Romanticism, Rhetoric and the Search for the Sublime, 2nd Edition

Romanticism, Rhetoric and the Search for the Sublime, 2nd Edition

Author: Craig R. Smith

Publisher: Cambridge Scholars Publishing

Published: 2023-01-23

Total Pages: 356

ISBN-13: 1527592928

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Relying on the author’s established expertise in rhetoric and political communication, this book re-contextualizes Romantic rhetorical theory from the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about the rhetorical theories of many writers. Using a dialectical approach, the early chapters trace Romanticism through its opposition to the industrial revolution and the Enlightenment, back through Humanism and its opposition to Scholasticism, to its roots in St. Augustine’s writing. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in Scholastic circles. The study goes on to argue that Jean-Jacques Rousseau, David Hume, and Edmund Burke were bridge figures to the Romantic Era. This move throws new light on exemplary painters, composers, writers and orators of the Romantic Era, who are examined in chapters eight and nine. Chapter ten focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter Eleven turns to the Romantic rhetorical theories of Hugh Blair and Thomas De Quincey to empower those seeking to save the environment. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, the book links the Romantics’ love of nature to the current environmental crisis.


Romanticism, Rhetoric and the Search for the Sublime

Romanticism, Rhetoric and the Search for the Sublime

Author: Craig R. Smith

Publisher: Cambridge Scholars Publishing

Published: 2018-11-07

Total Pages: 349

ISBN-13: 1527521141

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Relying on the author’s established expertise in rhetorical theory and political communication, this book re-contextualizes Romantic rhetorical theory in the late 18th and early 19th centuries to provide a foundation for a Neo-Romantic rhetorical theory for our own time. In the process, it uses a unique methodology to correct misconceptions about many Romantic writers. The methodology of the early chapters uses a dialectical approach to trace Romanticism and its opposition, the Enlightenment, back through Humanism and its opposition, Scholasticism, to St. Augustine. These chapters include a revisionist analysis of the church’s treatment of Galileo in the course of showing how difficult it was for scientific study to be accepted in the academic world. The study also re-conceptualizes Jean-Jacques Rousseau, David Hume, and Edmund Burke as bridge figures to the Romantic Era instead of as Enlightenment figures. This move throws new light on the major artists of the Romantic Era, who are examined in chapters seven and eight. Chapter nine focuses on Percy Bysshe Shelley and his development of the rhetorical poem, and thereby provides a new genre in the Romantic catalogue. Chapter ten uses the foregoing to analyse and reconceptualize the rhetorical theories of Hugh Blair and Thomas De Quincey. The concluding chapter then synthesizes their theories with relevant contemporary rhetorical theories thereby constructing a Neo-Romantic theory for our own time. In the process, this book links the Romantics’ love of nature to the current environmental crisis.


The Neural Sublime

The Neural Sublime

Author: Alan Richardson

Publisher: JHU Press

Published: 2010-06-15

Total Pages: 199

ISBN-13: 0801898641

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Winner, 2011 Alpha Sigma Nu Book Award in Literature and Fine Arts The Neural Sublime brings recent work in cognitive neuroscience to bear on some famously vexed issues in British Romantic studies. In exciting and unprecedented ways, Alan Richardson demonstrates how developments in the neurosciences can transform the study of literary history. Richardson presents six exemplary studies, each exploring a different intersection of Romanticism and the sciences of the mind and brain: the experience of the sublime and the neuroscience of illusion; the Romantic imagination and visual imaging; the figure of apostrophe and linguistic theory; fictional representations of the mind and “theory of mind” theory; depictions of sibling incest and neo-Darwinian theories of mental behavior; and representations of female speech and cognitive developmental psychology. Richardson’s insightful analysis opens fresh perspectives on British Romanticism, pointing scholars to new developments in cognitive literary studies. He combines elements of new historicist analysis with original—and much-needed—models for understanding language, subjectivity, and social behavior. Far from signaling a departure from the prevalent critical approaches of new historicism, Richardson argues, cognitive theory presents an essential complement to them. The Neural Sublime features an array of cognitive and neuroscientific approaches, providing an engaging and readable introduction to the emergent field of cognitive literary studies.


The Poet-Hero in the Work of Byron and Shelley

The Poet-Hero in the Work of Byron and Shelley

Author: Madeleine Callaghan

Publisher: Anthem Press

Published: 2019-02-28

Total Pages: 339

ISBN-13: 1783088990

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Byron’s and Shelley’s experimentation with the possibilities and pitfalls of poetic heroism unites their work. The Poet-Hero in the Work of Byron and Shelley traces the evolution of the poet-hero in the work of both poets, revealing that the struggle to find words adequate to the poet’s imaginative vision and historical circumstance is their central poetic achievement. Madeleine Callaghan explores the different types of poetic heroism that evolve in Byron’s and Shelley’s poetry and drama. Both poets experiment with, challenge and embrace a variety of poetic forms and genres, and this book discusses such generic exploration in the light of their developing versions of the poet-hero. The heroism of the poet, as an idea, an ideal and an illusion, undergoes many different incarnations and definitions as both poets shape distinctive and changing conceptions of the hero throughout their careers.


