Dune (Movie Tie-In)
Dune (Movie Tie-In)

Author: Frank Herbert

Publisher: Penguin

Published: 2023-09-26

Total Pages: 897

ISBN-13: 0593640349

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• DUNE: PART TWO • THE MAJOR MOTION PICTURE COMING NOVEMBER 3rd, 2023 Directed by Denis Villeneuve, screenplay by Denis Villeneuve and Jon Spaihts, based on the novel Dune by Frank Herbert • Starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Stephen McKinley Henderson, Léa Seydoux, with Stellan Skarsgård, with Charlotte Rampling, and Javier Bardem Frank Herbert’s classic masterpiece—a triumph of the imagination and one of the bestselling science fiction novels of all time. Set on the desert planet Arrakis, Dune is the story of Paul Atreides−who would become known as Maud'Dib—and of a great family's ambition to bring to fruition humankind’s most ancient and unattainable dream. A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction.

American Science Fiction Television Series of the 1950s
American Science Fiction Television Series of the 1950s

Author: Patrick Lucanio

Publisher:

Published: 1998

Total Pages: 272

ISBN-13:

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As Americans grappled with the real problems of the atomic age in the 1950s, the science fiction television series provided escapist fare. At first essentially fantasy and adventure, the shows reflected the progress of the decade, using in the late 1950s extrapolations from the theories and findings of true science. From Adventures of Superman to World of Giants, this reference work covers all science fiction television series of the 1950s. A lengthy essay details character development, technical innovations, critical commentary and other matters. The episode guides that follow first provide primary cast and production credits for the entire season and then coverage of each individual episode, with title, airdate, writer, director, and a plot synopsis. Much of the information was derived from actual viewing, and many errors from other works are corrected here.

The Encyclopedia of Fantasy
The Encyclopedia of Fantasy

Author: John Clute

Publisher: Macmillan

Published: 1999-03-15

Total Pages: 1110

ISBN-13: 9780312198695

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Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.

The Science Fiction Universe and Beyond
The Science Fiction Universe and Beyond

Author: Michael Mallory

Publisher: Rizzoli Universe Promotional Books

Published: 2015-03

Total Pages: 0

ISBN-13: 9780789329271

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Travel where no man has gone before with this decade-by-decade progression of science-fiction classics. From the classic, low-budget space exploration Flash Gordon tales of the Saturday matinee serials, to the slick CGI-realized world of The Matrix, science-fiction films have long been pushing the boundaries of the visually and dramatically fantastic—turning the known world on its head, playing with the laws of physics, and all the while holding their audience spellbound. The Science Fiction Universe . . . and Beyond offers a breadth of knowledge, insight, and passion to a century of close encounters, black holes, time travel, distant planets, impossible quests, nuclear war, futuristic technology, inexplicable forces, spaceships, extraordinary monsters, and subterranean societies. Arranged chronologically, showing the progression of sci-fi over the decades, and delving into interesting back stories and trivia, this volume includes a variety of classic films and television shows, such as The Day the Earth Stood Still (1951), Invasion of the Body Snatchers (1956), The Twilight Zone (1959–1964), Doctor Who (1963–1989), 2001: A Space Odyssey (1968), A Clockwork Orange (1971), Star Wars, Episode IV—A New Hope (1977), Alien (1979), E.T.: The Extra-Terrestrial (1982), Star Trek: The Next Generation (1987–1994), Terminator 2: Judgment Day (1991), Stargate SG-1 (1997–2007), Battlestar Galactica (2004–2009), and many others.

Raft
Raft

Author: Stephen Baxter

Publisher: Hachette UK

Published: 2013-01-24

Total Pages: 192

ISBN-13: 057512797X

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Stephen Baxter's highly acclaimed first novel and the beginning of his stunning Xeelee Sequence finally enters the SF Masterwork series! A spaceship from Earth accidentally crossed through a hole in space-time to a universe where the force of gravity is one billion times as strong as the gravity we know. Somehow the crew survived, aided by the fact that they emerged into a cloud of gas surrounding a black hole, which provided a breathable atmosphere. Five hundred years later, their descendants still struggle for existence, divided into two main groups. The Miners live on the Belt, a ramshackle ring of dwellings orbiting the core of a dead star, which they excavate for raw materials. These can be traded for food from the Raft, a structure built from the wreckage of the ship, on which a small group of scientists preserve the ancient knowledge which makes survival possible. Rees is a Miner whose curiosity about his world makes him stow away on a flying tree - just one of the many strange local lifeforms - carrying trade between the Belt and the Raft. And what he finds will change his world...

Science Fiction Serials
Science Fiction Serials

Author: Roy Kinnard

Publisher: McFarland

Published: 2015-08-13

Total Pages: 224

ISBN-13: 1476604134

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Destination Moon; George Pal's 1950 Technicolor epic, is generally cited as the first noteworthy science fiction film. Usually ignored or casually dismissed in genre histories are the serials, the low-budget chapterplays exhibited as Saturday matinee fare and targeted almost exclusively at children. Lacking stars and top-notch writers or directors, the serials went largely unnoticed and unacknowledged by either critics or by the film industry. Yet serials were financially important to the Hollywood studios, and were often free to exploit risky or outlandish subjects that producers of "distinguished" movies would not touch. Influential serials such as The Phantom Empire (1935) and Flash Gordon (1936) finally brought science fiction themes to the big screen. Those serials and 29 others are exhaustively covered in this work, which provides complete cast and credit information along with plot descriptions and historical commentary for each serial. Video distributors (if available) are also listed.

