A drama about Sara Crewe, a pupil at Miss Minchin's London school, who is left a pauper when her father dies, but is rescued by a mysterious benefactor.
1888. Burnett, began as a novelist, but she is now best remembered for her children's books including Sara Crewe(which was later rewritten to become The Little Princess).
Princess Sara is a children's book with pictures on every page. The Princess goes on a walk through the countryside. Her ordinary day becomes something special when she sees the stranger talking to his horse.
"Sara, a Princess" is a delightful story of a young girl. It is filled with characters that complement each other yet are unique in their own way. The story is a page-turner and will keep the readers engaged till the end.
This book offers a variety of approaches to children's literature from a postcolonial perspective that includes discussions of cultural appropriation, race theory, pedagogy as a colonialist activity, and multiculturalism. The eighteen essays divide into three sections: Theory, Colonialism, Postcolonialism. The first section sets the theoretical framework for postcolonial studies; essays here deal with issues of "otherness" and cultural difference, as well as the colonialist implications of pedagogic practice. These essays confront our relationships with the child and childhood as sites for the exertion of our authority and control. Section 2 presents discussions of the colonialist mind-set in children's and young adult texts from the turn of the century. Here works by writers of animal stories in Canada, the U.S. and Britain, works of early Australian colonialist literature, and Frances Hodgson Burnett's A Little Princess come under the scrutiny of our postmodern reading practices. Section 3 deals directly with contemporary texts for children that manifest both a postcolonial and a neo-colonial content. In this section, the longest in the book, we have studies of children's literature from Canada, Australia, Africa, the Caribbean, and the United States.