"In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants that has yet to come to a real conclusion. A century later - 1951 - and about a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a "nuclear testing program" but functioned as a war against the land and people of the Great Basin."--
DIVA groundbreaking examination of racialized subtexts (and the subsequent priviligeng of whiteness) in foundational feminist critiques of psychoanalysis./div
In Fair Sex, Savage Dreams Jean Walton examines the work of early feminist psychoanalytic writing to decipher in it the unacknowledged yet foundational role of race. Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freud’s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead. Charting the fantasies of racial difference in these women’s writings, Walton establishes that race—particularly during this period—was inseparable from accounts of gender and sexuality. While arguing that these women remained notably oblivious to the racial meanings embedded in their own attempts to rearticulate feminine sexuality, Walton uses these very blindspots to understand how race and sex are deeply imbricated in the constitution of subjectivity. Challenging the notion that subjects acquire gender identities in isolation from racial ones, she thus demonstrates how white-centered psychoanalytic theories have formed the basis for more contemporary feminist and queer explorations of fantasy, desire, power, and subjectivity. Fair Sex, Savage Dreams will appeal to scholars of psychoanalysis, literary and cinematic modernism, race studies, queer theory, feminist theory, and anthropology.
"A beautiful, absorbing, tragic book."—Larry McMurtry In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants. A century later–in 1951–and a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a nuclear testing program, but functioned as a war against the land and people of the Great Basin. In this foundational book of landscape theory and environmental thinking, Rebecca Solnit explores our national Eden and Armageddon and offers a pathbreaking history of the west, focusing on the relationship between culture and its implementation as politics. In a new preface, she considers the continuities and changes of these invisible wars in the context of our current climate change crisis, and reveals how the long arm of these histories continue to inspire her writing and hope.
Author is a renowned writer in international climbing community Fascinating story of hoax that inspired a quest for a North American Shangri-La Vivid recounting of fabled mountains from across the world Using an infamous deception about a fake mountain range in British Columbia as her jumping-off point, Katie Ives, the well-known editor of Alpinist, explores the lure of blank spaces on the map and the value of the imagination. In Imaginary Peaks she details the cartographical mystery of the Riesenstein Hoax within the larger context of climbing history and the seemingly endless quest for newly discovered peaks and claims of first ascents. Imaginary Peaks is an evocative, thought-provoking tale, immersed in the literature of exploration, study of maps, and basic human desire.
A multidisciplinary compilation of nineteen incisive essays ranges from the formality of traditional art criticism to intimate, lyrical meditations as they explore nuclear test sites, the meaning of national borders and geographical features, and the idea of the feminine and the sublime.
This anthology of Solnits essential essays from the past ten years takes the reader from the Pyrenees to the U.S.-Mexican border, from open sky to the deepest mines and offers a panoramic world view enriched by the authors characteristically provocative, inspiring, and hopeful observations.
On a fateful day in 1889, the Oklahoma land rush begins, and for thousands of settlers the future is up for grabs. One of those people is Creed McReynolds, fresh from the East with a lawyer’s education and a head full of aspirations. The mixed-blood son of a Kiowa mother and a U.S. Cavalry doctor, Creed lands in Guthrie station, the designated Territorial Capital, where he must prove that he is more than the half-blood kid once driven from his own land. In recounting the precipitous rise and catastrophic fall of the jerrybuilt city of Guthrie, author Sheldon Russell immerses us in the lives of Creed and other memorable characters whose ambitions echo the taming of the frontier—and whose fates hold lessons as important today as they were more than a hundred years ago. Among the people McReynolds must contend with is Abaddon Damon. A ruthless newspaper publisher, Abaddon is quick to strike any bargain that will bring him the power he craves, and like many others, Creed McReynolds is swept into his whirlwind of greed and deception. Creed becomes the wealthiest man in the Territory—but at an unbearable cost to himself, the dreams of others, and the dignity of his mother’s people. Dreams to Dust takes readers back to the early days of Oklahoma Territory—a sometimes dangerous place filled with nefarious dealings, where violence lurks behind even casual encounters—to tell the story of frontier men and women gambling everything to find their fortune on the windswept southern plains.
Sam Savage's final book is a collection of stripped down visitations, flash fictions of smoke breaks and long drives and friends who finally stop showing up. The acidic tang of disappointment is here, and sparks of biting insight, in portraits of people and animals, in all our absurdity and failed attempts at meaning. As Sam says, "what a life."
