Collector Benjamin Byrd has added a new and eerie item to his archives: a set of fangs embedded in silver. As he grows more and more obsessed with his new treasure, he finds himself experiencing dreams and visionary adventures. Soon, Benjamin’s normal, successful routine is transformed beyond anything he ever imagined; he has to confront the truth that he is no longer simply human. This powerful and lyrical story brings into our own day-to-day lives the story of the werewolf.
THERE IS NO better way to introduce children to classical music than with Prokofiev’s musical fairy tale of the little boy who, with the help of a bird, outsmarted the big, bad wolf. A new retelling by Janet Schulman follows the basic story, but with a kinder ending for both the big, bad wolf and the argumentative duck. Peter Malone’s paintings have the luminous quality of old Russian masters.
Shrouded within the dark corners of imagination, the werewolf holds a supreme place in fable and folklore-the nightbeast, stalking its prey under the light of a full moon. Such is the popular conception. But what of the beast himself? In the novel The Wolf's Tale, a werewolf documents his own case of lycanthropy. Amid the gothic backdrop of Victorian London, the author presents three gentlemen and one woman as they share the telling of this tale-the tale of Edgar Lenoir, Duke of Darnley: aristocrat and werewolf. When Lord Darnley learns that Elizabeth is pregnant with Merry's baby, he plans a hunt in the Carpathian Mountains to escape the pain of his unrequited love. Darnely goes alone and returns a changed man . . . a man who will then change Merry's and Elizabeth's lives forever. The centerpiece of the novel is Lord Darnley's journal chronicling his months as a werewolf. He views his condition not with horror, but with a fascination he believes to be thoroughly modern. Unfortunately, he is also narcissistic, ruthless, and ultimately, seduced by his own misguided self-interest to justify as natural and healthy the bestial desires that eventually consume him. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A storm is brewing in Toussaint between the ranchers and environmentalists, and it-s up to Du Pré to stop the bloodshedTwo men have been cutting fences at the ranches of Toussaint, Montana, loosing thousands of dollars of cattle to use as target practice for their .22 rifles. Are they thieves' Pranksters' Local cattle inspector Gabriel Du Pré guesses they're environmentalists agitating for the reintroduction of native wolves to Montana's high plains. Du Pré knows that the environmentalists are trying to send a message to the ranchers of eastern Montana. He also has a hunch that they are already dead. When the activists are found shot to death, Du Pré attempts to contain the chaos. The FBI descends, but their agents are as clueless in this territory as the hapless environmentalists. One of Toussaint's citizens committed this crime, killing to protect the traditional way of ranching life, a loyalty that Du Pré shares. If anyone is going to arrest his people, it will be the cattle inspector himself.
How did the elements get their names? The origins of californium may be obvious, but what about oxygen? Investigating their origins takes Peter Wothers deep into history. Drawing on a wide variety of original sources, he brings to light the astonishing, the unusual, and the downright weird origins behind the element names we take for granted.
“The Alienist set in eighteenth-century Stockholm: Brawny, bloody, intricate, enthralling—and the best historical thriller I’ve read in twenty years.” —A.J. Finn, #1 bestselling author of The Woman in the Window “Thrilling, unnerving, clever, and beautiful.” —Fredrik Backman, #1 bestselling author of A Man Called Ove “Chilling and thought-provoking. Relentless, well-written, and nearly impossible to put down.” —Kirkus Reviews (starred review) One morning in the autumn of 1793, watchman Mikel Cardell is awakened from his drunken slumber with reports of a body seen floating in the Larder, once a pristine lake on Stockholm’s Southern Isle, now a rancid bog. Efforts to identify the bizarrely mutilated corpse are entrusted to incorruptible lawyer Cecil Winge, who enlists Cardell’s help to solve the case. But time is short: Winge’s health is failing, the monarchy is in shambles, and whispered conspiracies and paranoia abound. Winge and Cardell become immersed in a brutal world of guttersnipes and thieves, mercenaries and madams. From a farmer’s son who is lead down a treacherous path when he seeks his fortune in the capital to an orphan girl consigned to the workhouse by a pitiless parish priest, their investigation peels back layer upon layer of the city’s labyrinthine society. The rich and the poor, the pious and the fallen, the living and the dead—all collide and interconnect with the body pulled from the lake. Breathtakingly bold and intricately constructed, The Wolf and the Watchman brings to life the crowded streets, gilded palaces, and dark corners of late-eighteenth-century Stockholm, offering a startling vision of the crimes we commit in the name of justice, and the sacrifices we make in order to survive.
"As a little boy, I had a dream that my father had taken me to the woods where there was a dead body. He buried it and told me I must never tell. It was the only thing we'd ever done together as father and son, and I promised not to tell. But unlike most dreams, the memory of this one never left me. And sometimes...I wasn't altogether sure about one thing: was it just a dream?" When Augusten Burroughs was small, his father was a shadowy presence in his life: a form on the stairs, a cough from the basement, a silent figure smoking a cigarette in the dark. As Augusten grew older, something sinister within his father began to unfurl. Something dark and secretive that could not be named. Betrayal after shocking betrayal ensued, and Augusten's childhood was over. The kind of father he wanted didn't exist for him. This father was distant, aloof, uninterested... And then the "games" began. With A Wolf at the Table, Augusten Burroughs makes a quantum leap into untapped emotional terrain: the radical pendulum swing between love and hate, the unspeakably terrifying relationship between father and son. Told with scorching honesty and penetrating insight, it is a story for anyone who has ever longed for unconditional love from a parent. Though harrowing and brutal, A Wolf at the Table will ultimately leave you buoyed with the profound joy of simply being alive. It's a memoir of stunning psychological cruelty and the redemptive power of hope.
