"Sapphic Classics" contains the beautiful verses of the versatile Classical Greek poet that have been celebrated for centuries for its lyricism and beauty. "Regiment of Women" is the debut novel of Winifred Ashton writing as Clemence Dane. First published in 1917, the novel has gained some notoriety due to its more or less veiled treatment of lesbian relationships inside and outside a school setting. It is said to have inspired Radclyffe Hall to write The Well of Loneliness. "Carmilla" is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). Le Fanu presents the story as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is one of the earliest works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years.
"Sappho: One Hundred Lyrics" contains the beautiful verses of the versatile Classical Greek poet that have been celebrated for centuries for its lyricism and beauty._x000D_ "Regiment of Women" is the debut novel of Winifred Ashton writing as Clemence Dane. First published in 1917, the novel has gained some notoriety due to its more or less veiled treatment of lesbian relationships inside and outside a school setting. It is said to have inspired Radclyffe Hall to write The Well of Loneliness._x000D_ "Carmilla" is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). Le Fanu presents the story as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is one of the earliest works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years.
Literature that explored female homosexuality flourished in late nineteenth-century France. Poets, novelists, and pornographers, whether Symbolists, Realists, or Decadents, were all part of this literary moment. In Sapphic Fathers, Gretchen Schultz explores how these male writers and their readers took lesbianism as a cipher for apprehensions about sex and gender during a time of social and political upheaval. Tracing this phenomenon through poetry (Baudelaire, Verlaine), erotica and the popular novel (Belot), and literary fiction (Zola, Maupassant, Péladan, Mendès), and into scientific treatises, Schultz demonstrates that the literary discourse on lesbianism became the basis for the scientific and medical understanding of female same-sex desire in France. She also shows that the cumulative impact of this discourse left tangible traces that lasted well beyond nineteenth-century France, persisting into twentieth-century America to become the basis of lesbian pulp fiction after the Second World War.
This timely book seeks to demonstrate the coherence of lesbian and gay studies. It introduces the reader to the principal inter-disciplinary approaches in the field and critically assesses their strengths and weaknesses whilst asking: What is lesbian and gay studies? When did it emerge? And what are its achievements and research agenda? The gay and lesbian movement has emerged as a major political and cultural force. It poses a series of far reaching questions about the organization of identity, the operation of power and the limits of tolerance. Lesbian and Gay Studies has emerged as a vital and enriching field. It offers challenges to more traditional disciplines and requires new forms of thought about the connections between academic work and personal politics.
From a writer of astonishing versatility and erudition, the much-admired literary critic, novelist, short-story writer, and scholar (“Dazzling”—The Washington Post; “One of those rare writers who seems to be able to work on any register, any time, any atmosphere, and make it her own” —The Observer), a book that explores the little-known literary tradition of love between women in Western literature, from Chaucer and Shakespeare to Charlotte Brontë, Dickens, Agatha Christie, and many more. Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history. Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire. She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James. Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.” She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.
In Sappho, Jonathan Goldberg takes as his model the fragmentary state in which this sublime poet's writing survives, a set of compositional and theoretical resources for living and thinking in more fully erotic ways in the present and the future. This book thus offers fragmentary commentary on disparate (Sapphic) works, such as the comics of Alison Bechdel, the paintings and cartoons of Leonardo da Vinci, Robert Reid-Pharr's "Living as a Lesbian," Madeleine de Scudéry's Histoire de Sapho, John Donne's "Sapho to Philaenis," Todd Haynes and Patricia Highsmith's Carol, Virginia Woolf's Orlando, writings by Willa Cather, and the paintings and writings of Simeon Solomon, among other works. Goldberg challenges readers to imagine and experience what Sarah Orne Jewett named the "country of our friendship," a love both exceedingly strange and compellingly familiar. Just as Sappho's coinage "bitter-sweet" describes eros as inextricably contradictory - two things at once, one thing after another, each interrupting, complicating, each other - the juxtapositions in this book mean to continually call into question categories of identity and identification in the wake of a quintessential woman writer from Lesbos. Over and over again, Goldberg's Sappho: ]fragments inquires into how race, sexuality, and gender cross each other. The theoretical genius of Eve Kosofsky Sedgwick presides over this set of meditations and mediations on likeness and desire. Rather than homogenizing its many subjects, it invites the reader to explore and inhabit new transits within and through what Audre Lorde called "the very house of difference." With an Afterword, "After-Party: Sappho Meets Freud," written by L.O. Aranye Fradenburg Joy.
