Roots of Freedom is a primer on the thinkers and ideas that, over many centuries, have laid the foundations of free societies. Concepts such as the rule of law, independent judiciary, limited government, free markets, and individual autonomy are traced in the writings of (among others) Luther, Machiavelli, Hobbes, Locke, Montesquieu, Hume, Adam Smith, the American founders, Alexis de Tocqueville, and John Stuart Mill.
To tell the history of the Caribbean is to tell the history of the world," write Laurent Dubois and Richard Lee Turits. In this powerful and expansive story of the vast archipelago, Dubois and Turits chronicle how the Caribbean has been at the heart of modern contests between slavery and freedom, racism and equality, and empire and independence. From the emergence of racial slavery and European colonialism in the early sixteenth century to U.S. annexations and military occupations in the twentieth, systems of exploitation and imperial control have haunted the region. Yet the Caribbean is also where empires have been overthrown, slavery was first defeated, and the most dramatic revolutions triumphed. Caribbean peoples have never stopped imagining and pursuing new forms of liberty. Dubois and Turits reveal how the region's most vital transformations have been ignited in the conflicts over competing visions of land. While the powerful sought a Caribbean awash in plantations for the benefit of the few, countless others anchored their quest for freedom in small-farming and counter-plantation economies, at times succeeding against all odds. Caribbean realities to this day are rooted in this long and illuminating history of struggle.
Jimmy Santiago Baca, one of the foremost poets in America today, collaborates with two literacy professionals to present a teaching tool that includes curricular activities and probing questions crafted to help students heal through writing. Each exercise reinforces the theme that self-esteem borne from unique expression will improve student enjoyment and academic achievement.. Book Features: Draws on the extraordinary life and career of Jimmy Santiago Baca, who came to write poetry in prison and now has 28 works in print, ranging from a feature movie Blood In Blood Out to his bestselling memoir A Place to Stand.Based on the authors’ combined experience of facilitating hundreds of writing workshops.Offers field-tested recommendations to help educators inspire and fortify students suffering from doubt or damaged self-esteem.Includes detailed descriptions, exercises, and sample poetry to assist teachers and students in the writing process. “Kym and Denise provide tremendous support for the type of writing Jimmy teaches in his workshops. As you become comfortable and more familiar with the material, I encourage you to be creative and take advantage of the events that come up in the lives of your students.” —From the Afterword by Diane Torres-Velásquez, University of New Mexico “What a remarkable gift this book is! The authors have created an invaluable resource for educators who hope to connect students to the profound themes of social justice, personal journey, and the resilience of the human spirit.” —Deborah Appleman, Carleton College, author of Critical Encounters in High School English, Third Edition
This momentous work offers a groundbreaking history of the early civil rights movement in the South. Using wide-ranging archival work and extensive interviews with movement participants, Charles Payne uncovers a chapter of American social history forged locally, in places like Greenwood, Mississippi, where countless unsung African Americans risked their lives for the freedom struggle. The leaders were ordinary women and men--sharecroppers, domestics, high school students, beauticians, independent farmers--committed to organizing the civil rights struggle house by house, block by block, relationship by relationship. Payne brilliantly brings to life the tradition of grassroots African American activism, long practiced yet poorly understood. Payne overturns familiar ideas about community activism in the 1960s. The young organizers who were the engines of change in the state were not following any charismatic national leader. Far from being a complete break with the past, their work was based directly on the work of an older generation of activists, people like Ella Baker, Septima Clark, Amzie Moore, Medgar Evers, Aaron Henry. These leaders set the standards of courage against which young organizers judged themselves; they served as models of activism that balanced humanism with militance. While historians have commonly portrayed the movement leadership as male, ministerial, and well-educated, Payne finds that organizers in Mississippi and elsewhere in the most dangerous parts of the South looked for leadership to working-class rural Blacks, and especially to women. Payne also finds that Black churches, typically portrayed as frontrunners in the civil rights struggle, were in fact late supporters of the movement.
In the late nineteenth century, American teachers descended on the Philippines, which had been newly purchased by the U.S. at the end of the Spanish-American War. Motivated by President McKinley’s project of “benevolent assimilation,” they established a school system that centered on English language and American literature to advance the superiority of the Anglo-Saxon tradition, which was held up as justification for the U.S.’s civilizing mission and offered as a promise of moral uplift and political advancement. Meanwhile, on American soil, the field of American literature was just being developed and fundamentally, though invisibly, defined by this new, extraterritorial expansion. Drawing on a wealth of material, including historical records, governmental documents from the War Department and the Bureau of Insular Affairs, curriculum guides, memoirs of American teachers in the Philippines, and 19th century literature, Meg Wesling not only links empire with education, but also demonstrates that the rearticulation of American literary studies through the imperial occupation in the Philippines served to actually define and strengthen the field. Empire’s Proxy boldly argues that the practical and ideological work of colonial dominance figured into the emergence of the field of American literature, and that the consolidation of a canon of American literature was intertwined with the administrative and intellectual tasks of colonial management.
