Schubert's Mature Instrumental Music

Schubert's Mature Instrumental Music

Author: David Beach

Publisher: Boydell & Brewer

Published: 2017

Total Pages: 223

ISBN-13: 1580465927

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Probing analyses, from the renowned music theorist, of Schubert's great, yet still little-studied piano-solo, chamber, and symphonic masterpieces.


Franz Schubert and the Essence of Melody

Franz Schubert and the Essence of Melody

Author: Hans Gál

Publisher: Rodale Books

Published: 1977

Total Pages: 212

ISBN-13:

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Schubert is one of the most loved and least understood of the great composers. This wise and searching book aims to provide the key to the man and to his music. The author loves his subject, has studied Schubert's life and works for many years and writes most evocatively. The book's freshness of perception will open the eyes of many who are familiar with Schubert only through a few well-known works. Although this is no srict biography, all the details of Schubert's tragically curtailed life are here; but Dr Gal's main concern is with the character of the composer and of his music. First, the music: for Schubert, Song was Alpha and Omega, and he poured forth an inexhaustible stream of rapt melody--poetry in sound. The profusion of melodic ideas is such that one gladly excuses his initial unwillingness to master instrumental, and indeed symphonic and contrapuntal, style. Dr Gal examines Schubert's relation to his contemporaries (particularly Beethoven) and lays stress on his creation of the lied and on his exclusively Viennese background. We are given insights into his method of work (everything was composed in great haste) and we see how he tackled the manifold problems of setting verse, and begin to sense the reasons which drove him to explore extreme tonal relationships and the symbolic potential of major and minor keys. Dr Gal pinpoints weaknesses in technique and approach, and examines the risks that seemed to be inherent in Schubert's character. He finds the large number of unfinished works significant. Schubert sometimes gave up too easily: new inspirations burst upon him so frequently that they crowded out time which might have been spent refining or wrestling with yesterday's ideas. Shy and modest, he also failed to "push" his own works when completed. In addition intense melancholy underlay a serene exterior: his words and letters failed to reveal to his friends depths of grief and profundity of thought which emerge only in his music--often side by side with passages of radiant sunshine: such was the complexity of the man. Schubert's music is loved by both performers and listeners. This book, with its deep understanding that sheds light on so much that is felt but not fully comprehended, will give immense pleasure, both for the memories it conjures in the mind of the reader, and in the knowledge and wisdom it imparts [Publisher description]


Schubert's Beethoven Project

Schubert's Beethoven Project

Author: John M. Gingerich

Publisher: Cambridge University Press

Published: 2014-05-22

Total Pages: 446

ISBN-13: 1139952080

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Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony.


Critical Entertainments

Critical Entertainments

Author: Charles Rosen

Publisher: Harvard University Press

Published: 2000

Total Pages: 338

ISBN-13: 0674006844

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This collection of essays by gifted musician and writer Rosen covers a broad range of musical forms, historical periods, and issues. They court controversy and offer enlightenment on subjects as diverse as music dictionaries and the aesthetics of stage fright.


Narrative and Robert Schumann's Songs

Narrative and Robert Schumann's Songs

Author: Andrew H. Weaver

Publisher: Boydell & Brewer

Published: 2024

Total Pages: 309

ISBN-13: 1648250890

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Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.


The Cambridge Companion to Schubert

The Cambridge Companion to Schubert

Author: Christopher H. Gibbs

Publisher: Cambridge University Press

Published: 1997-04-17

Total Pages: 364

ISBN-13: 9780521484244

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This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.


Schubert's Late Music

Schubert's Late Music

Author: Lorraine Byrne Bodley

Publisher: Cambridge University Press

Published: 2016-04-07

Total Pages: 489

ISBN-13: 1107111293

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A thematic exploration of Schubert's style, applied in readings of his instrumental and vocal literature by international scholars.


Bach to Brahms

Bach to Brahms

Author: David Beach

Publisher: Boydell & Brewer

Published: 2015

Total Pages: 296

ISBN-13: 1580465153

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Presents current analytic views by established scholars of the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. Bach to Brahms presents current analytic views on the traditional tonal repertoire, with essays on works by Bach, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, and Brahms. The fifteen essays, written by well-established scholars of this repertoire, are divided into three groups, two of which focus primarily on elements of musical design (formal, metric, and tonal organization) and voice leading at multiple levels of structure. The third groupof essays focuses on musical motives from different perspectives. The result is a volume of integrated studies on the music of the common-practice period, a body of music that remains at the core of modern concert and classroom repertoire. Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy L. Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurpää, Naphtali Wagner, Eric Wen, Channan Willner. David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.


The New Grove Schubert

The New Grove Schubert

Author: Maurice John Edwin Brown

Publisher: W. W. Norton & Company

Published: 1983

Total Pages: 212

ISBN-13: 9780393315868

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Traces the life of Franz Schubert, describes the development of his muscial career, and discusses the composition of his major works.