Science Fiction, Ethics and the Human Condition
Science Fiction, Ethics and the Human Condition

Author: Christian Baron

Publisher: Springer

Published: 2017-07-10

Total Pages: 244

ISBN-13: 331956577X

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This book explores what science fiction can tell us about the human condition in a technological world, with the ethical dilemmas and consequences that this entails. This book is the result of the joint efforts of scholars and scientists from various disciplines. This interdisciplinary approach sets an example for those who, like us, have been busy assessing the ways in which fictional attempts to fathom the possibilities of science and technology speak to central concerns about what it means to be human in a contemporary world of technology and which ethical dilemmas it brings along. One of the aims of this book is to demonstrate what can be achieved in approaching science fiction as a kind of imaginary laboratory for experimentation, where visions of human (or even post-human) life under various scientific, technological or natural conditions that differ from our own situation can be thought through and commented upon. Although a scholarly work, this book is also designed to be accessible to a general audience that has an interest in science fiction, as well as to a broader academic audience interested in ethical questions.

Adapting Science Fiction to Television
Adapting Science Fiction to Television

Author: Max Sexton

Publisher: Rowman & Littlefield

Published: 2015-07-01

Total Pages: 199

ISBN-13: 1442252707

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Before it reached television, science fiction existed on the printed page, in comic books, and on movie screens for decades. Adapting science fiction to the new medium posed substantial challenges: Small viewing screens and limited production facilities made it difficult to achieve the sense of wonder that had become the genre's hallmark. Yet, television also offered unprecedented opportunities. Its serial nature allowed for longer, more complex stories, as well as developing characters and building suspense over time. Producers of science fiction television programming learned to create adaptations that honored the source material—literature, comics, or film—while taking full advantage of television's unique aesthetic. In Adapting Science Fiction to Television: Small Screen, Expanded Universe, Max Sexton and Malcolm Cook examine how the genre evolved over time. The authors consider productions in both the UK and the United States, ranging from Walt Disney's acclaimed "Man in Space"in the 1950s to the BBC's reimagined Day of the Triffids in the 1990s. Iconic characters from Flash Gordon and Captain Nemo to Superman and Professor Quatermass all play a role in this history, along with such authors as E. M. Forster and Wernher von Braun. The real stars of this study, however, are the pioneering producers and directors who learned how to bring imagined worlds and fantastic stories into living rooms across the globe. The authors make the case that television has become more sophisticated, capable of taking on larger themes and deploying a more complex use of the image than other media. A unique reappraisal of the history and dynamics of the medium, Adapting Science Fiction Television will be of interest not only to scholars of science fiction, but to anyone interested in the early history of television, as well as the evolution of its unique capacity to tell stories.

The Science Fiction of Poetics and the Avant-Garde Imagination
The Science Fiction of Poetics and the Avant-Garde Imagination

Author: Michael Golston

Publisher: University of Alabama Press

Published: 2023

Total Pages: 258

ISBN-13: 0817361006

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How the tropes of science fiction infuse and inform avant-garde poetics and many other kindred arts This insightful, playful monograph from Golston does exactly what it advertises: modeling poetics based on how poetry (and some parallel artistic endeavors) has filtered through a century-plus of science fiction. This is not a book about science fiction in and of itself, but it is a book about the resonances of science-fiction tropes and ideas in poetic language. The germ of Golston's project is a throwaway line in Robert Smithson's Entropy and the New Monuments about how cinema supplanted nature as inspiration for many of his fellow artists: "The movies give a ritual pattern to the lives of many artists, and this induces a kind of 'low budget' mysticism, which keeps them in a perpetual trance." Golston charts how the demotic appeal of sci-fi, much like that of the B-movie, cross-pollinated into poetry and other branches of the avant garde. Golston creates what he calls a "regular Rube Goldberg machine" of a critical apparatus, drawing on Walter Benjamin, Roman Jakobson, and Gilles Deleuze. He starts by acknowledging that, per the important work of Darko Suvin to situate science fiction critically, the genre is premised on cognitive estrangement. But he is not interested in the specific nuts and bolts of science fiction as it exists but rather how science fiction has created a model not only for other poets but also for musicians and landscape artists. Golston's critical lens moves around quite a bit, but he begins with familiar enough subjects: Edgar Rice Burroughs, Mina Loy, William S. Burroughs. From there he moves into more "alien" terrain: Ed Dorn's long poem Gunslinger, the discombobulated work of Clark Coolidge. Sun Ra, Ornette Coleman, and Jimi Hendrix all come under consideration. The result of Golston's restless, rich scholarship is the first substantial monograph on science fiction and avant-garde poetics, using Russian Formalism, Frankfurt School dialectics, and Deleuzian theory to show how the avant-garde inherently follows the parameters of sci fi, in both theme and form.