Romanticism and the Uses of Genre

Romanticism and the Uses of Genre

Author: David Duff

Publisher: Oxford University Press on Demand

Published: 2009-11-12

Total Pages: 271

ISBN-13: 0199572747

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This reappraisal of the role of genre in Romanticism explores the generic innovations that drove the Romantic 'revolution in literature'. Also examined is the movement's fascination with archaic forms such as the ballad, the sonnet, and the epic, the revival of which made Romanticism a 'retro' as well as a revolutionary movement.


The Event of Style in Literature

The Event of Style in Literature

Author: M. Aquilina

Publisher: Springer

Published: 2014-09-16

Total Pages: 265

ISBN-13: 1137426926

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The Event of Style in Literature brings discussions about the question of style up-to-date by schematising the principal issues relating to the topic through a critical overview of the canon of style studies. It reads the work of Jacques Derrida, Maurice Blanchot, and Hans-Georg Gadamer as groundbreaking and 'eventful' interventions.


The Rhetoric of Empiricism

The Rhetoric of Empiricism

Author: Jules David Law

Publisher: Cornell University Press

Published: 1993

Total Pages: 282

ISBN-13: 9780801427060

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Empiricism favors the visual over the verbal, the literal over the rhetorical, the static over the temporal: This is the standard charge leveled by literary theorists and writers. It is, Jules David Law demonstrates, remarkably misguided. His ambitious and challenging book explores the interplay of language and visual perception at the heart of empiricism. A re-evaluation of the British empiricist tradition from the perspective of contemporary literary theory, it also offers a sustained challenge to theory itself. In failing to grasp the issues confronting early empiricist writers or to be fully aware of their rhetorical strategies, Law says, theory has defined itself needlessly in opposition to empiricism. -- Description from http://www.booktopia.com.au (April 19, 2012).


The Sublime in Antiquity

The Sublime in Antiquity

Author: James I. Porter

Publisher: Cambridge University Press

Published: 2016-03-07

Total Pages: 713

ISBN-13: 1107037476

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Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.


The Literate Eye

The Literate Eye

Author: Rachel Teukolsky

Publisher: Oxford University Press, USA

Published: 2009-07-30

Total Pages: 328

ISBN-13: 0195381378

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Rather than focusing on German philosophy or the French avant-gardes, as many books on the history of aesthetics do, Teukolsky takes up British responses to modern art controversies, thus providing a unique view on the development of artistic forms and art history. She considers the canonical writing of authors like John Ruskin, Walter Pater, and Oscar Wilde alongside texts belonging to the rich field of Victorian print culture--gallery reviews, scientific treatises, satirical cartoons, advertisements, and early photography monographs among them. Spanning the years 1840 to 1910, her argument also adds substance to our understanding of the transition from Victorianism to modernism, a period of especially lively exchange between artists and intellectuals, here narrated with careful attention given to the historical particularities and real events that stamped their imprint on such interactions.


The Rhetoric of English India

The Rhetoric of English India

Author: Sara Suleri

Publisher: Penguin Books India

Published: 2005

Total Pages: 244

ISBN-13: 9780143032830

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The Most Brilliant Contribution To Postcolonial Criticism Since Edward Said S Orientalism & A Masterpiece Of Calm, Well-Thought-Out, Cogent And Inspiring Analysis Jane Marcus, Cuny Graduate Center And The City University Of New York Sara Suleri S The Rhetoric Of English India Is A Powerful Challenge To The Obsession With Otherness That Is A Trademark Of Colonial Studies. Where Other Scholars Tend To Observe A Strict Separation Between Works By Western And Non-Western Writers And Between Ruling And Subject Races, Suleri Reconstructs A Narrative In Which English And Indian Idioms Play With, And Against, Each Other. By Studying A Wide Range Of Materials, From The Writings Of Burke To The Travel Logs Of Nineteenth-Century Women Such As Fanny Parkes And Harriet Tytler To The Fiction Of Kipling, Forster, Naipaul And Rushdie, Suleri Deftly Reveals The Complicity That Always Operates In Colonial Literature. In Doing So, Suleri Succeeds Not Only In Challenging The Standard Chronology Of Imperial History, But Also In Fundamentally Recasting Contemporary Discourse On The Theories Of Cultural Empowerment.