Schubert's Harmonic Geometry
Author: Lawrence Siegel
Publisher:
Published: 1991
Total Pages: 108
ISBN-13:
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Author: Lawrence Siegel
Publisher:
Published: 1991
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: Suzannah Clark
Publisher: Cambridge University Press
Published: 2011-09-15
Total Pages: 301
ISBN-13: 1139500597
DOWNLOAD EBOOKWhen Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.
Author: Anne Hyland
Publisher: Cambridge University Press
Published: 2023-04-20
Total Pages: 329
ISBN-13: 1009210920
DOWNLOAD EBOOKA fresh analytical and musicological exploration of Schubert's incorporation of lyric elements into sonata form by way of his string quartets.
Author: Dmitri Tymoczko
Publisher: Oxford University Press
Published: 2011-03-21
Total Pages: 469
ISBN-13: 0199887500
DOWNLOAD EBOOKHow is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good? A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory. The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces. Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between. A Geometry of Music is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music. Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory.
Author: Julian Horton
Publisher: Routledge
Published: 2017-07-05
Total Pages: 583
ISBN-13: 1351549960
DOWNLOAD EBOOKThe collection of essays in this volume offer an overview of Schubertian reception, interpretation and analysis. Part I surveys the issue of Schubert‘s alterity concentrating on his history and biography. Following on from the overarching dualities of Schubert explored in the first section, Part II focuses on interpretative strategies and hermeneutic positions. Part III assesses the diversity of theoretical approaches concerning Schubert‘s handling of harmony and tonality whereas the last two parts address the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.
Author: Moreno Andreatta
Publisher: CRC Press
Published: 2024-11-01
Total Pages: 130
ISBN-13: 1040156703
DOWNLOAD EBOOKThis book introduces path-breaking applications of concepts from mathematical topology to music-theory topics including harmony, chord progressions, rhythm, and music classification. Contributions address topics of voice leading, Tonnetze (maps of notes and chords), and automatic music classification. Focusing on some geometrical and topological aspects of the representation and formalisation of musical structures and processes, the book covers topological features of voice-leading geometries in the most recent advances in this mathematical approach to representing how chords are connected through the motion of voices, leading to analytically useful simplified models of high-dimensional spaces; It generalizes the idea of a Tonnetz, a geometrical map of tones or chords, and shows how topological aspects of these maps can correspond to many concepts from music theory. The resulting framework embeds the chord maps of neo-Riemannian theory in continuous spaces that relate chords of different sizes and includes extensions of this approach to rhythm theory. It further introduces an application of topology to automatic music classification, drawing upon both static topological representations and time-series evolution, showing how static and dynamic features of music interact as features of musical style. This volume will be a key resource for academics, researchers, and advanced students of music, music analyses, music composition, mathematical music theory, computational musicology, and music informatics. It was originally published as a special issue of the Journal of Mathematics and Music.
Author: Victor G. Kac
Publisher: Springer
Published: 2018-12-12
Total Pages: 545
ISBN-13: 3030021912
DOWNLOAD EBOOKThis volume, dedicated to the memory of the great American mathematician Bertram Kostant (May 24, 1928 – February 2, 2017), is a collection of 19 invited papers by leading mathematicians working in Lie theory, representation theory, algebra, geometry, and mathematical physics. Kostant’s fundamental work in all of these areas has provided deep new insights and connections, and has created new fields of research. This volume features the only published articles of important recent results of the contributors with full details of their proofs. Key topics include: Poisson structures and potentials (A. Alekseev, A. Berenstein, B. Hoffman) Vertex algebras (T. Arakawa, K. Kawasetsu) Modular irreducible representations of semisimple Lie algebras (R. Bezrukavnikov, I. Losev) Asymptotic Hecke algebras (A. Braverman, D. Kazhdan) Tensor categories and quantum groups (A. Davydov, P. Etingof, D. Nikshych) Nil-Hecke algebras and Whittaker D-modules (V. Ginzburg) Toeplitz operators (V. Guillemin, A. Uribe, Z. Wang) Kashiwara crystals (A. Joseph) Characters of highest weight modules (V. Kac, M. Wakimoto) Alcove polytopes (T. Lam, A. Postnikov) Representation theory of quantized Gieseker varieties (I. Losev) Generalized Bruhat cells and integrable systems (J.-H. Liu, Y. Mi) Almost characters (G. Lusztig) Verlinde formulas (E. Meinrenken) Dirac operator and equivariant index (P.-É. Paradan, M. Vergne) Modality of representations and geometry of θ-groups (V. L. Popov) Distributions on homogeneous spaces (N. Ressayre) Reduction of orthogonal representations (J.-P. Serre)
Author: Jianxun Hu
Publisher: Springer Nature
Published: 2020-10-24
Total Pages: 367
ISBN-13: 9811574510
DOWNLOAD EBOOKThis book gathers research papers and surveys on the latest advances in Schubert Calculus, presented at the International Festival in Schubert Calculus, held in Guangzhou, China on November 6–10, 2017. With roots in enumerative geometry and Hilbert's 15th problem, modern Schubert Calculus studies classical and quantum intersection rings on spaces with symmetries, such as flag manifolds. The presence of symmetries leads to particularly rich structures, and it connects Schubert Calculus to many branches of mathematics, including algebraic geometry, combinatorics, representation theory, and theoretical physics. For instance, the study of the quantum cohomology ring of a Grassmann manifold combines all these areas in an organic way. The book is useful for researchers and graduate students interested in Schubert Calculus, and more generally in the study of flag manifolds in relation to algebraic geometry, combinatorics, representation theory and mathematical physics.
Author: F. E. Kirby
Publisher: Rowman & Littlefield
Published: 2023-09-21
Total Pages: 467
ISBN-13: 149308285X
DOWNLOAD EBOOKThis historical survey focuses on music for piano solo but also includes important compositions for piano duet and two pianos. Scholarly yet readable, it covers the entire repertoire from the Renaissance to the late 20th century and incorporates a bibliography of 1 100 sources for further study.
Author: Mariana Montiel
Publisher: World Scientific Publishing
Published: 2018-11-08
Total Pages: 371
ISBN-13: 9813235322
DOWNLOAD EBOOKQuestions about variation, similarity, enumeration, and classification of musical structures have long intrigued both musicians and mathematicians. Mathematical models can be found from theoretical analysis to actual composition or sound production. Increasingly in the last few decades, musical scholarship has incorporated modern mathematical content. One example is the application of methods from Algebraic Combinatorics, or Topology and Graph Theory, to the classification of different musical objects. However, these applications of mathematics in the understanding of music have also led to interesting open problems in mathematics itself.The reach and depth of the contributions on mathematical music theory presented in this volume is significant. Each contribution is in a section within these subjects: (i) Algebraic and Combinatorial Approaches; (ii) Geometric, Topological, and Graph-Theoretical Approaches; and (iii) Distance and Similarity Measures in Music.