Princess Salme, daughter of Sa‘id ibn Sultan, ruler of Oman and Zanzibar, was born in Zanzibar on August 30, 1844. In 1866 she fled to Aden where she was baptized with the Christian name Emily and where she married the German merchant Rudolph Heinrich Ruete. In Hamburg three children were born. Her husband died in 1870, and after that she lived in several cities in Germany. In 1885 and again in 1888 she went to Zanzibar. Between 1889 and 1914 she lived in Jaffa and Beirut, and afterwards again in Germany. She died in Jena in 1924. The present work contains a short biography of Princess Salme/Emily Ruete and of her son Rudolph Said-Ruete, a new English translation of her Memoirs, and an English version of her other writings, unpublished so far: Letters Home, Sequels to the Memoirs and Syrian Customs and Usages.
A dramatic account of the slave trade in the early 19th century Indian Ocean is presented through the stories of the Omani Sultan Said and his daughter, Princess Salme, offering insight into the Arabian Peninsula kingdom's lucrative growth and ties to America.
Dark night babe toss and turn the clouds above you make the sober go drunk come in from the cold warm you up sink down our throat the clouds above mountains so high sink babe sink sink a shaft move slowly down the mountain down our throats toss and turn babe sink on me all night dark clouds above you make the sober go drunk sink babe sink sink it smooth sink a shaft
The second half of the nineteenth century marks a watershed in human history. Railroads linked remote hinterlands with cities; overland and undersea cables connected distant continents. New and accessible print technologies made the wide dissemination of ideas possible; oceangoing steamers carried goods to faraway markets and enabled the greatest long-distance migrations in recorded history. In this volume, leading scholars of the Islamic world recount the enduring consequences these technological, economic, social, and cultural revolutions had on Muslim communities from North Africa to South Asia, the Indian Ocean, and China. Drawing on a multiplicity of approaches and genres, from commodity history to biography to social network theory, the essays in Global Muslims in the Age of Steam and Print offer new and diverse perspectives on a transnational community in an era of global transformation.
This book explores how Modernist movements all across the Mediterranean basin differed from those of other regions. The chapters show how the political and economic turmoil of a period marked by world war, revolution, decolonization, nationalism, and the rapid advance of new technologies compelled artists, writers, and other intellectuals to create a new hybrid Mediterranean Modernist aesthetic which sought to balance the tensions between local and foreign, tradition and innovation, and colonial and postcolonial.
In Modernist Women Writers and War, Julie Goodspeed-Chadwick examines important avant-garde writings by three American women authors and shows that during World Wars I and II a new kind of war literature emerged -- one in which feminist investigation of war and trauma effectively counters the paradigmatic war experience long narrated by men. In the past, Goodspeed-Chadwick explains, scholars have not considered writings by women as part of war literature. They have limited "war writing" to works by men, such as William Butler Yeats's poem "An Irish Airman Foresees His Death" (1919), which relies on a male perspective: a pilot contemplates his forthcoming flight, his duty to his country, and his life in combat. But works by Djuna Barnes, H.D., and Gertrude Stein set in wartime reveal experiences and views of war markedly different from those of male writers. They write women and their bodies into their texts, thus creating space for female war writing, insisting on female presence in wartime, and, perhaps most significantly, critiquing war and patriarchal politics, often in devastating fashion. Goodspeed-Chadwick begins with Barnes, who in her surrealist novel Nightwood (1936) emphasizes the actual perversity of war by placing it in contrast to the purported perverse and deviant behavior of her main characters. In her epic poem Trilogy (1944--1946), H.D. validates female suffering and projects a feminist, spiritual worldview that fosters healing from the ravages of war. Stein, for her part, in her experimental novel Mrs. Reynolds (1952) and her long love poem Lifting Belly (1953), captures her experience of the everyday reality of war on the home front, within the domestic economy of her household. In these works, the female body stands as the primary textual marker or symbol of female identity -- an insistence on women's presence in both the text and in the world outside the book. The strategies employed by Barnes, H.D., and Stein in these texts serve to produce a new kind of writing, Goodspeed-Chadwick reveals, one that ineluctably constructs a female identity within, and authorship of, the war narrative.
"Behind the Veil in Persia and Turkish Arabia: An Account of an Englishwoman's Eight Years' Residence Amongst the Women of the East" by M. E. Hume-Griffith and A. Hume-Griffith is the detailed account of two doctors' mission to Persia and Turkey. Written as a travelogue, the book shows an appreciation for this exotic and fascinating culture while also framing the differences with the European customs of the book's audience.
Lady Anne Blunt (1837-1917), daughter of the Earl of Lovelace and granddaughter of Lord Byron, is known as an adventurous traveler to the Middle East and the most accomplished horsewoman and breeder of Arabian stock of her era. She was married to poet and diplomat Wilfrid Scawen Blunt (1840-1922). When he inherited a family estate in Sussex in 1872, the couple was able to establish a stud at their Crabbet Park home. They then traveled in the Middle East to purchase Arabian horses from Bedouin tribesmen, which they transported back to England. In 1878 Lady Anne journeyed from Beirut, across northern Syria, and south through Mesopotamia to Baghdad. From there she traveled north along the Tigris River and west across the desert to the Mediterranean port of Alexandretta (present-day Iskenderun, Turkey). In 1879 she again set out from Beirut, but traveled south through the Emirate of Jabal Shammar, reached its capital of Ha'il, across the Arabian Peninsula, and continued to the port of Bushehr (present-day Iran). Shown here is the first edition of Bedouin Tribes of the Euphrates. It is one of two books that Lady Anne wrote based on her travel diaries during these journeys (the other is A Pilgrimage to Nejd). Edited by Wilfrid Scawen Blunt, the book concludes with a few chapters that he wrote on "the Arabs and their horses." In 1882 the couple opened a second stud outside Cairo, which they called Shaykh 'Ubayd. The couple separated in 1906, and in 1913 Lady Anne left England and moved permanently to Shaykh 'Ubayd. She died in Cairo in 1917. She is credited with helping preserve the purebred Arabian horse and was known by her friends as the "noble lady of the horses."
