Samuel Beckett in Context

Samuel Beckett in Context

Author: Anthony Uhlmann

Publisher: Cambridge University Press

Published: 2013-02-28

Total Pages: 489

ISBN-13: 1107017033

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Provides a comprehensive exploration of Beckett's historical, cultural and philosophical contexts, offering new critical insights for scholars and general readers.


Theatre on Trial

Theatre on Trial

Author: Anna McMullan

Publisher: Routledge

Published: 2003-09-02

Total Pages: 160

ISBN-13: 1134941129

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Theatre on Trial is the first full-length analysis of Samuel Beckett's later drama in the context of contemporary theatre. Audrey McMullan employs a close, textual examination of the later plays as a springboard for exploring ideas around authority, voyeurism, gender and the ideology of stage and TV space. Her application of deconstruction and psychoanalytic feminism to Beckett's work will break new and exciting ground.


Beckett's Political Imagination

Beckett's Political Imagination

Author: Emilie Morin

Publisher: Cambridge University Press

Published: 2017-09-07

Total Pages: 279

ISBN-13: 110841799X

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Beckett's Political Imagination uncovers Beckett's lifelong engagement with political thought and political history, showing how this concern informed his work as fiction author, dramatist, critic and translator. This radically new account will appeal to students, researchers and Beckett lovers alike.


How it is

How it is

Author: Samuel Beckett

Publisher: Grove Press

Published: 1964

Total Pages: 156

ISBN-13: 9780802150660

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This work relates the adventures of an unnamed narrator crawling through the mud while dragging a sack of canned food. It is written as a sequence of unpunctuated paragraphs divided into three sections.


A Beckett Canon

A Beckett Canon

Author: Ruby Cohn

Publisher: University of Michigan Press

Published: 2005-12

Total Pages: 433

ISBN-13: 0472031317

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An indispensable guide to the oeuvre of Samuel Beckett, spanning sixty years


Literature in Context

Literature in Context

Author: Rick Rylance

Publisher: Palgrave Macmillan

Published: 2001

Total Pages: 244

ISBN-13: 9780333803905

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This text examines a key topic in modern literary studies. Contextual factors shape our perception of how literary texts are made, and how they are read. The understanding of conceptual factors is becoming increasingly more fundamental to the study of English at undergraduate and A level standard. The book contains essays by scholars on the contextual understanding of works of literature from Chaucer to the modern day. The text and authors chosen are central to a level and undergraduate syllabuses, and the book is endorsed by the QCA and the CCUE.


Samuel Beckett’s Legacies in American Fiction

Samuel Beckett’s Legacies in American Fiction

Author: James Baxter

Publisher: Springer Nature

Published: 2021-11-30

Total Pages: 263

ISBN-13: 3030815722

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Samuel Beckett’s Legacies in American Fiction provides an overdue investigation into Beckett’s rich influences over American writing. Through in-depth readings of postmodern authors such as Robert Coover, Donald Barthelme, Thomas Pynchon, Don DeLillo, Paul Auster and Lydia Davis, this book situates Beckett’s post-war writing of exhaustion and generation in relation to the emergence of an explosive American avant-garde. In turn, this study provides a valuable insight into the practical realities of Beckett’s dissemination in America, following the author’s long-standing relationship with the countercultural magazine Evergreen Review and its dramatic role in redrawing the possibilities of American culture in the 1960s. While Beckett would be largely removed from his American context, this book follows his vigorous, albeit sometimes awkward, reception alongside the authors and institutions central to shaping his legacies in 20th and 21st century America.


Samuel Beckett and the Visual

Samuel Beckett and the Visual

Author: Conor Carville

Publisher: Cambridge University Press

Published: 2018-04-12

Total Pages: 277

ISBN-13: 1108422772

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This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.


The Cambridge Introduction to Samuel Beckett

The Cambridge Introduction to Samuel Beckett

Author: Ronan McDonald

Publisher: Cambridge University Press

Published: 2007-12-19

Total Pages: 152

ISBN-13: 0511345887

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This is an eloquent and accessible introduction to one of the most important writers of the twentieth century. This book provides biographical and contextual information, but more fundamentally, it also considers how we might think about an enduringly difficult and experimental novelist and playwright who often challenges the very concepts of meaning and interpretation. It deals with his life, intellectual and cultural background, plays, prose, and critical response and relates Beckett's work and vision to the culture and context from which he wrote. McDonald provides a sustained analysis of the major plays, including Waiting for Godot, Endgame, and Happy Days and his major prose works including Murphy, Watt and his famous 'trilogy' of novels (Molloy, Malone Dies, The Unnamable). This introduction concludes by mapping the huge terrain of criticism Beckett's work has prompted, and it explains the turn in recent years to understanding Beckett within his historical context.


Samuel Beckett and Cinema

Samuel Beckett and Cinema

Author: Anthony Paraskeva

Publisher: Bloomsbury Publishing

Published: 2017-02-23

Total Pages: 202

ISBN-13: 1472533232

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In 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock. By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.