A stunning, rhythmic picture book biography of African American composer Scott Joplin, whose ragtime music paved the way for jazz. There was something special about Scott Joplin… This quiet kid could make a piano laugh out loud. Scott, the son of a man who had been enslaved, became a king—the King of Ragtime. This celebration of Scott Joplin, whose ragtime compositions paved the way for jazz, will captivate audiences and put a beat in their step, and the kaleidoscope-like illustrations will draw young readers in again and again.
In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.
Scott Joplin came from a music-making family in Texarkana, Texas. As a small boy, he loved the lively, rhythmic African melodies and the soft, touching spirituals that he heard his father sing. By the age of twenty, Joplin had left home to make a living as a musician. Barbara Mitchell's Raggin' is the story of this talented composer/musician who overcame prejudice and hardship to create such favorites as "Maple Leaf Rag" and "The Entertainer"--music that still makes people tap their toes.
Recounts the life and times of the now-legendary pianist and ragtime composer and explores the roots, development, and influence of the musical form in which he excelled.
(Easy Piano Composer Collection). 12 of the best from "The King of Ragtime," complete with an introduction, a biography, and extensive playing tips to help the beginning ragtime player. Songs include: The Entertainer * Maple Leaf Rag * Bethena * The Easy Winners * and more.
In addition to the 54 original and collaborative works presented in this impressive volume, Scott Joplin: The Collected Piano Works includes 34 pages of scholarly insight and history that help the pianist determine performance practices and authentically reproduce the sound and style Joplin intended. With editions of 19 publishers reproduced in this volume, a colorful variety of music typefaces and printing styles is offered. Together with the evocative original cover designs, they present a vivid panorama of the Ragtime Era. Because study of the original publications has revealed great numbers of errata of various kinds, and since this edition is primarily intended for study and performance, the editors have incorporated corrections into the facsimile pages rather than perpetuate original errors for antiquarian interest. Titles include: Maple Leaf Rag * The Entertainer * The Chrysanthemum * Rosebud * Eugenia * Gladiolus Rag * Wall Street Rag * Solace * Paragon Rag * Lily Queen * Heliotrope Bouquet * Kismet Rag * School of Ragtime * Swan Rag * Treemonisha and more.
Examines the life and accomplishments of the well-known ragtime pianist and composer who wrote hundreds of pieces of music, including a ballet and two operas.
As a member of the first generation of African Americans who were born just after the end of slavery, Scott Joplin faced a world of unique challenges. His musical family scraped out a living by sharecropping and cleaning houses—but Scott was exceptionally gifted, and his mother made sure he got piano lessons. Classically trained, he spent several years playing in churches and saloons. While for a time he wanted to compose classical music, he was drawn to ragtime, an early form of jazz that featured African folk tunes and syncopated rhythms. After his first composition, "Maple Leaf Rag," was published in 1899, Scott Joplin was able to keep ragtime popular for the next two decades. In fact, ragtime influences can be heard in later forms of music, such as jazz, blues, and even rock and roll. Scott Joplin, the Father of Ragtime, whose compositions cut across geography, race, and class, was truly a Master of Music.
