Rubens

Rubens

Author: Alexander Vergara

Publisher: Paul Holberton Publishing

Published: 2004

Total Pages: 242

ISBN-13:

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In 1609 Rubens painted a large Adoration of the Magi for the Antwerp Town Hall. The painting made its way to the King of Spain and Rubens, arriving at the Spanish court in 1628, repainted, extended and refashioned the picture to his own satisfaction (incorporating a self-portrait). The painting, now in the collection of the Prado, incorporates a dialogue by the painter himself. The picture has been newly conserved, and following the dialogue has been made easier by the existence of a copy in a private collection of the 1609 version of the much altered work. It has been the fascinating task of Prado curator Alejandro Vergara and the Prado conservation department to investigate the changes Rubens made and their motivation, while Joost vander Auwara provides a new analysis, employing new documents and rereading known ones, of the intentions and iconography of the original Antwerp commission.


Flemish Art and Architecture, 1585-1700

Flemish Art and Architecture, 1585-1700

Author: Hans Vlieghe

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 356

ISBN-13: 9780300104691

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02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.