Scopophilia

Scopophilia

Author: Selby Parker

Publisher: Wipf and Stock Publishers

Published: 2018-04-03

Total Pages: 255

ISBN-13: 1532648413

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Selby Parker’s novel is a shocking and imaginative tale of murder, mayhem, and out-of-body fantasies, filled with plot twists and provocative issues that tear at the fabric of three families who become involved with a New York psychiatrist. A rich Jewish widow recovering from a failed marriage, a Vietnam veteran who suffers night terrors, and a successful Jewish businessman who learns that his mother was a mistress to a Cuban mobster all make for interesting clients, whilst endangering the psychiatrist’s life. The soldier’s dreams reveal him to be the reincarnation of Prince Albert Victor, the grandson of Queen Victoria. His lurid tale under hypnosis reveals the culpable parties in the unsolved Jack the Ripper murders in London’s White Chapel. Rich with descriptive details of London, San Francisco, and Sicily, the novel offers gritty realism, powerful characters, and historical fantasy all woven together in a common thread.


The Fear of Looking or Scopophilic — Exhibitionistic Conflicts

The Fear of Looking or Scopophilic — Exhibitionistic Conflicts

Author: David W. Allen

Publisher: Butterworth-Heinemann

Published: 2016-07-29

Total Pages: 147

ISBN-13: 1483193357

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The Fear of Looking or Scopophilic–Exhibitionistic Conflicts presents the importance of socophilic–exhibitionistic or look–show factors in neuroses, in the treatment situation, and in everyday life. This book examines some of the implications of scopophilic–exhibitionistic cathexes for creativity. Organized into six chapters, this book begins with an overview of the emotional impact made through scopophilic–exhibitionistic modalities. This text then explains that the social, fighting, and mating rituals of many species involve looking and showing. Other chapters consider the typical connection between the screen function of a memory or remembered fantasy and the screen function of compulsive scopophilic–exhibitionistic reenactment in reducing current anxiety. This book discusses as well the partial instincts of scopophilia and exhibitionism that are present in everyone. The final chapter deals with the concept of psychic masochism that predominates in scopophilic–exhibitionistic suffering. This book is a valuable resource for psychiatrists, psychoanalysts, and behavioral scientists.


A Hitchcock Reader

A Hitchcock Reader

Author: Marshall Deutelbaum

Publisher: John Wiley & Sons

Published: 2009-02-24

Total Pages: 425

ISBN-13: 1405155566

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This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock


Roll Over Adorno

Roll Over Adorno

Author: Robert Miklitsch

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 286

ISBN-13: 0791481875

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What happens when Theodor Adorno, the champion of high, classical artists such as Beethoven, comes into contact with the music of Chuck Berry, the de facto king of rock 'n' roll? In a series of readings and meditations, Robert Miklitsch investigates the postmodern nexus between elite and popular culture as it occurs in the audiovisual fields of film, music, and television—ranging from Gershwin to gangsta rap, Tarantino to Tongues Untied, Tony Soprano to Buffy the Vampire Slayer, Miklitsch argues that the aim of critical theory in the new century will be to describe and explain these commodities in ever greater phenomenological detail without losing touch with those evaluative criteria that have historically sustained both Kulturkritik and classical aesthetics.


Basic Psychoanalytic Concepts

Basic Psychoanalytic Concepts

Author: Humberto Nagera

Publisher: Taylor & Francis

Published: 2022-07-30

Total Pages: 676

ISBN-13: 1317669460

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This 4-volume set, originally published between 1969 and 1970, traces the basic psychoanalytic concepts evolved by Freud. Each volume takes a single theme in Freud’s thought and gives a concise but exhaustive account of the historical development of the concepts relating to it. Whenever there is any change in formulation or amplification, the change and Freud’s reasons for it are clearly noted. Out of print for some time, it is now available again both as a set and individual volumes. In order to present his thought most clearly and graphically, Freud’s own words have been used, and references are always given to the appropriate volumes of the standard edition of the Complete Psychological Works of Sigmund Freud, and to Freud’s letters and other writings. This enables the reader to pursue any subject of special interest in a minimum of time – a possibility that will prove of enormous help to students, teachers, lecturers, research workers and seminar leaders alike. The preparation of these volumes involved the active collaboration of fifteen psychoanalysts and child psychotherapists from the Hampstead Child Therapy Clinic (now the Anna Freud Centre). Organized in the form of a study group under the chairmanship of Dr Humberto Nagera , they worked intensively on the project for six years before completing these four volumes. Usually it will take a student several years of intense reading to become conversant with these basic concepts let alone to master and integrate them fully. Dr Nagera and his colleagues aimed at making this task lighter.


