'In the breath that I die, for you I'll be longing/ Wishing to turn into the dust of your belonging' - Sa'di, Expressions of Love. With poetry which speaks across the ages, Sa'di (1210-1281) is a vital classical poet and a towering figure of the medieval Persian canon. Comparable in skill and stature to other Persian poets such as Ferdowsi, Hafez, Rumi and Omar Khayyam, Sa'di's verses--best known through his 'Bustan' and 'Golestan' address universal themes of passion, love and the human condition in works which are both psychologically perceptive and beautifully crafted. His mystical writings, contemporaneous with Rumi, reveal a degree of depth, wisdom and insight which have placed Sa'di in the pantheon of world literature. In this essential new translation of Sa'di's work, leading expert on Iranian studies Homa Katouzian seeks to bring the poet's lyrics to a new readership. The book provides the Persian text and Katouzian's English translation side-by-side, creating an indispensible tool for students and enthusiasts of Iranian history, literature and culture.
One of greatest Persian writers of both classical prose and poetry, Sa‘di was revered in his time as a man of great wisdom and passion. Sometimes said to have lived over one hundred years, the body of his work was written in the thirteenth century. Filled with extracts of the poet’s melodious and insightful writing, and critical analysis thereof, this revealing biography examines why he was so idolised until the 1950s, and why since then he has fallen into relative obscurity. Focussing on the themes of both physical and spiritual love stitched through Sa‘di’s writing, as well as the impact of his many years travelling, Katouzian sheds a unique insight on who he calls 'the poet of life, love and compassion'.
In Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry, Domenico Ingenito explores the unstudied connections between eroticism, spirituality, and politics in the lyric poetry of 13th-century literary master Sa‘di Shirazi.
~DIVAN OF SADI~His Mystical Love-Poetry.Translation & Introduction Paul Smith. Published by New Humanity Books/Book HeavenSadi of Shiraz (1210-1291), a contemporary of Rumi who influenced him, was another Perfect Master Poet who expressed himself in the ruba'i form as well as hundreds of ghazals in his beautiful Divan that often also contained images from dervish dancing. Sadi was a great traveller who spent forty years on the road throughout the Middle-East, North Africa and India and many of the incidents he experienced he wrote down in his two most famous works when he finally returned to his beloved birth-place… The Rose Garden (Gulistan) and The Orchard (Bustan). Sadi's mystical love poetry, his ghazals, although almost unknown in the West, are loved by his fellow-countrymen almost as much as those of Hafiz whom he greatly influenced. Here for the first time in English they can be read in all their beauty and power and spirit. The correct rhyme-structure has been kept as well as the beauty and meaning of these beautiful, mystical poems. ALL of the wonderful 603 ghazals from Sadi's Badayi and Tayyibat have been translated in clear, modern, meaningful, correct-rhyming English. Introduction on The Life of Sadi, his Poetry and his influence on the East and the West and on the form and meaning of the ghazal. 421 pages.COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'.“It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece inspired by the Creator of all.” Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran.“Superb translations. 99% Hafiz 1% Paul Smith.” Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. “Smith has probably put together the greatest collection of literary facts and history concerning Hafiz.” Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages… including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre and many others, as well as his own poetry, fiction, plays, biographies, children's books and screenplays.www.newhumanitybooksbookheaven.com
'In the breath that I die, for you I'll be longing/ Wishing to turn into the dust of your belonging' - Sa'di, Expressions of Love. With poetry which speaks across the ages, Sa'di (1210-1281) is a vital classical poet and a towering figure of the medieval Persian canon. Comparable in skill and stature to other Persian poets such as Ferdowsi, Hafez, Rumi and Omar Khayyam, Sa'di's verses--best known through his 'Bustan' and 'Golestan' address universal themes of passion, love and the human condition in works which are both psychologically perceptive and beautifully crafted. His mystical writings, contemporaneous with Rumi, reveal a degree of depth, wisdom and insight which have placed Sa'di in the pantheon of world literature. In this essential new translation of Sa'di's work, leading expert on Iranian studies Homa Katouzian seeks to bring the poet's lyrics to a new readership. The book provides the Persian text and Katouzian's English translation side-by-side, creating an indispensible tool for students and enthusiasts of Iranian history, literature and culture.
