Samplers and Tapestry Embroideries

Samplers and Tapestry Embroideries

Author: Marcus B. Huish

Publisher: Good Press

Published: 2023-09-18

Total Pages: 205

ISBN-13:

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"Samplers and Tapestry Embroideries" by Marcus B. Huish. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.


Samplers Selected and Described - With an Introduction by Leigh Ashton of the Victoria and Albert Museum

Samplers Selected and Described - With an Introduction by Leigh Ashton of the Victoria and Albert Museum

Author: Leigh Ashton

Publisher: Read Books Ltd

Published: 2013-04-26

Total Pages: 109

ISBN-13: 1473380707

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This volume deals with “samplers”, embroidery pattern books popular in Europe in the eighteenth and early nineteenth centuries. It includes beautiful examples contemporarily held at the Victoria and Albert Museum in London, with authentic photographs and information relating to materials and production. Highly recommended for those with an interest in the history of decorative needlework. Contents include: “Embroidery”, “Samplers”, “England”, “Foreign Samplers”, “America”, and “Bibliography. Sources of Meaning in the Speech of Infants”, “Gaps, Gluts and Vagaries of a Native Terminology”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on embroidery.


The Materiality of Color

The Materiality of Color

Author: Andrea Feeser

Publisher: Routledge

Published: 2017-07-05

Total Pages: 440

ISBN-13: 1351542737

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Although much has been written on the aesthetic value of color, there are other values that adhere to it with economic and social values among them. Through case studies of particular colors and colored objects, this volume demonstrates just how complex the history of color is by focusing on the diverse social and cultural meanings of color; the trouble, pain, and suffering behind the production and application of these colors; the difficult technical processes for making and applying color; and the intricacy of commercial exchanges and knowledge transfers as commodities and techniques moved from one region to another. By emphasizing color's materiality, the way in which it was produced, exchanged, and used by artisans, artists, and craftspersons, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat, and tears that went into its production, circulation, and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts. This book captures color's global history with chapters on indigo plantations in India and the American South, cochineal production in colonial Oaxaca, the taste for brightly colored Chinese objects in Europe, and the thriving trade in vermilion between Europeans and Native Americans. To underscore the complexity of the technical knowledge behind color production, there are chapters on the 'discovery' of Prussian blue, Brazilian feather techn?and wallpaper production. To sound the depths of color's capacity for social and cultural meaning-making, there are chapters that explore the significance of black ink in Shakespeare's sonnets, red threads in women's needlework samplers, blues in Mayan sacred statuary, and greens and yellows in colored glass bracelets that were traded across the Arabian desert in the late Middle Ages. The purpose of this book is to recover color's complex-and sometimes morally troubling-past, and in doing so,


Stitching the World: Embroidered Maps and Women’s Geographical Education

Stitching the World: Embroidered Maps and Women’s Geographical Education

Author: Judith A. Tyner

Publisher: Routledge

Published: 2016-12-05

Total Pages: 184

ISBN-13: 1351897853

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From the late eighteenth century until about 1840, schoolgirls in the British Isles and the United States created embroidered map samplers and even silk globes. Hundreds of British maps were made and although American examples are more rare, they form a significant collection of artefacts. Descriptions of these samplers stated that they were designed to teach needlework and geography. The focus of this book is not on stitches and techniques used in 'drafting' the maps, but rather why they were developed, how they diffused from the British Isles to the United States, and why they were made for such a brief time. The events of the late eighteenth and early nineteenth centuries stimulated an explosion of interest in geography. The American and French Revolutions, the wars between France and England, the War of 1812, Captain Cook's voyages, and the explorations of Lewis and Clark made the study of places exciting and important. Geography was the first science taught to girls in school. This period also coincided with major changes in educational theories and practices, especially for girls, and this book uses needlework maps and globes to chart a broader discussion of women's geographic education. In this light, map samplers and embroidered globes represent a transition in women's education from 'accomplishments' in the eighteenth century to challenging geographic education and conventional map drawing in schools and academies of the second half of the nineteenth century. There has been little serious study of these maps by cartographers and, moreover, historians of cartography have largely neglected the role of women in mapping. Children's maps have not been studied, although they might have much to offer about geographical teaching and perceptions of a period, and map samplers have been dismissed because they are the work of schoolgirls. Needlework historians, likewise, have not done in depth studies of map samplers until recently. Stitching the World is an interdisciplinary work drawing on cartography, needlework, and material culture. This book for the first time provides a critical analysis of these artefacts, showing that they offer significant insights into both eighteenth- and nineteenth-century geographic thought and cartography in the USA and the UK and into the development of female education.