Schirmer Encyclopedia of Film

Schirmer Encyclopedia of Film

Author: Barry Keith Grant

Publisher: Schirmer Books

Published: 2007

Total Pages: 552

ISBN-13:

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This reference source covers all aspects of the cinema, including film history, production, national cinemas, genre theory and criticism, and cultural contexts.


Schirmer Encyclopedia of Film

Schirmer Encyclopedia of Film

Author: Barry Keith Grant

Publisher: Schirmer Books

Published: 2007

Total Pages: 552

ISBN-13:

DOWNLOAD EBOOK

This reference source covers all aspects of the cinema, including film history, production, national cinemas, genre theory and criticism, and cultural contexts.


Encyclopedia of Early Cinema

Encyclopedia of Early Cinema

Author: Richard Abel

Publisher: Taylor & Francis

Published: 2005

Total Pages: 824

ISBN-13: 0415234409

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One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.


Shadows of Doubt

Shadows of Doubt

Author: Barry Keith Grant

Publisher: Wayne State University Press

Published: 2011

Total Pages: 260

ISBN-13: 9780814334577

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In 'Shadows of Doubt', Barry Keith Grant questions the idea that Hollywood movies reflect moments of crisis in the dominant image of masculinity. Arguing instead that part of the mythic function of genre movies is to offer audiences an ongoing dialogue on issues of gender, Grant explores a wide diversity of films.


The Cinema of Michael Winterbottom

The Cinema of Michael Winterbottom

Author: Deborah Allison

Publisher: Rowman & Littlefield

Published: 2013

Total Pages: 238

ISBN-13: 0739125842

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Acclaimed British director Michael Winterbottom is renowned for the abundance and diversity of his output. His films span a wide range of genres in art house and mainstream cinema alike, from the heritage film to neo-noir. Working with different genres gives Winterbottom a framework in which to explore favored themes, while incorporating new ideas and taking on new challenges. At the same time, his manner of undermining familiar generic qualities and frustrating audience expectations also refreshes the genres he explores. In The Cinema of Michael Winterbottom, Deborah Allison investigates Winterbottom's contributions to contemporary cinema, using ideas of genre as a critical tool. Focusing on eight films, Allison examines the ways he adopts, inflects, and challenges the main attributes of the films' associated genres, enriching a highly personal and idiosyncratic style of filmmaking. The potency and integrity of his authorship unites films as generically diverse as the road movie Butterfly Kiss, western drama The Claim, sci-fi romance Code 46, and docudrama The Road to Guantanamo.


The Film Encyclopedia

The Film Encyclopedia

Author: Ephraim Katz

Publisher: Harper Collins

Published: 2013-02-26

Total Pages: 4150

ISBN-13: 0062277111

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“Wow! What a book!” — Katharine Hepburn “Recommended for any reference collection in need of a world view of film.” — Booklist “The best movie reference book, hands down.” — Newsweek


The Encyclopedia of Film

The Encyclopedia of Film

Author: James Monaco

Publisher: Perigee Trade

Published: 1991

Total Pages: 616

ISBN-13:

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An alphabetical reference on the major film figures (stars, producers, directors, writers, et al.), past and present. Each entry provides a substantial career biography and a complete listing of all films the individual has been involved with. Annotation copyrighted by Book News, Inc., Portland, OR


The Dread of Difference

The Dread of Difference

Author: Barry Keith Grant

Publisher: University of Texas Press

Published: 2015-04-01

Total Pages: 558

ISBN-13: 1477302425

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“The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It’s rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies.”—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality “An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films.”—Choice “An extremely useful introduction to recent thinking about gender issues within this genre.”—Film Theory