Sarcophagus of Identity
Sarcophagus of Identity

Author: James M. Skelly

Publisher: Columbia University Press

Published: 2017-03-28

Total Pages: 403

ISBN-13: 3838269888

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Inspired in part by his lawsuit against the US Secretary of Defense while serving as an active duty military officer, in this book James Skelly explores and critiques the dominant conceptual bases for self and identity. Arguing that our use of language in the construction of identities is unwitting, unreflective, and has engendered horrific consequences for tens of millions of human beings, Skelly shows that we need to overcome sectarian modes of thinking and engage in much deeper forms of solidarity with others. This book offers not only an academic reflection on the concept of identity but one that delves into the nature of the self and identity by drawing on Skelly's concrete experience of attempting to present a self-identity opposed to war in the face of the political, psychological, religious, and legal arguments put forth in a year-long battle by the United States government to prove that he did not qualify as a conscientious objector. One consequence is that Skelly argues that in order to create a new and more pacific human sensibility we must help ourselves and others to gain sovereignty over our social worlds and the definition of 'who we are'. This will necessitate a broad educational project that arms individuals with the tools necessary to insure that the definitions and categorizations to which we are subject in the construction of traditional notions of 'identity' can be resisted and ultimately transcended.

Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE
Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE

Author: Melinda K. Hartwig

Publisher: Brepols Publishers

Published: 2004

Total Pages: 292

ISBN-13:

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Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE examines the style, iconography, and symbolism of painting in all extant private Theban tomb chapels decorated during the reigns of Thutmose IV and Amenhotep III. The book studies the ways in which pictorial imagery functioned on behalf of the dead in the afterlife, presented their identity to the living, and revealed underlying religious developments with important societal implications. Various aspects of the pre-Amarna Theban tomb are explored, from the tomb's purpose as a creative and commemorative vehicle for the deceased to the placement and functional properties of its imagery. The book also discusses the different styles of painting in the chapels of state and religious officials and how these styles reveal workshop organization and "patronage" practices in Thebes. The majority of the book is dedicated to the iconography of the functioning image in the tomb chapel, its reception, and its purpose as a bridge between what was represented and what was signified, between the mundane and the sacred, and between the living and the dead. Particular attention is paid to the iconography on the "western" back walls of the transverse hall in T-shaped tomb chapels, walls that held aesthetic, cultic, and symbolic significance to the ancient Egyptians. On these walls as well as the northern or southern long wall in rectangular tomb chapels, iconography and text commemorated the deceased's personal and professional identity, projected this identity into the hereafter, and contained key components for the tomb owner's rebirth. The eternal well-being of the deceased was secured through the iconography of gift giving that also mirrored religious trends that permeated society. Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE addresses Theban tomb painting and its underlying creative and commemorative properties as a medium of regeneration, preservation, and display on behalf of the tomb owner and the world of which he was a part.

Depicting the Dead
Depicting the Dead

Author: Stine Birk

Publisher: Aarhus Universitetsforlag

Published: 2013-03-28

Total Pages: 350

ISBN-13: 8771244166

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The present monograph takes its place in a now well-established tradition of seeing sarcophagi as visual statements of deceased individuals that used allegories to plot lives and personal memories against mythological and other idealised narratives. It focuses on Roman sarcophagi, often referred to as stadtromisch, which reflects the fact that the field has traditionally been dominated by German scholars. The aim of the book is twofold: Firstly, it is an exploration of how to read Roman sarcophagi, which starts from those with portraits, but which can contribute more broadly to the study of sarcophagi in general. Secondly, this book investigates gender values as represented through images and how to locate the individual in standardised iconography.

