Sarah cannot think of a story to tell in class for her homework assignment, but on her way to school she gets help from some unexpected sources. Reprint.
Sarah's Story offers an in-depth look at the mental anguish caused by a sick, twisted predator. It is rare to really be able to examine the torment serial killers and stalkers have on their prey. Unfortunately, there are not often survivors to tell their story. The images and nightmares that were created by his disturbing, threatening phone calls are brought to the surface giving the reader some real insight into the games played by these psychopaths. Even when the threat is removed, the lasting effects linger. The physical threat by a deranged monster is always evident. The emotional, mental torture is entirely different. Sarah is one of few people that can offer that firsthand account. She lived it for several months. Sarah's Story gives both the physical and mental aspects of being stalked by a serial killer capable of evils beyond imagination. To make matters worse, the police could not catch him! Sarah Lea Pisan is a 52-year-old, mother of three, grandmother of five. She currently lives in Oregon, near the coast. She enjoys time spent with her family. She also likes to fish, clam and crab. Her hobbies include painting, reading, and various crafts. She is working in insurance presently. Please feel free to e-mail me your comments or feedback at [email protected]
Sisters of the Quantock Hills is the compelling saga of the lives and loves of four sisters - Frances, Julia, Gwen and Sarah Purcell - and their neighbours, the Mackenzies. Set during the early part of the last century, the series encompasses two World Wars, and the sisters' individual stories are told against the backdrop of major historical events happening at the time. Beautifully written, this acclaimed series is being reissued with stylish, modern covers and is sure to become a favourite with a whole new generation of young readers.
Sarah's parents rushed her to several small country hospitals in search of help. Yet before adequate tests had been performed, doctors announced that Sarah was pregnant - an outrageous misdiagnosis that triggered a devastating chain of events for the family. It was only when Sarah was finally transferred to a large teaching hospital that doctors discovered the true diagnosis: a rare condition they had never seen before... and wanted to study.When Mark and Dianne asked the usual questions about their daughter's treatment, doctors stonewalled them. Unable to penetrate the strange medical secrecy surrounding Sarah's case, her parents set out on their own to find the best treatment available for their daughter. However, Sarah's doctors had other ideas, and summoned the help of a government department with police powers to force their will on the young girl. The unsuspecting family suddenly found themselves up against a powerful industry and an utterly ruthless state system. Nothing could have prepared them for the horrors they would have to face...A chilling glimpse into the dark side of health care.
Sarah leads a hard and lonely life in the orphanage, in Ireland. Until one day, she is given some news. She is old enough to set sail to the Australian colony of New South Wales for a new job and a new life, as a free immigrant. The long sea journey to Australia is a different experience for Sarah. She happily learns how to sew and read for the first time, but there's also seasickness, storms and quarrels with Maggie. Will Sarah be able to make a successful life for herself in her new home of Sydney?
Sarah's Quilt, the long-awaited sequel to These Is My Words, continues the dramatic story of Sarah Agnes Prine. Beloved by readers and book clubs from coast to coast, These Is My Words told the spellbinding story of an extraordinary pioneer woman and her struggle to make a home in the Arizona Territories. Now Sarah returns. In 1906, the badlands of Southern Arizona Territory is a desolate place where a three-year drought has changed the landscape for all time. When Sarah's well goes dry and months pass with barely a trace of rain, Sarah feels herself losing her hold upon the land. Desperate, Sarah's mother hires a water witch, a peculiar desert wanderer named Lazrus who claims to know where to find water. As he schemes and stalls, he develops an attraction to Sarah that turns into a frightening infatuation. And just when it seems that life couldn't get worse, Sarah learns that her brother and his family have been trapped in the Great San Francisco Earthquake of 1906. She and her father-in-law cannot even imagine the devastation that awaits them as they embark on a rescue mission to the stricken city. Sarah is a pioneer of the truest spirit, courageous but gentle as she fights to save her family's home. But she never stops longing for the passion she once knew. Though her wealthy neighbor has asked her to wed, Sarah doesn't entirely trust him. And then Udell Hanna and his son come riding down the dusty road. . . .
