"In Saving Face, sociologist Heather Laine Talley examines the cultural meaning and social significance of interventions aimed at repairing faces defined as disfigured. Using ethnography, participant-observation, content analysis, interviews, and autoethnography, Talley explores four sites in which a range of faces are 'repaired': face transplantation, facial feminization surgery, the reality show Extreme Makeover, and the international charitable organization Operation Smile."--Page [4] of cover.
Faces are all around us and fundamentally shape both everyday experience and our understanding of people. To lose face is to be alienated and experience shame, to be enfaced is to enjoy the fullness of life. In theology as in many other disciplines faces, as both physical phenomena and symbols, have not received the critical, appreciative attention they deserve. This pioneering book explores the nature of face and enfacement, both human and divine. Pattison discusses questions concerning what face is, how important face is in human life and relationships, and how we might understand face, both as a physical phenomenon and as a series of socially-inflected symbols and metaphors about the self and the body. Examining what face means in terms of inclusion and exclusion in contemporary human society and how it is related to shame, Pattison reveals what the experience of people who have difficulties with faces tell us about our society, our understandings of, and our reactions to face. Exploring this ubiquitous yet ignored area of both contemporary human experience and of the Christian theological tradition, Pattison explains how Christian theology understands face, both human and divine, and the insights might it offer to understanding face and enfacement. Does God in any sense have a physically visible face? What is the significance of having an enfaced or faceless God for Christian life and practice? What does the vision of God mean now? If we want to take face and defacing shame seriously, and to get them properly into perspective, we may need to change our theology, thought and practice - changing our ways of thinking about God and about theology.
This book provides a comprehensive examination of the human face, providing fascinating information from biological, cultural, and social perspectives. Our faces identify who we are—not only what we look like and what ethnicities we belong to, but they can also identify what religions we practice and what personal ideologies we have. This one-of-a-kind A–Z reference explores the ways we change, beautify, and adorn our faces to create our personalities and identities. In addition to covering the basics such as the anatomical structure and function of parts of the human face, the entries examine how the face is viewed around the world, allowing students to easily draw connections and differences between various cultures around the world. Readers will learn about a wide variety of topics, including identity in different cultures; religious beliefs; folklore; extreme beautification; the "evil eye;" scarification; facial piercing and facial tattooing masks; social views about beauty including cosmetic surgery and makeup; how gender, class and sexuality play a role in our understanding of the face; and skin, eye, mouth, nose, and ear diseases and disorders. This encyclopedia is ideal for high school and undergraduate students studying anthropology, anatomy, gender, religion, and world cultures.
Roy Miki's first poetry collection is an arresting, cleanly conceived series of meditations on the ties of family and place witnessed from his own place as a third-generation Japanese-Canadian. These exquisitely balanced poems trace the fragility of ancestral bonds."The drama of Roy's life--his family, politics, community, his unswerving passion for justice--is transformed here into burning coals that glow through the long, cold night."--Joy Kogawa, author of Obasan
While forgiveness has historically been regarded as a religious concern, it has also become a popular topic in contemporary psychology. Unfortunately, there has been little effort to combine a Christian understanding of forgiveness with psychology. The Faces of Forgiveness, winner of the Narramore Award from the Christian Association for Psychological Studies, steps in to fill this void. The authors fuse Christian forgiveness and psychology with the unifying motif of the face; thereby building on the considerable psychological research linking emotions related to forgiveness with the human face. At a deeper level, the face can serve as a metaphor for integrating forgiveness, wholeness, and salvation. The authors argue that forgiveness should take a central role in our understanding of salvation because it is warranted by the Bible and engages our postmodern context. Pastors, psychologists, family counselors, and students of psychology and theology will find The Faces of Forgiveness a helpful resource.
