Sanin

Sanin

Author: Mikhail Artsybashev

Publisher: Cornell University Press

Published: 2018-10-18

Total Pages: 280

ISBN-13: 1501720686

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"It evoked almost unprecedented discussions, like those at the time of Turgenev's Fathers and Sons. Some praised the novel far more than it deserved, others complained bitterly that it was a defamation of youth. I may, however, without exaggeration assert that no one in Russia took the trouble to fathom the ideas of the novel. The eulogies and condemnations are equally one-sided." Thus did Mikhail Artsybashev (1878–1927), whose novels and short stories are suffused with themes of sex, suicide, and murder, describe the reaction to publication in 1907 of Sanin, his second novel. The work provoked heated debates among the Russian reading public, and the journal in which it was published serially was soon closed down by the authorities.The hero of Artsybashev's novel exhibits a set of new values to be contrasted with the morality of the older Russian intelligentsia. Sanin is an attractive, clever, powerful, life-loving man who is, at the same time, an amoral and carnal animal, bored both by politics and by religion. During the novel he lusts after his own sister, but defends her when she is betrayed by an arrogant officer; he deflowers an innocent-but-willing virgin; and encourages a Jewish friend to end his self-doubts by committing suicide. Sanin's extreme individualism greatly appealed to young people in Russia during the twilight years of the Romanov regime. "Saninism" was marked by sensualism, self-gratification, and self-destruction—and gained in credibility in an atmosphere of moral and spiritual despondency.Artybashev drew upon a wide range of sources for his inspiration—Sanin owes debts to Dostoevsky's Notes from Underground, Nietzsche's notion of the "superman," and the work of the individualist anarchist philosopher Johann Kaspar Schmidt. Michael R. Katz's translation of this controversial novel is the first into English in almost seventy years."Russian pornography is not plain pornography such as the French and Germans produce, but pornography with ideas."—Kornei Chukovsky"Those who saw in the much discussed novel only suggestive scenes, shocking their morality or titillating their senses, were mistaken; it was, as usual in Russia, a book with a message, and Sanin slept with all his mistresses to prove a thesis rather than to obey a natural urge."—Marc Slonim


Erotic Nihilism in Late Imperial Russia

Erotic Nihilism in Late Imperial Russia

Author: Otto Boele

Publisher: Univ of Wisconsin Press

Published: 2009-11-24

Total Pages: 272

ISBN-13: 0299232735

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Banned shortly after its publication in 1907, the Russian novel Sanin scandalized readers with the sexual exploits of its eponymous hero. Wreaking havoc on the fictional town he visits in Mikhail Artsybashev’s story, the character Sanin left an even deeper imprint on the psyche of the real-life Russian public. Soon “Saninism” became the buzzword for the perceived faults of the nation. Seen as promoting a wave of hedonistic, decadent behavior, the novel was suppressed for decades, leaving behind only the rumor of its supposedly epidemic effect on a vulnerable generation of youth. Who were the Saninists, and what was their “teaching” all about? Delving into police reports, newspaper clippings, and amateur plays, Otto Boele finds that Russian youth were not at all swept away by the self-indulgent lifestyle of the novel’s hero. In fact, Saninism was more smoke than fire—a figment of the public imagination triggered by anxieties about the revolution of 1905 and the twilight of the Russian empire. The reception of the novel, Boele shows, reflected much deeper worries caused by economic reforms, an increase in social mobility, and changing attitudes toward sexuality. Showing how literary criticism interacts with the age-old medium of rumor, Erotic Nihilism in Late Imperial Russia offers a meticulous analysis of the scandal’s coverage in the provincial press and the reactions of young people who appealed to their peers to resist the novel’s nihilistic message. By examining the complex dialogue between readers and writers, children and parents, this study provides fascinating insights into Russian culture on the eve of World War I.


Essays on Russian Novelists

Essays on Russian Novelists

Author: William Lyon Phelps

Publisher: Nova Publishers

Published: 2004

Total Pages: 154

ISBN-13: 9781594540851

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The great Russian novelists of the 19th century are often considered unmatched as a group in literature and perhaps only approached by the 19th century composers of classical music. But who were these masters of image as portrayed through the written word? What made them tick and what makes their works keep on ticking? Professor William Lyon Phelps offers us a delicious beginning with a superb analysis of the Russian character in fiction and follow with a cogent presentation of the lives and works of Gogol, Turgenev, Dostoevsky, Tolstoi, Gorki, Chekhov, Artsbashev, Andreev and Kuprin. This book, originally published in 1915 by the MacMillan Company, has been completely retyped and indexed for this publication.


Imitations of Life

Imitations of Life

Author: Louise McReynolds

Publisher: Duke University Press

Published: 2002-03-29

Total Pages: 352

ISBN-13: 0822380579

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Imitations of Life views Russian melodrama from the eighteenth century to today as an unexpectedly hospitable forum for considering social issues. The contributors follow the evolution of the genre through a variety of cultural practices and changing political scenarios. They argue that Russian audiences have found a particular type of comfort in this mode of entertainment that invites them to respond emotionally rather than politically to social turmoil. Drawing on a wide variety of sources, including plays, lachrymose novels, popular movies, and even highly publicized funerals and political trials, the essays in Imitations of Life argue that melodrama has consistently offered models of behavior for times of transition, and that contemporary televised versions of melodrama continue to help Russians cope with national events that they understand implicitly but are not yet able to articulate. In contrast to previous studies, this collection argues for a reading that takes into account the subtle but pointed challenges to national politics and to gender and class hierarchies made in melodramatic works from both the nineteenth and twentieth centuries. Collectively, the contributors shift and cross borders, illustrating how the cultural dismissal of melodrama as fundamentally escapist and targeted primarily at the politically disenfranchised has subverted the drama’s own intrinsically subversive virtues. Imitations of Life will interest students and scholars of contemporary Russia, and Russian history, literature, and theater. Contributors. Otto Boele, Julie Buckler, Julie Cassiday, Susan Costanzo, Helena Goscilo, Beth Holmgren, Lars Lih, Louise McReynolds, Joan Neuberger, Alexander Prokhorov, Richard Stites


Passion, Humiliation, Revenge

Passion, Humiliation, Revenge

Author: Lapidus

Publisher: Lexington Books

Published: 1955-01-01

Total Pages: 183

ISBN-13: 0739129988

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This book reveals the phenomenon in Russian prose in which a male protagonist finds himself perpetuating a cycle of passion, humiliation, and revenge within his relationships with women. By examining the mental and emotional state of the male protagonistwho finds himself in a sexual situation, Rina Lapidus explores how his passion for a woman leads the man into an encounter that causes him humiliation and ends up eliciting a powerful desire on his part to punish the woman who initially arouses his eroticfeeling. The male protagonist directs his fury at the woman, seeking vengeance because of the shame he has suffered. Lapidus shows how the man sees himself as a highly spiritual being and finds it difficult to comes to terms with his sexual nature. Theauthor argues that this denial of desire leads the man to take out his frustration with himself on the woman, projecting all of his faults and guilt onto her. When the woman brings the male protagonist low, his thirst for revenge becomes a powerful driving force in his life that eventually brings about his downfall. This book will be of interest to those studying in the areas of Russian literature, psychology, and gender studies.