"Queer, dirty, insightful, and so funny" (Andrea Lawlor), this coyly revolutionary debut story collection imagines new origins and futures for its cast of unforgettable protagonists--almost all of whom are named Sarah. NAMED A MOST ANTICIPATED BOOK OF 2021 BY THE MILLIONS * OPRAH MAGAZINE * LAMBDA LITERARY * ELECTRIC LITERATURE * REFINERY29 * COSMO * THE ADVOCATE * ALMA * PAPERBACK PARIS * WRITE OR DIE TRIBE * READS RAINBOW In Sarahland, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure--and a new set of problems--by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue. In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.
Suffused with longing, this rueful, passionate memoir about an adopted woman''s search for her birth parents explores themes of race and family. Catherine McKinley was one of only a few thousand African American and bi-racial children adopted by white couples in the late 1960s and early 1970s. Raised in a small, white New England town, she had a persistent longing for the more diverse community that would better understand and encompass her. In an era shaped by the rhetoric of Black Power and Black Pride, McKinley''s coming of age entailed her own detailed investigation into her birth history, a search complicated by the terms of a closed adoption that denied her all knowledge of the circumstances of her birth. THE BOOK OF SARAHS traces McKinley''s own time of revelations: after a five-year period marked by dead ends and disappointments, she finds her birth mother and a half-sister named Sarah, the name that was originally given to her. When she locates her birth father and meets several of his eleven other children she begins to see the whole mosaic of her parentage-African American, WASP, Jewish, Native American-and then is confronted with a final revelation that threatens to destabilize all she has uncovered. At the center of the narrative is McKinley''s angry passion for her two mothers and her quest for self-acceptance in a world in which she seems to herself to be always outside the bounds of social legitimacy. In telling of her struggles both to fit into and to defy social conventions, McKinley challenges us to rethink our own preconceptions about race, identity, kinship, loyalty, and love. Catherine McKinley is the author of The Book of Sarahs and Indigo: In Search of the Color That Seduced the World. She is a graduate of Sarah Lawrence College, where she has taught Creative Nonfiction, and a former Fulbright Scholar in Ghana, West Africa. She lives in New York City. "McKinley writes beautifully in this debut memoir, never resorting to sentimentality or easy emotions within this tangled web of emotional and family secrets.” - Publishers Weekly "In recounting her long and arduous journey in search of her birth parents, McKinley (Afrekete: An Anthology of Black Lesbian Writing) draws us into a page-turning treasure hunt. Along the way she skillfully describes her upbringing as a black (or so she believed) child adopted by a white family during the 1960s, her tenacious efforts to winnow information out of the bureaucratic agency that handled her adoption and her often startlingly candid reactions to each new revelation about her background. Ultimately, she discovered that her parentage includes African American, WASP, Jewish, and Native American forbears. The multiple Sarahs of the title are just another confounding bit of information in this painful, funny, and very human memoir about race and family. In the end, the treasure McKinley seems to have discovered is her own independent self. Recommended for all libraries." - Library Journal "In elegant, original prose that springs from a mind and heart at turns spirited and pensive, Catherine McKinley tells her dramatic story with defiant candor, precocious wisdom, and courageous sensitivity.” - Sarah Saffian, Author of Ithaka: A Daughter’s Memoir of Bing Found "What child doesn''t occasionally fantasize that maybe she''s been adopted and one day her real parents will show up to rescue her from the crazy clan she''s stuck in? Who doesn''t question the identity the world endeavors to tether her to even as she struggles to create her own self? And who isn''t fascinated by the dynamics of other people''s families? Or maybe it''s only me. Perhaps that''s why I regularly revisit the world inside Catherine McKinley''s The Book of Sarahs: A Family in Parts. The first time I picked up McKinley''s memoir, I felt like I had fallen into my own life, though in truth her narrative is far removed from my own. Catherine, the biracial adopted daughter of a white couple, sets out to find her "true" mom and dad and discovers a Jewish birth mother and an African American father. The Book of Sarahs questions everything from motherhood to transracial adoption to coming out. It''s written for adults, but inevitably takes me back to childhood reveries of escape. These days, though, I also appreciate the book from the other side--as a mother making choices that will change the course of my children''s lives." - Jacqueline Woodson, author of National Book Award winner Brown Girl Dreaming (c) O Magazine 2015