and nationalism, Scotland, CEMA and the Arts Council, 1919-1967: Background, Politics and Visual Art Policy examines the overlooked significance of Scotland in the development of British arts policy and institutions. This study is broadly relevant in an era of political devolution, which continues to pose questions for the constituent nations of Britain and their sense of self- and collective identities. Euan McArthur provides a clear account of the background to and evolution of the Council for the Encouragement of Music and the Arts (CEMA) and the Arts Council of Great Britain (ACGB) in Scotland up to the formation of the Scottish Arts Council (SAC) in 1967. He also presents a study of Scottish visual art policy and activities between 1940 and 1967, assessing the successes and failures of visual art policy in Scotland, including the degree to which it evolved differently from England. This development, leading to the re-naming of the Scottish Committee of the ACGB as the SAC, prepared the way for the expansion of activities that marked the 1970s and after. Based on extensive archival research, this book brings to light previously unavailable material, not covered in existing accounts of CEMA/ACGB.

The Road to Parnassus: Artist Strategies in Contemporary Art
The Road to Parnassus: Artist Strategies in Contemporary Art

Author: Diego Mantoan

Publisher: Vernon Press

Published: 2020-10-06

Total Pages: 449

ISBN-13: 1648890024

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How can one become a successful artist? Where should one start a career in the art world? What are useful strategies to achieve recognition in the art system? Such questions hoard in students' minds ever since entering art school and they probably chase every kind of art professional who is at an early career stage. “The Road to Parnassus” tries to understand what makes a good start in today's art world, who are influential players in the field and which strategies might apply. The swift career ascension of Glasgow artist Douglas Gordon – one of today's leading visual artists – and of the broader YBA generation that rose into worldwide prominence in the 1990s – Damien Hirst and Sarah Lucas among the best known – serves as a convenient case to analyse contemporary artist strategies. This book takes a multidisciplinary approach – spanning from traditional art history, to sociology and economics – pursuing the reconstruction of the field of forces in art as intended by French sociologist Pierre Bourdieu. Compared to previous publications on art system dynamics, such as Thompson's “The $12 Million Stuffed Shark”, this book offers an enhanced understanding of the factors that allow a young artist to enter the arena of contemporary art. The present research should help uncover the art system logic – which appears enigmatic to non-experts – revealing that artists are aware they need to consider global trends, beat competitors and meet the demands of dealers, collectors, curators and museums. This book furthers existing contributions on the YBAs (for example Stallabrass' “High Art Lite”), offering innovative conclusions on recent British art, such as on the duality between London and Glasgow, the gender opposition among emerging artists and the predominance of resourceful authors.