Chick flicks. Brokeback Mountain. Bollywood. Superhero movies. Sophie’s Choice. Ben Affleck and Sandra Bullock. Avant-garde musicals... If this sort of stuff is your cup of tea, then this isn’t the book for you. Blokey film enthusiast Dave Franklin instead concentrates on the politically incorrect delights of Coffy, Magnum Force and Boogie Nights while paying tribute to the likes of Christopher Walken, Paul Schrader, 70’s disaster movies and Brian De Palma. There’s even some tongue-in-cheek appreciation of the God-like Steven Seagal. So settle back, forget about identity politics and the prevailing lefty narrative, and immerse yourself in a book that values celluloid entertainment above all else. Or as Rob Reiner says at the start of the immortal Spinal Tap: “Enough of my yakking. Let’s boogie.”
A bare-chested Charlton Heston sitting on a horse staring up at the Statue of Liberty. Naked high school girls frolicking in a locker room a moment before transforming into an unholy chanting mob of plug-it-up nastiness. Scorpio dementedly forcing a busload of kidnapped kids to sing nursery rhymes. And an ever so slightly chubby Kansas farm girl telling us there’s no place like home... Movies, eh? What would we do without ’em? Probably watch more TV shows for a start. Anyhow, this is a book for politically incorrect cinephiles, its collection of reviews, articles and drunken ramblings showcasing my love of mid to late twentieth century movies.
(Limelight). Departing from the approach of its Film Noir Reader predecessors, this third volume in the series assembles a collection of interviews with film noir directors and a cinematographer, few of whom are alive today. Interviewees include Billy Wilder ( Double Indemnity and Sunset Boulevard ), Otto Preminger ( Laura ), Joseph Lewis ( Gun Crazy and The Big Combo ), Curtis Bernhardt ( Possessed and A Stolen Life ), Edward Dmytryk ( Murder, My Sweet and Crossfire ), and Fritz Lang ( Scarlet Street and The Woman in the Window ).
Write Your Screenplay with the Help of Top Screenwriters! It’s like taking a Master Class in screenwriting … all in one book! Discover the pitfalls of writing to fit a budget from screenwriters who have successfully navigated these waters already. Learn from their mistakes and improve your script with their expert advice. "I wish I'd read this book before I made Re-Animator." Stuart Gordon, Director, Re-Animator, Castle Freak, From Beyond John Gaspard has directed half a dozen low-budget features, as well as written for TV, movies, novels and the stage. The book covers (among other topics): Academy-Award Winner Dan Futterman (“Capote”) on writing real stories Tom DiCillio (“Living In Oblivion”) on turning a short into a feature Kasi Lemmons (“Eve’s Bayou”) on writing for a different time period George Romero (“Martin”) on writing horror on a budget Rebecca Miller (“Personal Velocity”) on adapting short stories Stuart Gordon (“Re-Animator”) on adaptations Academy-Award Nominee Whit Stillman (“Metropolitan”) on cheap ways to make it look expensive Miranda July (“Me and You and Everyone We Know”) on making your writing spontaneous Alex Cox (“Repo Man”) on scaling the script to meet a budget Joan Micklin Silver (“Hester Street”) on writing history on a budget Bob Clark (“Children Shouldn’t Play with Dead Things”) on mixing humor and horror Amy Holden Jones (“Love Letters”) on writing romance on a budget Henry Jaglom (“Venice/Venice”) on mixing improvisation with scripting L.M. Kit Carson (“Paris, Texas”) on re-writing while shooting Academy-Award Winner Kenneth Lonergan (“You Can Count on Me”) on script editing Roger Nygard (“Suckers”) on mixing genres This is the book for anyone who’s serious about writing a screenplay that can get produced! Grab it today! ★★★★★ "A perfect read for anyone who wants to write a film script or for anyone who just enjoys watching movies." Fred Willard, Actor, A Mighty Wind, Best in Show, Waiting for Guffman "This volume is packed full of useful little nuggets of information." Jonathan Lynn, Director, My Cousin Vinny, Clue, Nuns on the Run, The Whole Nine Yards “Packed with war stories and savvy advice for beginning screenwriters.” Larry Gross, Screenwriter, 48 hrs., Streets of Fire, True Crime
This is a book for cinephiles, pure and simple. Author and filmmaker, Jim Piper, shares his vast knowledge of film and analyzes the most striking components of the best movies ever made. From directing to cinematography, from editing and music to symbolism and plot development, The Film Appreciation Book covers hundreds of the greatest works in cinema, combining history, technical knowledge, and the art of enjoyment to explain why some movies have become the most treasured and entertaining works ever available to the public, and why these movies continue to amaze viewers after decades of notoriety. Read about such classic cinematic masterpieces as Citizen Kane, Gandhi, Midnight Cowboy, Easy Rider, True Grit, Gone With the Wind, and The Wizard of Oz, as well as more recent accomplishments in feature films, such as Requiem for a Dream, Munich, The King’s Speech, and The Hurt Locker. Piper breaks down his analysis for you and points out aspects of production that movie-lovers (even the devoted ones) would never recognize on their own. This book will endlessly fascinate, and by the time you get to the last chapter, you’re ready to start all over again. In-depth analysis and thoughtful and wide-ranging film choices from every period of cinema history will ensure that you never tire of this reading companion to film. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.
1996 Minnesota Book Award winner — A Native American book The heart of the Native American experience: In this 1996 Minnesota Book Award winner, Kent Nerburn draws the reader deep into the world of an Indian elder known only as Dan. It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author, Kent Nerburn. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal If you enjoyed Empire of the Summer Moon, Heart Berries, or You Don’t Have to Say You Love Me, you’ll love owning and reading Neither Wolf nor Dog by Kent Nerburn.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Winner of the Rooney Prize for Irish Literature 'A gritty, modern Romeo and Juliet told by a compelling and original voice' Independent 'He is a tremendous storyteller ... a cracking debut, as moving as it is entertaining' New York Times _____________________ Charlie has a story to tell, about his best friends Sinéad and James and the bad things that happened. But he can't tell it yet, at least not 'til he's worked out where the beginning is. Because is the beginning long ago when Sinéad first spoke up for him after Charlie got in trouble at school for the millionth time? Or was it later, when Sinéad and James followed the music and found each other? Or was it later still on that terrible night when something unspeakable happened and someone chose to turn a blind eye? This is the story of the dark heart of an Irish village, of how daring to be different can be dangerous and how there is nothing a person will not do for love. This is the story of the Gamal.
