The time has come for her to face her controlling husband… Rachel has come to the Caribbean to see her estranged husband. When she was eighteen, she fell in love with and married an older millionaire, André. However, after suffering a miscarriage and feeling suffocated by her controlling husband, she fled home to London. But now, the business of Rachel's father is in financial trouble and he has fallen ill. When Rachel returns to ask André for help, he acts coldly and accuses her of having an affair with his brother!
It was five years since Rachel had left her husband Andre Sanchez, and she was only coming to him now because he was the only one who could help her beloved father. But the marriage had broken up in the first place because of the suffocating influence of the Sanchez family. Now there was a danger that Rachel would be swallowed up in it yet again. Andre's eyes darkened, "You're still a member of this family. You're a Sanchez." Rachel shook her head. "I'm not. I'm Rachel Jardin!" "You're Rachel Sanchez!" announced Andre harshly. "I have plans for you, and you will do as your father wanted and follow them!" "And if I disagree?" "You'll be destitute. You've no money, on your own admission, you've no money, and I won't pay another cent into your London bank!" Rachel felt defeated. "You're a brute!" she said unevenly. "I hate you, Andre Sanchez!" "You'll say that once too often, Rachel." Without another word he brushed past her and went out the door, slamming it behind him.
An award-winning and hard-hitting new voice in contemporary American poetry The first time I ever came the light was weak and carnivorous. I covered my eyes and the night cleared its dumb throat. I heard my mother wringing her hands the next morning. Of course I put my underwear on backwards, of course the elastic didn't work. What I wanted most at that moment was a sandwich. But I just nursed on this leather whip. I just splattered my sheets with my sadness. —from “Poem of My Humiliations” “What is life but a cross / over rotten water?” Poet, novelist, and essayist Erika L. Sánchez’s powerful debut poetry collection explores what it means to live on both sides of the border—the border between countries, languages, despair and possibility, and the living and the dead. Sánchez tells her own story as the daughter of undocumented Mexican immigrants and as part of a family steeped in faith, work, grief, and expectations. The poems confront sex, shame, race, and an America roiling with xenophobia, violence, and laws of suspicion and suppression. With candor and urgency, and with the unblinking eyes of a journalist, Sánchez roves from the individual life into the lives of sex workers, narco-traffickers, factory laborers, artists, and lovers. What emerges is a powerful, multifaceted portrait of survival. Lessons on Expulsion is the first book by a vibrant, essential new writer now breaking into the national literary landscape.
Honorable Mention, 2020 Aldo and Jeanne Scaglione Prize, given by the Modern Language Association Uncovers the queer logics of premodern religious and secular texts Putting premodern theology and poetry in dialogue with contemporary theory and politics, Queer Faith reassess the commonplace view that a modern veneration of sexual monogamy and fidelity finds its roots in Protestant thought. What if this narrative of “history and tradition” suppresses the queerness of its own foundational texts? Queer Faith examines key works of the prehistory of monogamy—from Paul to Luther, Petrarch to Shakespeare—to show that writing assumed to promote fidelity in fact articulates the affordances of promiscuity, both in its sexual sense and in its larger designation of all that is impure and disorderly. At the same time, Melissa E. Sanchez resists casting promiscuity as the ethical, queer alternative to monogamy, tracing instead how ideals of sexual liberation are themselves attached to nascent racial and economic hierarchies. Because discourses of fidelity and freedom are also discourses on racial and sexual positionality, excavating the complex historical entanglement of faith, race, and eroticism is urgent to contemporary queer debates about normativity, agency, and relationality. Deliberately unfaithful to disciplinary norms and national boundaries, this book assembles new conceptual frameworks at the juncture of secular and religious thought, political and aesthetic form. It thereby enlarges the contexts, objects, and authorized genealogies of queer scholarship. Retracing a history that did not have to be, Sanchez recovers writing that inscribes radical queer insights at the premodern foundations of conservative and heteronormative culture.
