Mystery Inc. is on the case when a small town is plagued by claims of monster sightings. What could Bigfoot, the Goat Man, the Lizard Man, and the other creatures be up to? And what will it mean for the town if the gang can’t find out?
Why is Fred always hungry, while Shaggy has nothing but traps on his mind? And why is Velma concerned with what to wear, while Daphne is consumed with books? What is the mystery behind our gang acting so unfamiliar, and can Scooby save the day? All will be answered once you fall under the spell of…the Hypno-Haunt!
The Mystery, Inc. gang is taking a break from mystery solving and heading to Hawaii on vacation. Things take a turn for the weird when a strange tiki monster appears.
This book analyzes the 500 top-grossing films of the last 20 years to show how speakers of traditionally stigmatized dialects are represented, underrepresented, misrepresented, and mocked. Ultimately, the author demonstrates how Hollywood reinforces long-standing negative beliefs about the languages of marginalized communities.
Middle Easterners: Sometimes White, Sometimes Not - an article by John Tehranian The Middle Eastern question lies at the heart of the most pressing issues of our time: the war in Iraq and on terrorism, the growing tension between preservation of our national security and protection of our civil rights, and the debate over immigration, assimilation, and our national identity. Yet paradoxically, little attention is focused on our domestic Middle Eastern population and its place in American society. Unlike many other racial minorities in our country, Middle Eastern Americans have faced rising, rather than diminishing, degrees of discrimination over time; a fact highlighted by recent targeted immigration policies, racial profiling, a war on terrorism with a decided racialist bent, and growing rates of job discrimination and hate crime. Oddly enough, however, Middle Eastern Americans are not even considered a minority in official government data. Instead, they are deemed white by law. In Whitewashed, John Tehranian combines his own personal experiences as an Iranian American with an expert’s analysis of current events, legal trends, and critical theory to analyze this bizarre Catch-22 of Middle Eastern racial classification. He explains how American constructions of Middle Eastern racial identity have changed over the last two centuries, paying particular attention to the shift in perceptions of the Middle Easterner from friendly foreigner to enemy alien, a trend accelerated by the tragic events of 9/11. Focusing on the contemporary immigration debate, the war on terrorism, media portrayals of Middle Easterners, and the processes of creating racial stereotypes, Tehranian argues that, despite its many successes, the modern civil rights movement has not done enough to protect the liberties of Middle Eastern Americans. By following how concepts of whiteness have transformed over time, Whitewashed forces readers to rethink and question some of their most deeply held assumptions about race in American society.
With careers spanning eight decades, William Hanna and Joseph Barbera were two of the most prolific animation producers in American history. In 1940, the two met at MGM and created Tom and Jerry, who would earn 14 Academy Award nominations and seven wins. The growth of television led to the founding of Hanna-Barbera's legendary studio that produced countless hours of cartoons, with beloved characters from Fred Flintstone, George Jetson and Scooby-Doo to the Super Friends and the Smurfs. Prime-time animated sitcoms, Saturday morning cartoons, and Cartoon Network's cable animation are some of the many areas of television revolutionized by the team. Their productions are critical to our cultural history, reflecting ideologies and trends in both media and society. This book offers a complete company history and examines its productions' influences, changing technologies, and enduring cultural legacy, with careful attention to Hanna-Barbera's problematic record of racial and gender representation.
In Adventure Time, Jake's insides are cursed to smell like vanilla. Michelangelo from the Teenage Mutant Ninja Turtles had his name misspelt for 20 years. Jim Davis created Garfield to see if he could make a character successful even though it isn't funny. The Simpsons characters, Itchy & Scratchy nearly had a spin-off. Zoidberg from Futurama has a pet slinky. Scrooge McDuck from Ducktales is immortal. SpongeBob SquarePants has won two BAFTAs. Queen Elizabeth II said her favourite scary movie is How the Grinch Stole Christmas. Dr. Krieger from Archer is a clone of Hitler. The word "radiation" couldn't be used in the cartoon, Spider-Man. Scooby Doo's real name is Scoobert. Mickey Mouse gas masks were created for children during World War II. Originally, Popeye the Sailor said spinach is full of Vitamin A, not iron. One of the villains in The Powerpuff Girls is a parody of Yoko Ono. Dragon Ball Z villain, Frieza, is based on a real-estate speculator. The creators of South Park hate Family Guy.
From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer. Examining acknowledged classics like The Wolf Man (1941) and The Howling (1981), as well as overlooked gems like Dog Soldiers (2011), this comprehensive filmography covers the highs and lows of the genre. Information is provided on production, cast and filmmakers, along with critical discussion of the tropes and underlying themes that make the werewolf a terrifying but fascinating figure.
Shadoe Kilbourne is the consummate intellectual assassin, with an impressive arsenal of both wit and weaponry at his disposal. As Seattle’s most successful nightclub owner and restaurateur, he is also a man of great resource, humor, and humanity. His lethal charms and deadly ideologies are a devastating double-edged sword, brandished at will to put the bad guys in their place and get the good girls back to his. Driven by vengeance, derived from a painful and poignant past we can only speculate on, his ties to the highest echelons and lowest corridors of humanity also make him the perfect middleman for those who seek to solicit his fervor and favor in the hunt for his brand of justice, both inside and outside of the law. This book was just named by GQ Magazine as one of the Five Best Books of 2010 along with Stephen King and John Grisham.