Re-Presenting Disability addresses issues surrounding disability representation in museums and galleries, a topic which is receiving much academic attention and is becoming an increasingly pressing issue for practitioners working in wide-ranging museums and related cultural organisations. This volume of provocative and timely contributions, brings together twenty researchers, practitioners and academics from different disciplinary, institutional and cultural contexts to explore issues surrounding the cultural representation of disabled people and, more particularly, the inclusion (as well as the marked absence) of disability-related narratives in museum and gallery displays. The diverse perspectives featured in the book offer fresh ways of interrogating and understanding contemporary representational practices as well as illuminating existing, related debates concerning identity politics, social agency and organisational purposes and responsibilities, which have considerable currency within museums and museum studies. Re-Presenting Disability explores such issues as: In what ways have disabled people and disability-related topics historically been represented in the collections and displays of museums and galleries? How can newly emerging representational forms and practices be viewed in relation to these historical approaches? How do emerging trends in museum practice – designed to counter prejudiced, stereotypical representations of disabled people – relate to broader developments in disability rights, debates in disability studies, as well as shifting interpretive practices in public history and mass media? What approaches can be deployed to mine and interrogate existing collections in order to investigate histories of disability and disabled people and to identify material evidence that might be marshalled to play a part in countering prejudice? What are the implications of these developments for contemporary collecting? How might such purposive displays be created and what dilemmas and challenges are curators, educators, designers and other actors in the exhibition-making process, likely to encounter along the way? How do audiences – disabled and non-disabled – respond to and engage with interpretive interventions designed to confront, undercut or reshape dominant regimes of representation that underpin and inform contemporary attitudes to disability?
Vendicare, from the Italian – to avenge or have revenge. “Vendicare is an independent contractor who quite simply deal with jobs that no government or organisation can put their name to. The world’s a dirty place and we are the ones who do the clean-ups. We don't answer to any particular government.” Beneath the sight of the public and the media, the organisation Vendicare operates as a truly international task force, taking on the jobs that governments and official bodies refuse to dirty their hands with. Highly trained, technologically advanced and militarily exceptional, billionaire Vincent Natalie runs a powerful organisation that affects the world on a grand scale. Their latest mission, ‘Angel Faces’, will take them into the heart of hostile territory in Africa to face some of the most influential and feared terrorists of the modern era. But there could be far more at stake for the team on a personal level than they ever imagined... As the group face the challenge of keeping order and peace on a global scale, will the weight of expectation prove too much for the men and women facing the ultimate responsibility? Combining pulse-pounding action with a deeply emotional human story, Angel Faces is truly a thriller for the 21st century.
Robert Legvold, surveying the sweeping changes that have taken place in Russia and the rest of the former Soviet Union, contends that genuine integration into East Asia requires the kind of economic changes that have just begun in Russia and will take years to complete. David Lampton, in his chapter on China, examines the Chinese leadership's policy of military detente and economic cooperation with the other three powers in order to sustain the remarkable economic performance of the last two decades. In his chapter on Japan, Michael Mochizuki discusses the uncertainty that the end of the Soviet-American rivalry has produced in Japan's domestic politics and foreign policy. Michael Mandelbaum discusses the bilateral relationships between the United States and the three other countries and the differing issues that loom large for each: security, economics, and human rights.
The face is central to contemporary politics. In Deleuze and Guattari’s work on faciality we find an assertion that the face is a particular politics, and dismantling the face is also a politics. This book explores the politics of such diverse issues as images and faces in photographs and portraits; expressive faces; psychology and neuroscience; face recognition; face blindness; facial injury, disfigurement and face transplants through questions such as: What it might mean to dismantle the face, and what politics this might entail, in practical terms? What sort of a politics is it? Is it already taking place? Is it a politics that is to be desired, a better politics, a progressive politics? The book opens up a vast field of further research that needs to be taken forward to begin to address the politics of the face more fully, and to elaborate the alternative forms of personhood and politics that dismantling the face opens to view. The book will be agenda-setting for scholars located in the field of international politics in particular but cognate areas as well who want to pursue the implications of face politics for the crucial questions of subjectivity, sovereignty and personhood.
Drawing on examples from art, media, fashion, history and memoir, cultural critic Rosemarie Garland-Thomson tackles a basic human interaction which has remained curiously unexplored, the human stare. In the first book of its kind, Garland-Thomson defines staring, explores the factors that motivate it, and considers the targets and the effects of the stare. While borrowing from psychology and biology to help explain why the impulse to stare is so powerful, she also enlarges and complicates these formulations with examples from the realm of imaginative culture. Featuring over forty illustrations, Staring captures the stimulating combination of symbolic, material and emotional factors that make staring so irresistible while endeavoring to shift the usual response to staring, shame, into an engaged self-consideration. Elegant and provocative, this unique study advances new ways of thinking about visuality and the body that will appeal to readers who are interested in the overlap between the humanities and human behaviors.
