He wants her. But will he take her…? For two long years, news reporter Matthew Quinn was held captive by rebel forces. His dramatic escape made headlines. But Matt has returned scarred, believing that he can never love another woman…. Matt isn't prepared for Felicity Taylor and the sexual chemistry between them is instant. Matt wants her—but can he take her? Or, must he first reveal the secrets that are haunting him—and holding him back…?
A group of former Navy SEALS, the Alpha Pack is a top-secret team of wolf shifters with Psy powers combating the greatest dangers in the world. But sometime those dangers are more intimate than they bargained for... After a mission goes wrong, Aric Savage is taken prisoner. Half-dead and despairing, he makes a stunning discovery: his Pack mate Micah Chase, who was reported dead, is a fellow captive. When the Alpha team goes into full-rescue mode, accompanying them is an absolute stunner with sable hair--and a spine of solid steel. LAPD officer and Psy Dreamwalker Rowan Chase has one priority: her brother Micah's recovery. Still, she can't help but be drawn to Aric, the ruggedly handsome wolf shifter who pleasures her as no man ever has--however fleeting their affair is destined to be. But when Aric's life is endangered, Rowan must ask herself what she's willing to sacrifice in the name of love, for the man fated to be her Bondmate.
They call him a monster. Pale blue eyes as cold as ice that see right through you. He's hard. He's damaged. He's dangerous. He lives in a castle fit for a fairy tale, but he's no prince. He's savage. He's brutal. He's a killer. By an act of fate, our worlds collide. They call him a monster, but he is my salvation.
In Master Plots, Jared Gardner examines the tangled intersection of racial and national discourses in early American narrative. While it is well known that the writers of the early national period were preoccupied with differentiating their work from European models, Gardner argues that the national literature of the United States was equally motivated by the desire to differentiate white Americans from blacks and Indians. To achieve these ends, early American writers were drawn to fantasies of an "American race," and an American literature came to be defined not only by its desire for cultural uniqueness but also by its defense of racial purity.
Evelyn thought Lord Savage taught her everything he knew about pleasure. But her lesson isn't finished yet - and a feeling deeper than lust will consume them both.
"The Quick and the Dead explores the political dimension of Anglo-American Protestant writing about the future resurrection of the dead between the seventeenth and mid-nineteenth centuries. Reading histories, epic poetry, funeral sermons, and scientific tracts alongside works of eschatological exegesis, the book challenges the conventional scholarly assumption that Protestantism's rejection of purgatory prepared the way for the individualization and secularization of Western attitudes towards mortality. A deeper engagement with the complex history of resurrection theology reveals the importance of collective solidarity with the dead for Protestant social and political thought. Puritans, Anglicans, Quakers, and radicals looked to resurrection to understand their communities' prospects in the uncertain terrain of colonial America. They also expressed their conviction that political identities and religious duties did not expire with the mortal body but were carried over into the next life. This belief shaped their positions on a wide variety of issues, including the limits of ecclesiastical and civil power, the relationship of humanity to the natural world, and the emerging rhetoric of racial difference. In the early national and antebellum periods, secular and Christian reformers drew on the idea of resurrection to imagine how American republicanism might transform society and politics and ameliorate the human form itself. Early-modern Protestants really believed that they would live again in the flesh. By taking this belief seriously, this book opens up new perspectives on their mutually constitutive visions of earthly and resurrected existence"--
American Enchantment presents a new understanding of the social order after the American Revolution, one that enacts the concept of "enchantment" as a unique way of describing and coalescing popular power and social affiliation.
The politics of identity in the period of the early American republic involved the cultural production of a national self. In Romances of the Republic, Shirley Samuels examines revolutionary rhetoric from the 1790s through the 1850s primarily in novels, but also in poems, pamphlets, political cartoons, and sermons.
