Victor Gischler (X-Men, Angel & Faith, Noir) and Tazio BettinÕs trigger happy heroine reaches the climax of her post-apocalyptic pursuit in this penultimate issue. New Orleans ainÕt what it used to beÉ Long gone are the jazz bands, boutiques and Mardi Gras mayhem, leaving only rubble and mutants in their wake. With their goal in sight, Sally and her crew are gonna need a little more luck if theyÕre hoping to navigate the city in one piece. Better get those guns loaded, ladies!
SallyÕs just your everyday post-apocalyptic young woman, shooting mutant fauna by day, hanging at the local bayou bar by night. She might be slightly insane, but thatÕs all to the good after the fall of civilization. But Sally cares about one thing above all others, and thatÕs her innocent, fair-haired boy, Tommy. When Tommy takes off on a treasure hunt to the forbidden city of New Orleans, Sally follows the boy she loves on his expedition, because hell knows he canÕt take care of himselfÉ! A satirical popcorn adventure, punctuated with garish set pieces and bawdy one-liners, Sally of the Wasteland is intended for the enjoyment Ð and delight Ð of mature audiences! Collects Sally of the Wasteland 1-5
The epic, magical saga of royalty, romance, and violence continues. A princess. A soldier. A servant. A demon hunter. A thief. When we last saw them, this unlikely group was heading into the Northern Territory of the kingdom of Pitoria, on the run from the sadistic and power-hungry King Aloysius of Brigant. The Smoke Thieves have discovered that demon smoke is not only an illegal drug used for pleasure, but in fact, when taken by children, demon smoke briefly gives its users super-human strength. Aloysius' plan is simple and brutal: kill the demons for their smoke, and use that smoke to build an unstoppable army of children to take over Pitoria, Calidor, and then the rest of the world. The Smoke Thieves are the only ones who understand this plan--but can they stop it? Catherine, Aloysius' daughter, is seen as a traitor from all sides; Tash is heartbroken after the loss of her one friend and sees nothing left for her in the human world; Edyon is wanted for murder; March is carrying the secret of his betrayal of his new love; Ambrose is out for revenge--and all the while, the demons have plans of their own...
EllRay Jakes is tired of being bullied by fellow classmate Jared Matthews. But when EllRay tries to defend himself, he winds up in trouble. Then his dad offers him a deal: If he stays out of trouble for one week, they'll go to Disneyland! EllRay says he can do it. But saying it and doing it are two very different things.
Harvard psychologist Deirdre Barrett tackles the obesity and fitness crisis from an evolutionary standpoint. In the modern jungle of burgers, couches, and remote controls, obesity is an enormous and growing epidemic. Weight-loss books and diet gurus urge us to "listen to our bodies," but our instincts are designed for the African savannah, not food courts. The sugary and fatty foods that we, as hunter-gatherers, are programmed to forage used to be hard to come by. Now they're as close as the vending machine down the hall. Radical changes are necessary and, fortunately, are biologically easier than small or gradual changes in diet. Barrett tells us how to reprogram our bodies, break food addictions, and ignore our attraction to "supernormal stimuli"—artificial creations that appeal to our instincts more than the natural objects they mimic. Barrett delves into scientific research—from animal ethology to evolution—to show the disastrous direction in which our instincts have led us, and how, using our intellect, we can get back on course.
In this post-apocalyptic novel from Newbery Medal–winning author Robert C. O’Brien, a teen girl struggling to survive in the wake of unimaginable disaster comes across another survivor. Ann Burden is sixteen years old and completely alone. The world as she once knew it is gone, ravaged by a nuclear war that has taken everyone from her. For the past year, she has lived in a remote valley with no evidence of any other survivors. But the smoke from a distant campfire shatters Ann’s solitude. Someone else is still alive and making his way toward the valley. Who is this man? What does he want? Can he be trusted? Both excited and terrified, Ann soon realizes there may be worse things than being the last person on Earth.
Consisting of practical advice as well as call to action, the Wasowski's professed hope is the this book will send the reader into the garden and the voting booth with a fresh perpective.
The 10th anniversary edition, now with a new preface by the author "A wonderfully smart, lively, and culturally astute survey." - The New York Times Book Review "Grand entertainment...fascinating for anyone curious about the perplexing miracles of how great television comes to be." - The Wall Street Journal "I love this book...It's the kind of thing I wish I'd been able to read in film school, back before such books existed." - Vince Gilligan, creator of Breaking Bad and co-creator of Better Call Saul In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and creative ambition. Combining deep reportage with critical analysis and historical context, Brett Martin recounts the rise and inner workings of this artistic watershed - a golden age of TV that continues to transform America's cultural landscape. Difficult Men features extensive interviews with all the major players - including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), David Milch (NYPD Blue, Deadwood), Alan Ball (Six Feet Under), and Vince Gilligan (Breaking Bad, Better Call Saul) - and reveals how television became a truly significant and influential part of our culture.
Broadcasters, parents, public officials, and teachers have all abandoned our children to a wasteland of vacuous, often violent television programing. In this eloquent book, Newton Minow and Craig LaMay persuasively demonstrate that this is a false application of the First Amendment. Broadcasters are required by law to serve the public interest, and the Supreme Court and Congress have said that service to children is a broadcaster's obligation under law, they remind us; the First Amendment can be used on behalf of children, to help make television a force that will nurture and not harm them.
