Schelling's Organic Form of Philosophy

Schelling's Organic Form of Philosophy

Author: Bruce Matthews

Publisher: State University of New York Press

Published: 2012-01-02

Total Pages: 306

ISBN-13: 143843412X

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The life and ideas of F.W.J. Schelling are often overlooked in favor of the more familiar Kant, Fichte, or Hegel. What these three lack, however, is Schelling's evolving view of philosophy. Where others saw the possibility for a single, unflinching system of thought, Schelling was unafraid to question the foundations of his own ideas. In this book, Bruce Matthews argues that the organic view of philosophy is the fundamental idea behind Schelling's thought. Focusing in particular on Schelling's early writings, especially on Plato and Kant, Matthews explores Schelling's idea that any philosophical system must be perspectival and formed by each individual student of philosophy, providing a unique new understanding to an important and often overlooked figure in the history of philosophy.


Freedom and Nature in Schelling's Philosophy of Art

Freedom and Nature in Schelling's Philosophy of Art

Author: Devin Zane Shaw

Publisher: Bloomsbury Publishing

Published: 2010-12-09

Total Pages: 188

ISBN-13: 1441193693

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Schelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show how subjectivity and objectivity emerge from a common source in nature. The philosophy of art plays a dual role in the system. First, Schelling argues that artistic activity produces through the artwork a sensible realization of the ideas of philosophy. Second, he argues that artistic production creates the possibility of a new mythology that can overcome the socio-political divisions that structure the relationships between individuals and society. Shaw's careful analysis shows how art, for Schelling, is the highest expression of human freedom.


Philosophies of Nature After Schelling

Philosophies of Nature After Schelling

Author: Iain Hamilton Grant

Publisher: A&C Black

Published: 2008-12-23

Total Pages: 247

ISBN-13: 1847064329

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A lucid and crucial account of Schelling's major works in the philosophy of nature, now available in paperback.


Schelling's Dialogical Freedom Essay

Schelling's Dialogical Freedom Essay

Author: Bernard Freydberg

Publisher: State University of New York Press

Published: 2008-10-09

Total Pages: 157

ISBN-13: 0791477568

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Explores Schelling’s Essay on Human Freedom, focusing on the themes of freedom, evil, and love, and the relationship between his ideas and those of Plato and Kant.


Contradiction in Motion

Contradiction in Motion

Author: Songsuk Susan Hahn

Publisher: Cornell University Press

Published: 2018-07-05

Total Pages: 240

ISBN-13: 1501731149

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"Everything is contradictory," Hegel declares in Science of Logic. In this analysis of one of the most difficult and neglected topics in Hegelian studies, Songsuk Susan Hahn tackles the status of contradiction in Hegel's thought. Properly philosophical thinking in the Hegelian mode recognizes that contradiction pervades all organic forms of life. Contradiction in Motion presents Hegel's doctrine of contradiction, once widely dismissed, as one deserving serious consideration. The book argues that contradiction is not a sign of error or incoherence, but rather plays an important role in the development of Hegel's system. The first part of the book sets up Hegel's logic of organic wholes in such a way as to motivate his claim that everything is contradictory. Hahn explores how Hegel tests his abstract logical and methodological apparatus against the more concrete, unmanageable aspects of empirical nature. The second and third parts of the book examine the extent to which Hegel's organic model informs his aesthetics and ethics. Hahn reveals the privileged role of art forms in expressing our consciousness of organic unity and shows how Hegel's organic-holistic conception of cognition and nature, with its distinctively contradictory stance, can be incorporated coherently into his ethics.


The Gestation of German Biology

The Gestation of German Biology

Author: John H. Zammito

Publisher: University of Chicago Press

Published: 2018

Total Pages: 532

ISBN-13: 022652079X

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This book explores how and when biology emerged as a science in Germany. Beginning with the debate about organism between Georg Ernst Stahl and Gottfried Leibniz at the start of the eighteenth century, John Zammito traces the development of a new research program, culminating in 1800, in the formulation of developmental morphology. He shows how over the course of the century, naturalists undertook to transform some domains of natural history into a distinct branch of natural philosophy, which attempted not only to describe but to explain the natural world and became, ultimately, the science of biology.


The Grounding of Positive Philosophy

The Grounding of Positive Philosophy

Author: F. W. J. Schelling

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 244

ISBN-13: 0791479943

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The Berlin lectures in The Grounding of Positive Philosophy, appearing here for the first time in English, advance Schelling's final "existential system" as an alternative to modernity's reduction of philosophy to a purely formal science of reason. The onetime protégé of Fichte and benefactor of Hegel, Schelling accuses German Idealism of dealing "with the world of lived experience just as a surgeon who promises to cure your ailing leg by amputating it." Schelling's appeal in Berlin for a positive, existential philosophy found an interested audience in Kierkegaard, Engels, Feuerbach, Marx, and Bakunin. His account of the ecstatic nature of existence and reason proved to be decisive for the work of Paul Tillich and Martin Heidegger. Also, Schelling's critique of reason's quixotic attempt at self-grounding anticipates similar criticisms leveled by poststructuralism, but without sacrificing philosophy's power to provide a positive account of truth and meaning. The Berlin lectures provide fascinating insight into the thought processes of one of the most provocative yet least understood thinkers of nineteenth-century German philosophy.


Interpreting Schelling

Interpreting Schelling

Author: Lara Ostaric

Publisher: Cambridge University Press

Published: 2014-09-29

Total Pages: 271

ISBN-13: 1107018927

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The first volume on Schelling in English exploring the study of the history of philosophy and core systematic philosophical issues.


Late German Idealism

Late German Idealism

Author: Frederick C. Beiser

Publisher: OUP Oxford

Published: 2013-09-26

Total Pages: 353

ISBN-13: 0191505498

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Frederick C. Beiser presents a study of the two most important idealist philosophers in Germany after Hegel: Adolf Trendelenburg and Rudolf Lotze. Trendelenburg and Lotze dominated philosophy in Germany in the second half of the nineteenth century. They were important influences on the generation after them, on Frege, Brentano, Dilthey, Kierkegaard, Cohen, Windelband and Rickert. Late German Idealism is the first book on this significant but neglected chapter in European philosophical history. It provides a general introduction to every aspect of the philosophy of Trendelenburg and Lotze—their logic, metaphysics, ethics and aesthetics—but it is also a study of their intellectual development, from their youth until their death. Their philosophy is placed in the context of their lives and culture.


The Romantic Absolute

The Romantic Absolute

Author: Dalia Nassar

Publisher: University of Chicago Press

Published: 2013-12-24

Total Pages: 354

ISBN-13: 022608423X

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The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics’ concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics—Novalis, Friedrich Schlegel, and Friedrich Schelling—Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.