Pentecostalism is one of the most significant modern movements in global Christianity today. A mixture of ecstatic expression and earnest piety, metaphysical nuance and embodied spirituality, it is far more than the stereotype of a supernatural sideshow. In this presumably secular era, Pentecostalism continues to grow, adapting to a diverse religious marketplace and becoming more racially and ethnically diverse. Originally an American phenomenon, it is now a globe-spanning religion. In this book, Arlene M. Sánchez Walsh provides a thematic overview of Pentecostalism in America, covering Pentecostal faith and practices, gender and sexuality, race and ethnicity, trends and offshoots, and the future of American Pentecostalism. She also considers Pentecostalism’s spiritual lineages, examining colorful leaders, ordinary adherents, and prominent outliers, as well as its deep roots in American popular culture. She examines Pentecostalism as a narrative performance, aiming to explain what Pentecostalism is through the experiences and stories of its adherents. Sánchez Walsh treats this Christian movement with the critical eye it has often lacked, and places it in context within the larger narrative of American religious history. An indispensable introduction to Pentecostalism, rich with insights for experienced readers, Pentecostals in America is an essential study of a vibrant religious movement.
A reckoning with violent history, the occult, and death set against the broodingly romantic backdrop of the Spanish Civil War’s fallout and Hollywood’s Golden Age, by “one of the most powerful female voices Spanish literature has produced” (La Razón). After a childhood in exile, two odd sisters, known mysteriously as “The Winterlings,” return to their murdered grandfather’s cottage in the Galician countryside and settle into the unchanged routines of rural living. When the sisters learn of nearby filming for Pandora and the Flying Dutchman and the call for Ava Gardner lookalikes, the chance to stand in for the most beautiful woman in the world divides their once-unified passion for Hollywood cinema and acting, threatening to sunder their close relationship. Meanwhile, the insular villagers gradually reveal themselves as grotesque (albeit charming) characters: a widow in perpetual mourning, a woman who never dies and the priest who climbs a steep hill daily to give her last rites, and a dentist who plants the teeth of the deceased in his patients’ mouths. But most unsettling of all is the revelation of the perverse business arrangement the townspeople have made with the girls’ departed grandfather. Enchanting as a spell, award-winning Galician author Cristina Sánchez-Andrade’s novel draws equally from Spanish oral tradition and the American gothic fiction of Flannery O’Connor and Shirley Jackson, puncturing the idyllic surface of provincial life and historical codes of silence to expose the darkness lurking underneath.
A beautiful and inclusive picture book all about celebrating being yourself from Down syndrome advocate and viral sensation Sofia Sanchez! It can be hard to be different -- whether because of how you look, where you live, or what you can or can't do. But wouldn't it be boring if we were all the same? Being different is great! Being different is what makes you YOU. This inclusive and empowering picture book from Sofia Sanchez -- an 11-year-old model and actress with Down syndrome -- reminds readers how important it is to embrace your differences, be confident, and be proud of who you are. Imagine all of the wonderful things you can do if you don't let anyone stop you! You are enough just how you are. Sofia is unique, but her message is universal: We all belong. So each spread will feature beautiful, full-color illustrations of a full cast of kid characters with all kinds of backgrounds, experiences, and abilities. This book will also include back matter with a brief bio of Sofia and her journey so far, as well as additional information about Down syndrome and how we can all be more accepting, more inclusive, and more kind.
This book undertakes the most comprehensive and theoretically rigorous examination to date of Luis Rafael S¡nchez's work in the context of cultural politics in Puerto Rico, and of the international and regional dimensions of S¡nchez's work in relation to
A landmark critical approach to the study of African American poetry, this seminal work sanctions the view that the voices of the Black Arts Movement are valid areas of scholarly inquiry.
This collection of ten critical essays is the first scholarly criticism of haiku by Sonia Sanchez, who has exemplified herself for six decades as a major figure in the Black Arts Movement, a central activist in civil rights and women’s movements, and an internationally-known writer in American literature. Sanchez’s haiku, as an integral and prominent part of contemporary African American poetry, have expressed not only her ideas of nature, beauty, and harmony but also her aesthetic experience of music, culture, and love. Aesthetically, this experience reflects a poetic mind which has helped the poet to shape or reimage her poetic spirit.
