Elements Of Painting With Crayons

Elements Of Painting With Crayons

Author: John Russell

Publisher: Legare Street Press

Published: 2022-10-27

Total Pages: 0

ISBN-13: 9781017762907

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Wilberforce

Wilberforce

Author: Anne Stott

Publisher: Oxford University Press

Published: 2012-03-15

Total Pages: 355

ISBN-13: 0199699399

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Casts a fresh light on the abolitionist William Wilberforce and his friends in the Clapham sect by looking at their private lives as revealed in their family correspondence. Stott explores themes of the family, women and gender, childhood and education, sexuality, and intimacy.


British Paintings in the Metropolitan Museum of Art, 1575-1875

British Paintings in the Metropolitan Museum of Art, 1575-1875

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2009

Total Pages: 322

ISBN-13: 1588393488

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Covering the period between the late 16th century through to the third quarter of the 19th century, this book features paintings by English, Scottish, Welsh and Irish artists which are part of the collection of the Metropolitan Museum of Art.


National Portrait Gallery Mid-Georgian Portraits, 1760-1790

National Portrait Gallery Mid-Georgian Portraits, 1760-1790

Author: John Ingamells

Publisher:

Published: 2004

Total Pages: 624

ISBN-13:

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This catalogue includes such famous figures as David Garrick and Dr Samuel Johnson, Sarah Siddons and Emma Hamilton, and the work of such artists as Gainsborough, Reynolds and Romney. It has been compiled by one of the leading authorities on 18th-century English portraiture, John Ingamells.


A Scientific, Antiquarian and Picturesque Tour

A Scientific, Antiquarian and Picturesque Tour

Author: Angela Byrne

Publisher: Routledge

Published: 2018-10-26

Total Pages: 398

ISBN-13: 0429762348

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A Scientific, Antiquarian, and Picturesque Tour: John Lee In England, Wales and Ireland, 1806–7, is a critical edition of the travel diaries and sketchbooks of Dr John Lee FRS (né Fiott, 1783–1866), published for the first time. Shortly after graduating from Cambridge University, Lee set out on a seven-month walking tour through England, Wales, and Ireland on 31 July 1806. His itinerary included most of the key sites on the ‘home tour’, such as Llangollen, the Lakes of Killarney, and the Wicklow Mountains, but also less- visited sites such as the Blasket Islands, Co. Kerry. Best known later in life as an astronomer, antiquary, Liberal campaigner for women’s suffrage, and generous philanthropist, Lee’s lifelong interest in mineralogy, antiquities, industry, and popular culture, and his concern for the poor, are evident throughout these early diaries. Most of the content relates to Ireland, where Lee arrived on 29 August 1806 and remained until 6 March 1807. His observations paint a picture of Irish social, cultural, and political life in the aftermath of the 1798 and 1803 rebellions, and the 1801 Act of Union. The memory of 1798 looms large in the diaries, as Lee recorded conversations with witnesses and participants on both sides. These observations are laid against the backdrop of Lee’s assessments of the Irish landscape, evaluated verbally and pictorially within the frameworks of the sublime and picturesque. Lee also paid much attention to the physical remains of Irish history (earthen forts, early-Christian religious sites) and to the endurance of Gaelic culture (the Irish language, Gaelic games, ‘pattern’ days) that made Ireland exotic to the English visitor. The volume includes an annotated transcription of Lee’s five diaries and notes from his three sketchbooks, reproductions of some of his sketches, and a critical introduction setting Lee’s diaries within their historical, cultural, and intellectual contexts. It makes Lee’s detailed observations available to researchers for the first time, a valuable resource for Irish social, cultural, and political history, local history, and the histories of travel and antiquarianism.