Small coastal communities stand up to the giant of mid-20th century urban development in this chronicle of a true David and Goliath drama. With its unspoiled, tranquil shorelines, Fire Island has been an oasis for vacationers for well over a century. But from the late 1930s into the early 1960s, it was an obsession for Robert Moses, the political power broker and "master builder" who reshaped much of New York. His urban development projects helped create Long Island’s suburbs, and he dreamed of turning Fire Island into an extension of Ocean Parkway. Standing up to those ambitions were the seventeen individualistic communities of Fire Island, unified in their love for their sun-washed sandy beaches. To maintain a traditional way of life with limited access to motor vehicles, the community began the fight for federal protection through the creation of the Fire Island National Seashore.
Fire Island is a string of communities and parks, gay and straight bars, boats and bridges, beach umbrellas and bungalows--all bound together by the pristine white sand of the island's beach. This 32-mile-long barrier island off the coast of Long Island has been defined by legendary shipwrecks and heroic lifesaving in the 19th century, but also kindled by menacing storms and a web of sociological intrigue as an upwardly mobile American middle class sought out vacation homes and coastal recreation during the 20th century. From cholera protests at the Surf Hotel in 1892 to a grassroots campaign to prevent a highway that ultimately established Fire Island National Seashore in 1964, Fire Island's history is a grand melodrama that has caught world attention.
Describes the Fire Island community members' fight for federal government protection of their land against exploitation by New York public official Robert Moses.
A fresh look at the greatest builder in the history of New York City and one of its most controversial figures. “We are rebuilding New York, not dispersing and abandoning it”: Robert Moses saw himself on a rescue mission to save the city from obsolescence, decentralization, and decline. His vast building program aimed to modernize urban infrastructure, expand the public realm with extensive recreational facilities, remove blight, and make the city more livable for the middle class. This book offers a fresh look at the physical transformation of New York during Moses’s nearly forty-year reign over city building from 1934 to 1968.It is hard to imagine that anyone will ever have the same impact on New York as did Robert Moses. In his various roles in city and state government, he reshaped the fabric of the city, and his legacy continues to touch the lives of all New Yorkers. Revered for most of his life, he is now one of the most controversial figures in the city’s history. Robert Moses and the Modern City is the first major publication devoted to him since Robert Caro’s damning 1974 biography, The Power Broker: Robert Moses and the Fall of New York.In these pages eight short essays by leading scholars of urban history provide a revised perspective; stunning new photographs offer the first visual record of Moses’s far-reaching building program as it stands today; and a comprehensive catalog of his works is illustrated with a wealth of archival records: photographs of buildings, neighborhoods, and landscapes, of parks, pools, and playgrounds, of demolished neighborhoods and replacement housing and urban renewal projects, of bridges and highways; renderings of rejected designs and controversial projects that were defeated; and views of spectacular models that have not been seen since Moses made them for promotional purposes.Robert Moses and the Modern City captures research undertaken in the last three decades and will stimulate a new round of debate.
This major anthology brings together the best literary writing about New York--from O. Henry, Theodore Dreiser, F. Scott Fitzgerald, and John Steinbeck to Paul Auster and James Baldwin.
*A Town and Country Must-Read Book of Summer?* *A BUZZFEED BEST BOOK OF JUNE* *A Washington Post “Book to Read This Summer”* *AN ADVOCATE BEST LGBTQ+ BOOK OF 2022* *A USA Today "Book to Celebrate Pride Month"* *A New York Times "Editor's Pick"* *A Kirkus Reviews Hottest Book of Summer* A groundbreaking account of New York's Fire Island, chronicling its influence on art, literature, culture and queer liberation over the past century Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now, poet and scholar Jack Parlett tells the story of this iconic destination—its history, its meaning and its cultural significance—told through the lens of the artists and creators who sought refuge on its shores. Together, figures as divergent as Walt Whitman, Oscar Wilde, James Baldwin, Carson McCullers, Frank O'Hara, Patricia Highsmith and Jeremy O. Harris tell the story of a queer space in constant evolution. Transporting, impeccably researched and gorgeously written, Fire Island is the definitive book on an iconic American destination and an essential contribution to queer history.
The first Fire Island Lighthouse was constructed in 1826 after numerous shipwrecks along the barrier island. A replacement tower built in 1858 incorporated innovations in lighthouse design such as the Fresnel lens. Vessels anchored offshore, known as lightships, augmented the lighthouse for many years. The Coast Guard shut down the site in 1973. Through the efforts of the Fire Island Lighthouse Preservation Society and the National Park Service, the beautiful structure was meticulously restored and the tower relit in 1986. Along with a selection of wonderful color photographs depicting the grandeur of the lighthouse, author Bill Bleyer charts the history of Long Island's cherished Fire Island Lighthouse.