Solitary Pleasures

Solitary Pleasures

Author: Paula Bennett

Publisher: Routledge

Published: 2020-04-23

Total Pages: 297

ISBN-13: 1134715269

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Solitary Pleasures is the first anthology to address masturbation, exploring both the history and artistic representation of autoeroticism. Masturbation today enjoys a highly equivocal and contradictory status among cultural discourses relating to sexuality. On the one hand, it is the subject of much popular treatment, especially in sexual self-help books, advice columns, and in pop culture--for example, Madonna's "Like a Virgin" performance, a recent Roseanne episode, and David Russell's movie Spanking the Monkey. On the other hand, masturbation is still a taboo subject for most people in everyday conversation. Perhaps more surprising, it has been largely dismissed by academics as a trivial, humorous topic and the "history of a delusion." It was not until the eighteenth century that "onanism" was portrayed as a morbid act of epidemic proportions that produced pox, hair loss, blindness, insanity, impotence and a horrible. Its prevention and treatment warranted diverse and often cruel measures: surveillance, diets, drugs, corsets, electrical alarms, urethral cauterization, clitoridectomy, and labial sewing. This literature's apocalyptic warnings about the personal and social morbidity of "pollution-by-the-hand" are largely unknown to most people today, but the ghostly echoes of these admonitions still inform and preserve the present taboo of the subject. Why did this apparently innocuous activity become so overpoweringly stigmatized? Why was the eradication of masturbation one of the most important goals of 19th century public hygiene? Why, even after the "sexual revolution," is masturbation still shrouded in shame?


Seeing Jaakob

Seeing Jaakob

Author: David L. Tingey

Publisher: Peter Lang

Published: 2010

Total Pages: 326

ISBN-13: 9783039119066

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Despite the considerable amount of scholarship on Mann's work, his tetralogy - composed prior to and during his exile from Nazi Germany - has received less attention and has not been examined from the perspective of the relationship of visuality to narrative. In this study of Mann's reworking of the biblical account of Jacob, father of Joseph, the author examines the ways the novel's protagonists frame their environment through knowledge and meaning gained via specific acts of seeing. While considering Mann's oft-stated intent to refunctionalize myth by means of psychology for humane and progressive purposes, the book explores the lavish narrative attention Mann gives to visual detail, visual stimulation, the protagonists' eyes, ways of seeing, and even to staging and performance in anticipation of another's way of seeing. The results reveal that the plot of the first Joseph novel is carried and propelled by a series of visual encounters during which the narrative draws attention to the protagonists' eyes and acts of looking.


Fashion as Communication

Fashion as Communication

Author: Malcolm Barnard

Publisher: Routledge

Published: 2013-10-18

Total Pages: 228

ISBN-13: 1136413049

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What kinds of things do fashion and clothing say about us? What does it mean to wear Gap or Gaultier, Milletts or Moschino? Are there any real differences between Hip-Hop style and Punk anti-styles? In this fully revised and updated edition, Malcolm Barnard introduces fashion and clothing as ways of communicating and challenging class, gender, sexual and social identities. Drawing on a range of theoretical approaches from Barthes and Baudrillard to Marxist, psychoanalytic and feminist theory, Barnard addresses the ambivalent status of fashion in contemporary culture.


Film

Film

Author: Nitzan Ben-Shaul

Publisher: Berg

Published: 2007-01-01

Total Pages: 168

ISBN-13: 1847883702

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Film: The Key Concepts presents a coherent, clear and exciting overview of film theory for beginning readers. The book takes the reader through the often conflicting analyses that make up film theory, illustrating arguments with examples from mainstream and independent films. Concise and comprehensive, the book guides the reader through realism, formalism, structuralism, semiotics, Marxism, psychoanalysis, feminism, cognitivism, post-colonialism, postmodernism, gender and queer film theory, stardom and film audience research. The book as a whole provides a complete overview of the evolution of film theory. Throughout, the analysis is illustrated with lively boxed studies of key mainstream and independent films. Bulleted chapter summaries, questions and guides to further reading are also provided.