Scenes of Seduction

Scenes of Seduction

Author: Jann Matlock

Publisher: Columbia University Press

Published: 1994

Total Pages: 444

ISBN-13: 9780231072076

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Jann Matlock's study of prostitution, hysteria, and the novel in nineteenth-century France considers, for the first time, the three topics together with their links to constructions of female marginality and desire. Made increasingly accessible to a large public by inexpensive printing methods, new forms of circulation like the roman-feuilleton, and rising literacy rates among women and workers, the novel became the medium for exchanges over women's bodies and desires. Matlock reveals the coincident traffic of the novel in the subjects of women on the fringe of society - prostitutes, hysterics, and madwomen- and the invitations extended to its new readers to explore new worlds of sexuality and intrigue. In addition, Matlock examines debates on the tolerance of prostitution, sexual continence, the relationship between female sexuality and madness, and the "dangers" of literature by incorporating into her study material from a myriad of archives, including medical case studies, police reports, newspaper editorials, and memoirs. Against this rich background, she discusses the novels of Balzac, Dumas fils, Sand, Soulié, and Sue, many of which were directed at a female audience.


Primal Scenes

Primal Scenes

Author: Ned Lukacher

Publisher: Cornell University Press

Published: 1986

Total Pages: 350

ISBN-13: 9780801494864

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Primal Scenes is concerned with those elements in the thought of Freud and Heidegger which make us continue to regard them as our contemporaries. It seeks to reassert their radical potential, which, the author believes, has been minimized as as critics celebrate the radicality of Lacan, Derrida, and others.


Our Original Scenes

Our Original Scenes

Author: Tomas Geyskens

Publisher: Leuven University Press

Published: 2005

Total Pages: 124

ISBN-13: 9789058674715

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Freud's ideas on infantile sexuality can only be understood as constructions that are necessary to understand the psychopathological formations of adults. These constructions of infantile sexuality, therefore, must not be considered to be speculations about infant behaviour as such, because in infancy sexuality is obviously a rather marginal problem, and because, consequently, only their nachträglich effects reveal the significance of our infantile sexual experiences. In the psychoanalytic cure, these infantile experiences are never remembered as such. The idea that what is repressed in adults can be observed in infants does not take into account this notion of Nachträglichkeit, while Freud's theory cannot be understood without it.The relation between the pathological and the infantile bridges the gap between pathology and normality because pathology is caused by universally human problems or "weak points": infantile sexuality and, following our interpretation of the death instinct, the infant's radical Hilflosigkeit. In psychoanalysis, therefore, the analysis of the different pathologies has inevitably an anthropological claim. To understand what it means to be human, says Freud, we must analyse the extreme, paradigmatic answers to this problem that we all are ourselves. The analysis of different pathologies will highlight the different aspects of our infantile experience and its nachträglich effects. In this perspective, the difference between normality and pathology can only be a quantitative, not a qualitative difference. In this way, Freud transformed the study of psychopathology into a clinical anthropology, i.e. a clarification of the specifically human in human nature by analysing its pathological manifestations.


The Art Of Seduction

The Art Of Seduction

Author: Robert Greene

Publisher: Profile Books

Published: 2010-09-03

Total Pages: 496

ISBN-13: 1847651402

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Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.


Ceremony Of Seduction

Ceremony Of Seduction

Author: Cassie Ryan

Publisher: Kensington Books

Published: 2013-10-07

Total Pages: 356

ISBN-13: 0758283067

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When Dreams Of Desire. . . Twenty-three-year-old Alyssa Moss has lived her whole life in the shadow of her beautiful family. Voluptuous where they are lean, brunette where they are blonde, Alyssa is convinced she is an ugly duckling who will never become a swan. The only thing that sustains her is a recurring dream in which a seductive stranger named Stone worships and pleasures every inch of her. But maddeningly, Stone always disappears just as Alyssa is on the edge of dizzying ecstasy--with a puzzling promise that one day he will find her. That day has come. . .. Become Reality. . . For years, Stone has searched for the kidnapped first princess of his people--an other-worldly clan whose life-force is sexual energy. Alyssa is that princess, stolen by a rival faction and banished to live on Earth. But now Stone has found her and will return her to her rightful home, one in which she will own the curvaceous body she was born with--and the passionate desire that throbs within it as she learns an endless variety of delicious pleasures and discovers the infinite power she feels when all her cravings are satisfied. . .


The Foundations of Psychoanalysis

The Foundations of Psychoanalysis

Author: Adolf Grunbaum

Publisher: Univ of California Press

Published: 1985-12-16

Total Pages: 325

ISBN-13: 0520907329

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This study is a philosophical critique of the foundations of Sigmund Freud's psychoanalysis. As such, it also takes cognizance of his claim that psychoanalysis has the credentials of a natural science. It shows that the reasoning on which Freud rested the major hypotheses of his edifice was fundamentally flawed, even if the probity of the clinical observations he adduced were not in question. Moreover, far from deserving to be taken at face value, clinical data from the psychoanalytic treatment setting are themselves epistemically quite suspect.


Freud and the Scene of Trauma

Freud and the Scene of Trauma

Author: John Fletcher

Publisher: Fordham Univ Press

Published: 2013-12-02

Total Pages: 332

ISBN-13: 0823254615

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“This book will reward scholars across a number of disciplines: literary studies, trauma studies, psychoanalysis and psychology, and philosophy.” —Choice This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud, and many since him, have felt between psychoanalysis and literature—and artistic production more generally—and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting.


The Reality Effect

The Reality Effect

Author: Joel Black

Publisher: Routledge

Published: 2013-08-21

Total Pages: 297

ISBN-13: 1135354324

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It used to be only movies were on film; now the whole world is. The most intimate and most banal moments of our lives are constantly recorded for public consumption. In The Reality Effect, Joel Black argues that the desire to make visible every aspect of our lives is an impulse derived from cinema- one that has made life both more graphic and less "real." He approaches film as a documentary medium that has obscured-if not obliterated- the line between reality and fiction. To illustrate this effect, Black traces the uncanny interplay between movies and real-life events through a series of comparative analyses-from Lolita and the murder of JonBenét Ramsey to Wag the Dog and the Clinton scandal to Crash and Princess Diana's violent death.


Scene-writing for Film and TV

Scene-writing for Film and TV

Author: Simon van der Borgh

Publisher: Taylor & Francis

Published: 2024-10-28

Total Pages: 281

ISBN-13: 1040146538

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Focusing on an integral aspect of screenplays, this book takes students and writers at all levels through the process of understanding and writing better scenes. It interrogates the functions of a scene and how writers can then apply this knowledge to their own film and television scripts. Author Simon van der Borgh familiarises the screenwriter with the fundamental aspects of a scene, looking at what a scene is, the characters involved, the action depicted, dialogue, setting, and style. Featuring original scenes which show the practice of scene-writing and the application of ideas and approaches alongside in-depth analysis and critique, the book explores the process and approach to scene-writing and how to learn and improve methods of telling dynamic, engaging and moving stories of diverse types and formats on screen. With a strong focus on practice-based advice, the book includes exercises at every step to enable writers to build on and extend their knowledge and skills with confidence and clarity chapter by chapter. Exploring the film and TV scene with its different types, forms, and functions, it is the ideal book for aspiring screenwriters and students of screenwriting and filmmaking at all levels, as well as directors, producers and actors looking to better understand the contextual and sub-textual motivations intended by the writer.