Schubert in the European Imagination

Schubert in the European Imagination

Author: Scott Messing

Publisher: Eastman Studies in Music

Published: 2006

Total Pages: 315

ISBN-13: 9781580462334

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How Franz Schubert and his compositions were viewed in nineteenth-century European criticism, literature, and the visual arts, from Schumann to George Eliot to Whistler.


Schubert in the European Imagination

Schubert in the European Imagination

Author: Scott Messing

Publisher: University Rochester Press

Published: 2006

Total Pages: 348

ISBN-13: 9781580462136

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The concept of Schubert as a feminine type began in 1838. This work examines the historical reception of Franz Schubert as conveyed through the gendered imagery and language of 19th and early 20th century European culture. The figures discussed include Musset, Sand, Nerval, Maupassant, George Eliot, and others.


Schubert in the European Imagination

Schubert in the European Imagination

Author: Scott Messing

Publisher:

Published: 2007-04-01

Total Pages: 330

ISBN-13:

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In Schubert in the European Imagination, Volume 1: The Romantic and Victorian Eras, Scott Messing examines the historical reception of Franz Schubert as conveyed through the gendered imagery and language of nineteenth- and early twentieth-century European culture. The concept of Schubert as a feminine type vaulted into prominence in 1838 when Robert Schumann described the composer's Mädchencharakter ("girlish" character), by contrast to the purportedly more masculine, more heroic Beethoven. What attracted Schumann to Schubert's music and marked it as feminine is evident in some of Schumann's own works that echo those of Schubert's in intriguing ways. Volume 2, Schubert in the European Imagination: Fin-de-Siècle Vienna examines the composer's historical and cultural reception by Viennese modernists. By 1900, issues of gender had crossed with those of nationalism, especially in the city that came to consider Schubert as its favorite musical son. As Messing here explains and explores in rich detail, composers, writers, and visual artists manipulated the conventions of the composer and gender in ways that critiqued the very culture that had created this image. Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University of Rochester Press, 1996).


Schubert in the European Imagination

Schubert in the European Imagination

Author: Scott Messing

Publisher:

Published: 2006

Total Pages: 330

ISBN-13: 9781282080614

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In 'Schubert in the European Imagination, Volume 1: The Romantic and Victorian Eras', Scott Messing examines the historical reception of Franz Schubert as conveyed through the gendered imagery and language of nineteenth- and early twentieth-century Europe.


Schubert's Late Music

Schubert's Late Music

Author: Lorraine Byrne Bodley

Publisher: Cambridge University Press

Published: 2016-04-07

Total Pages: 489

ISBN-13: 1107111293

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A thematic exploration of Schubert's style, applied in readings of his instrumental and vocal literature by international scholars.


Schubert's Fingerprints: Studies in the Instrumental Works

Schubert's Fingerprints: Studies in the Instrumental Works

Author: Susan Wollenberg

Publisher: Routledge

Published: 2016-04-01

Total Pages: 361

ISBN-13: 1317059166

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As Robert Schumann put it, 'Only few works are as clearly stamped with their author's imprint as his'. This book explores Schubert's stylistic traits in a series of chapters each discussing an individual 'fingerprint' with case studies drawn principally from the piano and chamber music. The notion of Schubert's compositional fingerprints has not previously formed the subject of a book-length study. The features of his personal style considered here include musical manifestations of Schubert's 'violent nature', the characteristics of his thematic material, and the signs of his 'classicizing' manner. In the process of the discussion, attention is given to matters of form, texture, harmony and gesture in a range of works, with regard to the various 'fingerprints' identified in each chapter. The repertoire discussed includes the late string quartets, the String Quintet, the E flat Piano Trio and the last three piano sonatas. Developing ideas which she first proposed in a series of journal articles and contributions to symposia on Schubert, Professor Wollenberg takes into account recent literature by other scholars and draws together her own researches to present her view of Schubert's 'compositional personality'. Schubert emerges as someone exerting intellectual control over his musical material and imbuing it with poetic resonance.


Schubert's Winter Journey

Schubert's Winter Journey

Author: Ian Bostridge

Publisher: Vintage

Published: 2015-01-27

Total Pages: 433

ISBN-13: 0307961648

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An exploration of the world’s most famous and challenging song cycle, Schubert's Winter Journey (Winterreise), by a leading interpreter of the work, who teases out the themes—literary, historical, psychological—that weave through the twenty-four songs that make up this legendary masterpiece. Completed in the last months of the young Schubert’s life, Winterreise has come to be considered the single greatest piece of music in the history of Lieder. Deceptively laconic—these twenty-four short poems set to music for voice and piano are performed uninterrupted in little more than an hour—it nonetheless has an emotional depth and power that no music of its kind has ever equaled. A young man, rejected by his beloved, leaves the house where he has been living and walks out into snow and darkness. As he wanders away from the village and into the empty countryside, he experiences a cascade of emotions—loss, grief, anger, and acute loneliness, shot through with only fleeting moments of hope—until the landscape he inhabits becomes one of alienation and despair. Originally intended to be sung to an intimate gathering, performances of Winterreise now pack the greatest concert halls around the world. Drawing equally on his vast experience performing this work (he has sung it more than one hundred times), on his musical knowledge, and on his training as a scholar, Bostridge teases out the enigmas and subtle meanings of each of the twenty-four lyrics to explore for us the world Schubert inhabited, his biography and psychological makeup, the historical and political pressures within which he became one of the world’s greatest composers, and the continuing resonances and affinities that our ears still detect today, making Schubert’s wanderer our mirror.