When the severe economic depression of the 1800s destroys the Haydens' fortune, 22-year-old Jori Hayden and her family venture west along the Santa Fe Trail in search of a new livelihood, but despite the dangers they encounter at every turn, romance, faith, and family prove to be their biggest fortunes.
Refusing the Favor tells the little-known story of the Spanish-Mexican women who saw their homeland become part of New Mexico. A corrective to traditional narratives of the period, it carefully and lucidly documents the effects of colonization, looking closely at how the women lived both before and after the United States took control of the region. Focusing on Santa Fe, which was long one of the largest cities west of the Mississippi, Deena González demonstrates that women's responses to the conquest were remarkably diverse and that their efforts to preserve their culture were complex and long-lasting. Drawing on a range of sources, from newspapers to wills, deeds, and court records, González shows that the change to U.S. territorial status did little to enrich or empower the Spanish-Mexican inhabitants. The vast majority, in fact, found themselves quickly impoverished, and this trend toward low-paid labor, particularly for women, continues even today. González both examines the long-term consequences of colonization and draws illuminating parallels with the experiences of other minorities. Refusing the Favor also describes how and why Spanish-Mexican women have remained invisible in the histories of the region for so long. It avoids casting the story as simply "bad" Euro-American migrants and "good" local people by emphasizing the concrete details of how women lived. It covers every aspect of their experience, from their roles as businesswomen to the effects of intermarriage, and it provides an essential key to the history of New Mexico. Anyone with an interest in Western history, gender studies, Chicano/a studies, or the history of borderlands and colonization will find the book an invaluable resource and guide.
In this sequel to "Girl of the Manzanos," Mardee Spencer has grown up and is married to a lawyer, Carter McMahon, who is serving his country on the battle fields of France in World War I. Mardee helps keep his law office going while he is away and is earning her own law degree even though the legal profession is reserved for only men in that era. But Mardee is ahead of her time as she fights for her chosen profession while actively championing the rights of women. "Do something, even if it's wrong," her father, Ben Spencer, had always advised. "Don't be a coward about making decisions." Facing anxiety and possible heartbreak, she draws on all the strength of an independent and principled woman to meet life's complications and contradictions.
The art Helen Hardin created was the product of her deliberate effort to both retain the mystical elements of her heritage (Santa Clara Pueblo) and depart from the traditional style favored by many of the artists whose work surrounded her.
Ladies of the Canyons is the true story of remarkable women who left the security and comforts of genteel Victorian society and journeyed to the American Southwest in search of a wider view of themselves and their world. Educated, restless, and inquisitive, Natalie Curtis, Carol Stanley, Alice Klauber, and Mary Cabot Wheelwright were plucky, intrepid women whose lives were transformed in the first decades of the twentieth century by the people and the landscape of the American Southwest. Part of an influential circle of women that included Louisa Wade Wetherill, Alice Corbin Henderson, Mabel Dodge Luhan, Mary Austin, and Willa Cather, these ladies imagined and created a new home territory, a new society, and a new identity for themselves and for the women who would follow them. Their adventures were shared with the likes of Theodore Roosevelt and Robert Henri, Edgar Hewett and Charles Lummis, Chief Tawakwaptiwa of the Hopi, and Hostiin Klah of the Navajo. Their journeys took them to Monument Valley and Rainbow Bridge, into Canyon de Chelly, and across the high mesas of the Hopi, down through the Grand Canyon, and over the red desert of the Four Corners, to the pueblos along the Rio Grande and the villages in the mountains between Santa Fe and Taos. Although their stories converge in the outback of the American Southwest, the saga of Ladies of the Canyons is also the tale of Boston’s Brahmins, the Greenwich Village avant-garde, the birth of American modern art, and Santa Fe’s art and literary colony. Ladies of the Canyons is the story of New Women stepping boldly into the New World of inconspicuous success, ambitious failure, and the personal challenges experienced by women and men during the emergence of the Modern Age.
A renegade leads a haughty beauty across the Camino Road to Santa Fe--and to love, in this title from the author of "Return to Paradise, Terms of Love" and "Broken Vows".
"The truth about Alicia was that she wasnÕt that stable to begin with. So when she did what she did, no one was very surprised. Still it was shocking, the way she followed them from the hardware store to the woman's house, the way she broke the sliding glass door with the tire jack, the way she found them in bed. It was more than she could take, her being seven months pregnant and all. It only took two shots. . . . " Alicia is not the only woman with problems. In these stories about contemporary and traditional Latinas, Ana Consuelo Matiella uses sensitivity and wit to address issues faced by women of color and women everywhereÑissues largely having to do with love: between men and women, mothers and daughters, women and friends. In engaging stories about family myths, gossip, and lies, comadres converse over afternoon cafŽ con leche. "I'm sure that I was the only wife whose husband was teaching their daughter to do Cheech Marin imitations," remarks one of Matiella's characters. Another sings the praises of the chocolate milkshake diet: "ThatÕs one advantage of living on the border. You get to try all the latest gringo inventions as soon as they hit the streets." Through encounters with angels, conversations with dogs, and relationships with men overly concerned with the dimensions of their manhood, Matiella offers a new exploration of the human conditionÑone showing us that if we cannot laugh at life, no matter how tragic the circumstances, we are surely doomed. With humor and insight that come only through close observation of her fellow human beings, this gifted writer brings new twists to familiar scenes. The Truth about Alicia and Other Stories is an authentic portrayal of the world of contemporary Chicanas that will delight everyone who enters it.