Icons
Author: Olga A. Polyakova
Publisher: Artis
Published: 2011
Total Pages: 0
ISBN-13: 9781908126092
DOWNLOAD EBOOK"from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye."
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Author: Olga A. Polyakova
Publisher: Artis
Published: 2011
Total Pages: 0
ISBN-13: 9781908126092
DOWNLOAD EBOOK"from the collection of the Moscow State Integrated Museum-Reserve at Kolomenskoye."
Author: Gosudarstvenny I Istoricheski I Muze I
Publisher:
Published: 1988
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKAuthor: Oleg Tarasov
Publisher: Reaktion Books
Published: 2004-01-03
Total Pages: 428
ISBN-13: 186189550X
DOWNLOAD EBOOKIcon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.
Author: Vladimir Alekseevich Soloukhin
Publisher:
Published: 1971
Total Pages: 218
ISBN-13:
DOWNLOAD EBOOKAuthor: Maria Taroutina
Publisher: Penn State Press
Published: 2018-11-26
Total Pages: 761
ISBN-13: 0271082550
DOWNLOAD EBOOKIn The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Author: Bela Shayevich
Publisher: Rizzoli International publication
Published: 2011-04-12
Total Pages: 226
ISBN-13: 0847836053
DOWNLOAD EBOOKOffers a survey of commercial products created in Russia during the 1960s and 1970s through photographs and essays that describe the inspiration, design, and consumer success of each product.
Author: Philipp Schweinfurth
Publisher: Рипол Классик
Published: 2010
Total Pages: 59
ISBN-13: 588149458X
DOWNLOAD EBOOKКнига отличается доступным изложением материала, четко структурированным текстом, выделением ключевых понятий. Основана на обширном, во многом документальном материале, и рассчитана на специалистов и широкий круг читателей
Author: Menil Collection (Houston, Tex.)
Publisher: Menil Foundation
Published: 2011
Total Pages: 168
ISBN-13: 9780300169683
DOWNLOAD EBOOKA history of icons in the Menil Collection Clare Elliott -- The icon and the museum Bertrand Davezac -- How icons look Anne Marie Weyl Carr -- Icons from the centuries of the Byzantine Empire (AD 324-1453) Annemarie Weyl Carr, Bertrand Davezac -- Post-Byzantine icons from the Balkans, Greece and the Islands -- Russian icons
Author: Dr C A Tsakiridou
Publisher: Ashgate Publishing, Ltd.
Published: 2013-03-28
Total Pages: 630
ISBN-13: 1409472337
DOWNLOAD EBOOKIcons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
Author: Boris Andreevich Uspenski?
Publisher: John Benjamins Publishing
Published: 1976
Total Pages: 110
ISBN-13: 9789031600786
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