Satire, irony and humour have long been features of Persian literature's rich tradition, taking various forms from the coarse and obscene to the subtle and refined. Humour in Iran is a close and comprehensive study of satire and humour in verse as well as prose over the eleven-hundred years since the emergence of classical Persian literature. Combining Persian original texts with their English translations, it covers a range of texts and authors, from the lampoon in Ferdowsi's great epic of the ancient kings in the tenth century, through such master satirists as Obeyd Zakani, Sa'di, Rumi, Khayyam, Hafiz, Anvari, Sana'i, Khaqani, Suzani, Qa'ani, Yaghma, and so on. The book also includes twentieth century authors such as Iraj, Dehkhoda, Bahar, Eshqi, Aref, Hedayat, Jamalzadeh, Al-e Ahmad and more. A must read for scholars and students of humour and satire as well as Persian literature and Middle Eastern studies, and it will also appeal to general readers interested in ribald humour and satire.
In this poetic work, Arnold brings to life the beauty and mystery of Persian culture, exploring themes of love, nature, and spirituality through the character of Sadi. With lyrical prose and vivid descriptions of the gardens and lands of Persia, this book is a feast for the soul. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
GHAZALS of SADI Translation & Introduction Paul Smith Sadi (Saadi or Sa'di) of Shiraz (1210-1291), a contemporary of Rumi who influenced him, was a Sufi Perfect Master (Qutub) Poet who expressed himself in the ruba'i form as well as hundreds of ghazals in his beautiful Divan that often also contained images from dervish dancing. Sadi was a great traveller who spent forty years on the road throughout the Middle-East, North Africa and India and many of the incidents he experienced he wrote down in his two most famous works when he finally returned to his beloved birth-place... The Rose Garden (Gulistan) and The Orchard (Bustan). Sadi's mystical love poetry, his ghazals, although almost unknown in the West, are loved by his fellow-countrymen almost as much as those of Hafiz whom he greatly influenced. Here for the first time in English they can be read in all their beauty and power and spirit. The correct rhyme-structure has been kept as well as the beauty and meaning of these unique mystical poems. All of the wonderful 603 ghazals from Sadi's Badayi and Tayyibat have been translated in clear, modern, meaningful English. Introduction: Life & Times & Poetry of Sadi of Shiraz and his influence on the East and the West and on the form and meaning of the ghazal. a Sufi Glossary and a large Selected Bibliography. Large Format Paperback "7 x 10" 517 pages. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of all the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). 'Perfect Translation." Amir, Amazon.com Paul Smith (b.1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Baba Farid, Shah Latif, Mu'in, Lalla Ded, 'Iraqi, Ghalib, Nazir, Bulleh Shah, Ibn 'Arabi, Ibn Farid, Rab'ia, Majnun, Mansur Hallaj, Rahman Baba, Iqbal, Ghalib and many others as well as his own poetry, fiction, plays, biographies, children's books and a dozen screenplays. www.newhumanitybooks.com
Motivated by the intellectual historian Shahab Ahmed’s observation that “the history of Islamic paideia has yet to be written,” Islam as Education explores multiple forms that the search for knowledge and the transmission of wisdom have taken in Islam, focusing on the classical period (800–1500 CE). Ghiloni draws on a wide range of Islamic primary source material, ranging from sacred texts and parables to neglected pedagogical literature and paintings. He depicts three Islamic religious practices—pilgrimage, prophecy, and jihad—as modes of pedagogy: embodied ways of defining, defusing, and defending sacred knowledge. Islam as Education’s educational heuristic not only aids in understanding Islam, but also provides guidance for intercultural and interreligious relations. Ghiloni argues that Islam’s grand (knowledge) tradition serves as a bridge between Muslims and non-Muslims, and compares it with the educational theory of John Dewey, the celebrated American pragmatist. Based on this discussion, a final chapter develops practical tools for learning from cultural and religious difference.
