Veteran journalist Louise Williams shatters the myth of the submissive Asian woman of Western lore with her vivid portraits of politicians, call girls and mistresses, revolutionary heroines, laborers, and business magnates. Williams skillfully draws out the stories of extraordinary individuals ranging from Benazir Bhutto, Corazon Aquino, and Aung San Suu Kyi to the one-time Viet Cong commando and the Jakarta factory girl.
The Other Country brings together a wide-ranging selection of essays by Mrinal Pande; one of India’s most respected journalists. Through chronicle; anecdote and hard-hitting reportage; Mrinal traces the many; ever-widening fault lines between Bharat and shining India; the small town and the metropolis. Mrinal describes the Great Language Divide between Hindi and English; traces its origin; the role globalization has had in its spread; and the effect of this divide on contemporary literature and media. She vividly describes the anti-outsider movement in Mumbai and analyses the role that inequitable development; and the lack of opportunities in villages and small towns; has played in it. Mrinal tells the story of Prabha Devi of Tehri; Uttarakhand; who picked up scissors and comb to become village barber in the face of opposition and thus came to represent the enormous change in attitudes and stances that are now sweeping Indian society everywhere. And through a hilarious profile of the Mineral Water Baba of Faridabad; who can heal any ailment with a sealed bottle of mineral water; she analyses one of the big issues facing India’s villages and metropolises: its water-management systems.
Egypt, Greece, and Rome is regarded as one of the best general histories of the ancient world, having sold more than 80,000 copies in its first two editions. It is written for the general reader and the student coming to the subject for the first time and provides a reliable and highly accessible point of entry to the period. Beginning with the early Middle Eastern civilizations of Sumer, and continuing right through to the Islamic invasions and the birth of modern Europe after the collapse of the Roman empire, the book ranges beyond political history to cover art and architecture, philosophy, literature, society, and economy. A wide range of maps, illustrations, and photographs complements the text. This third edition has been extensively revised to appeal to the general reader with several chapters completely rewritten and a great deal of new material added, including a new selection of images.
Embrace your enemies. When their bodies are found, you won't be a suspect... How would you like to hire the services of an elite group of professional assassins, who will accept the assignment of deleting your most horrific adversary, performing the perfect murder, without a trace? Chicago Sun-Times Reporter Paul Crawford is asked to investigate a series of recent murders he eventually calls the 'Houdini Victims'. He begins with the investigation of a corporate executive who vanishes from a parking garage in the Chicago Loop, without a trace. The most unusual fact about this crime is that there is no body, no DNA evidence, no surveillance cameras, and no fingerprints. It is quite obvious that this murder was done by a professional, and neither Crawford nor his Channel Eight reporter buddy, Chaz Rizzo, can figure out who it is. Mark Stelter, CEO of Eradication, Inc., has found a niche and a marketable demand for those who wish to eliminate their worst enemies. For the price of $99,900, he has a stable of professional killers who can abduct any victim and make them disappear. With the help of his affiliate company, Eco-Green Environmental Consultants, he has the chemicals, the facilities, and the personnel to make any murder victim vanish without a trace. He conducts his covert corporation like any other corporate entity, with a board of directors meeting each month and dividend declarations to his shareholders. But when one of the directors attempts to resign, things start to get complicated. Stelter sends his killers to track down and assassinate the former shareholder. They use a unique apparatus called a 'bolito', instantaneously killing their victims. With a section in the director's contracts barring them from resigning and signing their own death warrants, the shareholders of Eradication Inc. are now getting nervous. Although they are making millions, the shareholders now realize that they are putting their lives at risk, and can only escape with their deaths. As the victims continue to vanish, Paul Crawford continues to investigate the environmental company and how they are connected to the recent Chicago murders. With the shareholders of Eradication Inc. wishing to resign and make a deal with the Chicago P.D., Mark Stelter struggles to keep his Board of Directors unified with an iron fist. It is now only a question of time, before either the reporters or the shareholders become the next vanishing victims of Eradication, Inc.
Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar; and not in the master, husband, or father, but in the servant, wife, or mother. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why.Frances E. Dolan examines stories ranging from the profoundly disturbing to the comically macabre: of husband murder, wife murder, infanticide, and witchcraft. She surveys trial transcripts, confessions, and scaffold speeches, as well as pamphlets, ballads, popular plays based on notorious crimes, and such well-known works as The Tempest, Othello, Macbeth, and The Winter's Tale. Citing contemporary analogies between the politics of household and commonwealth, she shows how both legal and literary narratives attempt to restore the order threatened by insubordinate dependents.
Magic was a fundamental part of the Greco-Roman world. Curses, erotic spells, healing charms, divination, and other supernatural methods of trying to change the universe were everyday methods of coping with the difficulties of life in antiquity. While ancient magic is most often studied through texts like surviving Greco-Egyptian spellbooks and artifacts like lead curse tablets, for a Greek or Roman magician a ritual was a rich sensual experience full of unusual tastes, smells, textures, and sounds, bright colors, and sensations like fasting and sleeplessness. Greco-Roman magical rituals were particularly dominated by the sense of smell, both fragrant smells and foul odors. Ritual practitioners surrounded themselves with clouds of fragrant incense and perfume to create a sweet and inviting atmosphere for contact with the divine and to alter their own perceptions; they also used odors as an instrumental weapon to attack enemies and command the gods. Elsewhere, odiferous herbs were used equally as medical cures and magical ingredients. In literature, scent and magic became intertwined as metaphors, with fragrant spells representing the dangers of sensual perfumes and conversely, smells acting as a visceral way of envisioning the mysterious action of magic. The Scent of Ancient Magic explores the complex interconnection of scent and magic in the Greco-Roman world between 800 BCE and CE 600, drawing on ancient literature and the modern study of the senses to examine the sensory depth and richness of ancient magic. Author Britta K. Ager looks at how ancient magicians used scents as part of their spells, to put themselves in the right mindset for an encounter with a god or to attack their enemies through scent. Ager also examines the magicians who appear in ancient fiction, like Medea and Circe, and the more metaphorical ways in which their spells are confused with perfumes and herbs. This book brings together recent scholarship on ancient magic from classical studies and on scent from the interdisciplinary field of sensory studies in order to examine how practicing ancient magicians used scents for ritual purposes, how scent and magic were conceptually related in ancient literature and culture, and how the assumption that strong scents convey powerful effects of various sorts was also found in related areas like ancient medical practices and normative religious ritual.
Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the narrating satirist figure does not observe human behavior from a distance, but adopts a range of charged social roles to gain access to his subject matter. In his mission to entertain and moralize, he poses alternately as a theatrical performer and a spectator, a perpetrator and victim of violence, a jurist and criminal, a teacher and student. In these roles the satirist conducts penetrating analyses of Rome's definitive social practices "from the inside." Satire's reputation as the quintessential Roman genre is thus even more justified than previously recognized. As literary artists and social commentators, the satirists rival the grandest authors of the classical canon. They teach their ancient and modern readers two important lessons. First, satire reveals the inherent fragilities and complications, as well as acknowledging the benefits, of Roman society's most treasured institutions. The satiric perspective deepens our understanding of Roman ideologies and their fault lines. As the poets show, no system of judgment, punishment, entertainment, or social organization is without its flaws and failures. At the same time, readers are encouraged to view the satiric genre itself as a composite of these systems, loaded with cultural meaning and highly imperfect. The satirist who functions as both subject and critic trains his readers to develop a critical perspective on every kind of authority, including his own.
This book is for anyone interested in the history of marriage and cohabitation, whether historian, lawyer or general reader. It is written in an accessible style, while providing a radical reassessment of existing ideas about the popularity, legal treatment and perceptions of cohabitation between 1600 and 2010.
