Some of the most savage war in world history was waged on the American Plains from 1865 to 1879. As settlers moved west following the Civil War, they found powerful Indian tribes barring the way. When the U.S. Army intervened, a bloody and prolonged conflict ensued. Drawing heavily from diaries, letters, and memoirs from American Plains settlers, historian Thomas Goodrich weaves a spellbinding tale of life and death on the prairie, told in the timeless words of the participants themselves. Scalp Dance is a powerful, unforgettable epic that shatters modern myths. Within its pages, the reader will find a truthful account of Indian warfare as it occurred.
Hair comes in all colors, textures, and styles. Whether it is worn long or short, in braids or cornrows, or left natural in an Afro, hair plays a big part in who we are and how we feel about ourselves. In this inspiring book, Kelly Johnson's stunning photographs of girls wearing a range of hairstyles and the lyrical words of Dinah Johnson's poem celebrate African American hair in all its radiant variety. Hair Dance! is a 2008 Bank Street - Best Children's Book of the Year.
Visions of Culture: A Reader, Second Edition, has been revised and expanded with new selections and is coordinated for use with Visions of Culture: An Introduction to Anthropological Theories and Theorists, Fifth Edition. Each selection is prefaced with a brief introduction about the anthropologist and the text. Each primary text is followed by a section titled “Queries and Connections,” a series of questions designed to help students focus on the central issues in each text and to relate them to other readings. NEW TO THIS EDITION Part VII: Neo-Darwinian Evolutionary Theories 25: Leda Cosmides and John Toobey, from The Evolutionary Primer 26: Eric Alden Smith, from Why Do Good Hunters Have Higher Reproductive Success? 27. Robert Boyd and Peter Richerson, from “Introduction”from The Origin and Evolution of Culture Part VIII—The Ontological Turn 28: Philippe Descola, from Beyond Nature and Culture 29: Tim Ingold, from Anthropology beyond Humanity 30: Bruno Latour, from “Introduction”from Reassembling the Social: An Introduction to Actor-Network-Theory
31. Miscellaneous Religious Matters -- 32. Fragmentary and Incomplete Narratives -- Appendix -- Notes -- Bibliography -- Index -- About Francis Joseph Attocknie -- About Thomas W. Kavanaugh
All people, in no matter what culture, must be able to place their music firmly in the context of the totality of their beliefs, experiences, and activities, for without such ties, music cannot exist. This means that there must be a body of theory connected with any music system - not necessarily a theory of the structure of music sound, although that may be present as well, but rather a theory of what music is, what it does, and how it is coordinated with the total environment, both natural and cultural, in which human beings move.The Flathead Indians of Western Montana (just over 26,000 in number as of the 2000 census) inhabit a reservation consisting of 632,516 acres of land in the Jocko and Flathead Valleys and the Camas Prairie country, which lie roughly between Evaro and Kalispell, Montana. The reservation is bounded on the east by the Mission Range, on the west by the Cabinet National Forest, on the south by the Lolo National Forest, and on the north by an arbitrary line, approximately bisecting Flathead Lake about twenty-four miles south of Kalispell. The area is one of the richest agricultural regions in Montana, and fish and game are abundant. The Flathead are engaged in stocking, timbering, and various agricultural enterprises.For the Flathead, the most important single fact about music and its relationship to the total world is its origin in the supernatural sphere. All true and proper songs, particularly in the past, owe their origin to a variety of contacts experienced by humans with beings which, though a part of this world, are superhuman and the source of both individual and tribal powers and skills. Thus a sharp distinction is drawn by the Flathead between what they call "make-up" and all other songs. Merriam's pioneering work in the relationship of ethnography and musicology remains a primary source in this field in anthropology.
