Say it

Say it

Author: Sarah West

Publisher: Brill Rodopi

Published: 2010

Total Pages: 277

ISBN-13: 9789042030787

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Central to Samuel Beckett¿s literature is a wilful voice which insists on speaking and being heard. Beckett described it as ¿a truly exterior voice¿, and in the plays he separates voice from the body and turns it into an audible character. Previous critical studies have explored the enigma of this voice, its identity, source and location, but little attention has been given to the voice as protagonist. This volume traces the genesis of the performative voice in the early prose and charts its trajectory throughout the dramatic oeuvre in a readable narrative which generates fresh insights into some of Beckett¿s most remarkable and impenetrable plays. It examines the use of embodied and acousmatic ¿ `out of body¿ ¿ voices in the different media of theatre, radio and television; the treatment of voice in relation to music, image and movement; and the `shifting threshold¿ between the written and spoken word. The analysis comprises a detailed study of dramatic speech and technical aspects of sound reproduction, making it relevant for all scholars and students with an interest in textual and performance issues in Beckett¿s drama.


The Dramatic Works of Samuel Beckett

The Dramatic Works of Samuel Beckett

Author: Charles A. Carpenter

Publisher: Bloomsbury Publishing

Published: 2011-10-13

Total Pages: 525

ISBN-13: 1441159746

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A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.


Echo's Voice

Echo's Voice

Author: Mary Noonan

Publisher: Routledge

Published: 2017-07-05

Total Pages: 285

ISBN-13: 1351568922

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Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.


Beckett’s Late Stage

Beckett’s Late Stage

Author: Rhys Tranter

Publisher: BoD – Books on Demand

Published: 2018-02-28

Total Pages: 248

ISBN-13: 3838210352

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Beckett’s Late Stage reexamines the Nobel laureate’s post-war prose and drama in the light of contemporary trauma theory. Through a series of sustained close-readings, the study demonstrates how the comings and goings of Beckett’s prose unsettles the Western philosophical tradition; it reveals how Beckett’s live theatrical productions are haunted by the rehearsal of traumatic repetition, and asks what his ghostly radio recordings might signal for twentieth-century modernity. Drawing from psychoanalytic and poststructuralist traditions, Beckett’s Late Stage explores how the traumatic symptom allows us to rethink the relationship between language, meaning, and identity after 1945.


Beckett in the Cultural Field / Beckett dans le champ culturel

Beckett in the Cultural Field / Beckett dans le champ culturel

Author: Jürgen Siess

Publisher: Rodopi

Published: 2013-12-06

Total Pages: 271

ISBN-13: 940121025X

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The thematic part of this volume of Samuel Beckett Today/Aujourd’hui is devoted mainly to Beckett’s texts of the forties and later, and particularly to those he composed after his adoption of the French language. The essays presented in this part of the current issue attempt to see Beckett as a writer among other authors with whom he connects or competes, to examine his relations with artists, whether Beckett stimulates them or is stimulated by them, and to define his ‘posture’ and his position in the cultural field. How does the budding francophone writer position himself in the cultural field during his difficult beginnings and after his first successes? How can he be situated in relation to the three cultures he is dealing with? What are the parallels between Beckett’s own texts and those of other writers (literary and philosophical), but also between his work and the work of artists of the period? The ten essays in the free-space section of this volume also mainly concern his texts that were first written in French, and situate Beckett in relation to different topics, from Dante to the ‘War on Terror.’


Dramatic Apparitions and Theatrical Ghosts

Dramatic Apparitions and Theatrical Ghosts

Author: Ann C. Hall

Publisher: Bloomsbury Publishing

Published: 2023-08-10

Total Pages: 249

ISBN-13: 135037170X

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Ghosts haunt the stages of world theatre, appearing in classical Greek drama through to the plays of 21st-century dramatists. Tracing the phenomenon across time and in different cultures, the chapters collected here examine their representation, dramatic function, and what they may tell us about the belief systems of their original audiences and the conditions of theatrical production. As illusions of illusions, they foreground many dramatic themes common to a wide variety of periods and cultures. Arranged chronologically, this collection examines how ghosts represent political change in Athenian culture in three plays by Aeschylus; their function in traditional Japanese drama; the staging of the supernatural in the dramatic liturgy of the early Middle Ages; ghosts within the dramatic works of Middleton, George Peele, and Christopher Marlowe, and the technologies employed in the 18th and 19th centuries to represent the supernatural on stage. Coverage of the dramatic representation of ghosts in the 20th and 21st centuries includes studies of Noël Coward's Blithe Spirit, August Wilson's Pittsburgh Cycle, plays by Sam Shepard, David Mamet, and Sarah Ruhl, Paddy Chayefsky's The Tenth Man, Suzan-Lori Parks' Topdog/Underdog, and the spectral imprint of Shakespeare's ghosts in the Irish drama of Marina Carr, Martin McDonagh, William Butler Yeats, and Samuel Beckett. The volume closes by examining three contemporary American indigenous plays by Anishinaabe author, Alanis King.


Literary Cynics

Literary Cynics

Author: Arthur Rose

Publisher: Bloomsbury Publishing

Published: 2017-04-06

Total Pages: 257

ISBN-13: 1474258670

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Focusing on work by Jorge Luis Borges, Samuel Beckett and J.M. Coetzee, Literary Cynics explores the relationship between literature and cynicism to consider what happens when authors write themselves into their art, against the rhetoric of authority. Rose takes as his starting point three moments of aesthetic crisis in the careers of these literary cynics: Borges's parables of the 1950s, Beckett's plays of the 1980s, and Coetzee's pedagogic novels of the 2000s. In their transition to 'late style', the works reflect their writers' abiding concern with particular conceptions of rhetoric and aesthetic form. Literary Cynics combines accounts of these 'late' works with classic, lesser known, and archival texts by the three writers, from Coetzee's Disgrace to Beckett's letters, as well as detailed analysis of cynicism, both ancient and modern, as a philosophical and political movement.


Spectral Characters

Spectral Characters

Author: Sarah Balkin

Publisher: University of Michigan Press

Published: 2019-07-31

Total Pages: 199

ISBN-13: 0472125826

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Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.


Theatricality and Performativity

Theatricality and Performativity

Author: Teemu Paavolainen

Publisher: Springer

Published: 2018-04-06

Total Pages: 293

ISBN-13: 3319732269

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This book defines theatricality and performativity through metaphors of texture and weaving, drawn mainly from anthropologist Tim Ingold and philosopher Stephen C. Pepper. Tracing the two concepts’ various relations to practices of seeing and doing, but also to conflicting values of novelty and normativity, the study proceeds in a series of intertwining threads, from the theatrical to the performative: Antitheatrical (Plato, the Baroque, Michael Fried); Pro-theatrical (directors Wagner, Fuchs, Meyerhold, Brecht, and Brook); Dramatic (weaving memory in Shaffer’s Amadeus and Beckett’s Footfalls); Efficient (from modernist “machines for living in” to the “smart home”); Activist (knit graffiti, clown patrols, and the Anthropo(s)cene). An approach is developed in which ‘performativity’ names the way we tacitly weave worlds and identities, variously concealed or clarified by the step-aside tactics of ‘theatricality’.


Beckett’s Voices / Voicing Beckett

Beckett’s Voices / Voicing Beckett

Author:

Publisher: BRILL

Published: 2021-08-16

Total Pages: 361

ISBN-13: 9004468382

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Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.