Samuel Beckett and the Arts

Samuel Beckett and the Arts

Author: Lois Oppenheim

Publisher: Routledge

Published: 2021-05-18

Total Pages: 326

ISBN-13: 1000378519

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This book, first published in 1999, addresses Beckett’s visual and musical sensibilities, and examines his visionary use of such diverse modes of creative expression as stage, radio, television and film, when his medium was the written word. The first section of the book focuses on music; the second part analyses the visual arts; and the third part examines film, radio and television. This book uncovers aspects of his thinking on, and use of the arts that have been little studied, including the nonfigurative function of music and art in Beckett’s work; the ‘collaborations’ undertaken by composers, painters and choreographers with his texts; the relation of his literary to his visual and musical artistry; and his use of film, radio and television as innovative means and celebration of artistic process.


Samuel Beckett and the Visual

Samuel Beckett and the Visual

Author: Conor Carville

Publisher: Cambridge University Press

Published: 2018-04-12

Total Pages: 277

ISBN-13: 1108422772

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This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.


Transdisciplinary Beckett

Transdisciplinary Beckett

Author: Lucy Jeffery

Publisher: BoD – Books on Demand

Published: 2021-11-16

Total Pages: 342

ISBN-13: 3838215842

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This is the first monograph to analyse Beckett’s use of the visual arts, music, and broadcasting media through a transdisciplinary approach. It considers how Beckett’s complex and varied use of art, music, and media in a selection of his novels, radio plays, teleplays, and later short prose informs his creative process. Investigating specific instances where Beckett’s writing adopts musical or visual structures, Lucy Jeffery identifies instances of Beckett’s transdisciplinarity and considers how this approach to writing facilitates ways of expressing familiar Beckettian themes of abstraction, ambiguity, longing, and endlessness. With case studies spanning forty years, she evaluates Beckett’s stylistic shifts in relation to the cultural context, particularly the technological advancements and artistic movements, during which they were written. With new examples from Beckett’s notebooks, critical essays, and letters, Transdisciplinary Beckett evidences how the drastic changes that took place in the visual arts and in musical composition influenced Beckett and, in turn, were influenced by him. Transdisciplinary Beckett situates Beckett as a key figure not just in the literary marketplace but also in the fields of music, art, and broadcasting.


Samuel Beckett and Contemporary Art

Samuel Beckett and Contemporary Art

Author: David Houston Jones

Publisher: Ibidem Press

Published: 2017-10-30

Total Pages: 367

ISBN-13: 9783838208497

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art-he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond. The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like Minimalism and Conceptual Art. Containing interviews with and pieces by working artists, alongside contributions of scholars of literature and the visual arts, this collection offers an essential reassessment of Beckett's work. Perceiving Beckett's ongoing importance from the perspective of contemporary art practices, dominated by installation and conceptual strategies, it offers a completely new frame through which to read perennial Beckettian themes of impotence, failure, and penury. From Beckett's remains, as it were, contemporary artists find endless inspiration.


A Companion to Samuel Beckett

A Companion to Samuel Beckett

Author: S. E. Gontarski

Publisher: John Wiley & Sons

Published: 2010-03-08

Total Pages: 441

ISBN-13: 1405158697

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A collection of original essays by a team of leading Beckett scholars and two of his biographers, Companion to Samuel Beckett provides a comprehensive critical reappraisal of the literary works of Samuel Beckett. Builds on the resurgence of international Beckett scholarship since the centenary of his birth, and reflects the wealth of newly released archival sources Informed by the latest in scholarly, critical, and theoretical debates A valuable addition to contemporary Beckett scholarship, and testament to the enduring influence of Beckett’s work and his position as one of the most important literary figures of our time


The Painted Word

The Painted Word

Author: Lois Oppenheim

Publisher: University of Michigan Press

Published: 2000

Total Pages: 260

ISBN-13: 9780472111176

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Exploring Beckett's relationship with the visual arts and its influence on his creative expression


Beckett’s Art of Mismaking

Beckett’s Art of Mismaking

Author: Leland de la Durantaye

Publisher: Harvard University Press

Published: 2016-01-04

Total Pages: 209

ISBN-13: 0674504852

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Leland de la Durantaye helps us understand Beckett’s strangeness and notorious difficulty by arguing that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.


Arts of Impoverishment

Arts of Impoverishment

Author: Leo Bersani

Publisher:

Published: 1993

Total Pages: 254

ISBN-13:

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Why taunt and flout us, as Beckett's writing does? Why discourage us from seeing, as Mark Rothko's paintings often can? Why immobilize and daze us, as Alain Resnais' films sometimes will? Why, Leo Bersnai and Ulysse Dutoit ask, would three acknowledged masters of their media make work deliberately opaque and inhospitable to an audience? This book shows how such crippling moves may signal a profoundly original - and profoundly anti-modernist - renunciation of art's authority.