Problems of Canonicity and Identity Formation in Ancient Egypt and Mesopotamia
Problems of Canonicity and Identity Formation in Ancient Egypt and Mesopotamia

Author: Gojko Barjamovic

Publisher: Museum Tusculanum Press

Published: 2016-04-24

Total Pages: 359

ISBN-13: 8763543729

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The term ‘canonicity’ implies the recognition that the domain of literature and of the library is also a cultural and political one, related to various forms of identity formation, maintenance, and change. Scribes and benefactors ‘create’ canon in as much as they teach, analyze, preserve, prom¬ulgate and change ‘canonical’ texts according to prevailing norms. From early on, texts from the written traditions of ancient Mesopotamia and Egypt were accumulated, codified, and to some extent canonized, as various collections developed mainly in the environment of the temple and the palace. These written traditions represent sets of formal and informal cultures that all speak in their own ways of canonicity, normativity, and other forms of cultural expertise. Some forms of literature were used not only in scholarly contexts, but also in political ones, and they served purposes of identity formation. This volume addresses the interrelations between various forms of ‘canon’ and identity formation in different time periods, genres, regions, and contexts, as well as the application of contemporary conceptions of ‘canon’ to ancient texts.

The Death of Myth on Roman Sarcophagi
The Death of Myth on Roman Sarcophagi

Author: Mont Allen

Publisher: Cambridge University Press

Published: 2022-12-31

Total Pages: 293

ISBN-13: 100904124X

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A strange thing happened to Roman sarcophagi in the third century: their Greek mythic imagery vanished. Since the beginning of their production a century earlier, these beautifully carved coffins had featured bold mythological scenes. How do we make sense of this imagery's own death on later sarcophagi, when mythological narratives were truncated, gods and heroes were excised, and genres featuring no mythic content whatsoever came to the fore? What is the significance of such a profound tectonic shift in the Roman funerary imagination for our understanding of Roman history and culture, for the development of its arts, for the passage from the High to the Late Empire and the coming of Christianity, but above all, for the individual Roman women and men who chose this imagery, and who took it with them to the grave? In this book, Mont Allen offers the clues that aid in resolving this mystery.

Constructing Identities in Late Antiquity
Constructing Identities in Late Antiquity

Author: Richard Miles

Publisher: Routledge

Published: 2002-03-11

Total Pages: 273

ISBN-13: 1134649924

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Identity is a 'trendy' and 'hot' topic in classics Eminent contributors, including Pat Easterling, Gillian Clarke Identity examined from different perspectives and as different structures - sexual, ethnic, geographic, status, religions - comprehensive Theoretically and critically up-to-date

Roman Strigillated Sarcophagi
Roman Strigillated Sarcophagi

Author: Janet Huskinson

Publisher: Oxford University Press

Published: 2015

Total Pages: 366

ISBN-13: 0199203245

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This volume is the first full study of Roman strigillated sarcophagi, the largest group of ancient Roman sarcophagi to survive. Manufactured from the mid-second to the early fifth century AD, covering a critical period in Rome, they provide a rich historical source for exploring the social and cultural life of ancient Rome.

The Toga and Roman Identity
The Toga and Roman Identity

Author: Ursula Rothe

Publisher: Bloomsbury Publishing

Published: 2019-12-12

Total Pages: 257

ISBN-13: 1472571568

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This book traces the toga's history from its origins in the Etruscan garment known as the tebenna, through its use as an everyday garment in the Republican period to its increasingly exclusive role as a symbol of privilege in the Principate and its decline in use in late antiquity. It aims to shift the scholarly view of the toga from one dominated by its role as a feature of Roman art to one in which it is seen as an everyday object and a highly charged symbol that in its various forms was central to the definition and negotiation of important gender, age and status boundaries, as well as political stances and ideologies. It discusses the toga's significance not just in Rome itself, but also in the provinces, where it reveals ideas about cultural identity, status and the role of the Roman state. The Toga and Roman Identity shows that, by looking in detail at the history of Rome's national garment, we can gain a better understanding of the complexities of Roman identity for different groups in society, as well as what it meant, at any given time, to be 'Roman'.

Life, Death and Representation
Life, Death and Representation

Author: Jas Elsner

Publisher: Walter de Gruyter

Published: 2010-12-15

Total Pages: 454

ISBN-13: 3110216787

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This volumepresents acollection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.

The Frame in Classical Art
The Frame in Classical Art

Author: Verity Platt

Publisher: Cambridge University Press

Published: 2017-04-20

Total Pages: 737

ISBN-13: 1316943275

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The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.