Best Bi Short Stories is the first book of its kind, a literary anthology bringing together the very finest representations of bisexuality in fiction. The bisexuality of characters, like in real people, can be invisible to readers unless explicitly brought to their attention. Invisibility leads to underrepresentation, and on bookstore shelves that has certainly been true. Best Bi Short Stories hopes to change that by presenting the very best quality, cast in a bold light. With an all-star author lineup ranging from Katherine Forrest to Jane Rule, Ann Herendeen to Jan Steckel, and curated by longtime bi activist Sheela Lambert, Best Bi Short Stories encompasses several genres. The authors are a diverse group, as well, and Lambert sought representation across age groups, cultures, ethnicities and sexualities in both the authors and stories, demonstrating the richness of bi experience. Best Bi Short Stories contains the following stories: Dual Citizenship by Storm Grant Alone, As Always by Jenny Corvette Companions by Kate Durre Pennies in the Well by Rob Barton The Decision by Ammy Achenbach Coyote Takes a Trip by Deborah Miranda The Lottery by Florence Ivy Angels Dance by James Williams The Idiom of Orchids by Camille Thomas Mother Knows Best by Charles Bright “…Leave a Light on for Ya” by Gretchen Turner Dragon’s Daughter by Cecilia Tan Pride/Prejudice by Ann Herendeen Challenger Deep by Kathleen Bradean Mr. Greene by Ours M. Hugh Art Making by Kate Evans Friends and Neighbours by Jacqueline Applebee Memory Lane by Sheela Lambert Naked in the World by Geer Austin Alex the Dragon by Jan Steckel Face to Face by J.R. Yussuf Xessex by Katherine V. Forrest Inland Passage by Jane Rule
In this two-volume work, hundreds of alphabetically arranged entries survey contemporary lesbian, gay, bisexual, transgendered, and queer American literature and its social contexts. Comprehensive in scope and accessible to students and general readers, Encyclopedia of Contemporary LGBTQ Literature of the United States explores contemporary American LGBTQ literature and its social, political, cultural, and historical contexts. Included are several hundred alphabetically arranged entries written by expert contributors. Students of literature and popular culture will appreciate the encyclopedia's insightful survey and discussion of LGBTQ authors and their works, while students of history and social issues will value the encyclopedia's use of literature to explore LGBTQ American society. Each entry is written by an expert contributor and lists additional sources of information. To further enhance study and understanding, the encyclopedia closes with a selected general bibliography of print and electronic resources for student research.
Contains seven essays addressing topics including lesbian narrative; the lesbian subject; the romantic and the heroic lesbian narratives; and the postmodern lesbian text. Authors discussed include Adrienne Rich, Marilyn Hacker, Marion Zimmer Bradley, Gloria Naylor, and Jeannette Winterson. Annotation copyright by Book News, Inc., Portland, OR
The subject of bisexuality continues to divide the lesbian and gay community. At pride marches, in films such as Go Fish, at academic conferences, the role and status of bisexuals is hotly contested. Within lesbian communities, formed to support lesbians in a patriarchal and heterosexist society, bisexual women are often perceived as a threat or as a political weakness. Bisexual women feel that they are regarded with suspicion and distrust, if not openly scorned. Drawing on her research with over 400 bisexual and lesbian women, surveying the treatment of bisexuality in the lesbian and gay press, and examining the recent growth of a self-consciously political bisexual movement, Paula Rust addresses a range of questions pertaining to the political and social relationships between lesbians and bisexual women. By tracing the roots of the controversy over bisexuality among lesbians back to the early lesbian feminist debates of the 1970s, Rust argues that those debates created the circumstances in which bisexuality became an inevitable challenge to lesbian politics. She also traces it forward, predicting the future of sexual politics.
