Romanesque Sculpture in American Collections
Romanesque Sculpture in American Collections

Author: Walter Cahn

Publisher: Brepols Publishers

Published: 1999

Total Pages: 288

ISBN-13:

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Included in this inventory is large-scale sculpture in wood and stone, from sites scattered throughout Western Europe and executed roughly between the middle of the eleventh and the end of the twelfth century. Elements from such well-known monuments as Saint-Lazare at Autun, Saint-Pierre at Cluny, Saint-Michel at Cuxa, and churches of Metz, Parthenay, Provins and Reims figure in this catalogue, as do pieces with less familiar provenances like Saint-Laurent l'Abbaye in Nivernais, Saint-Melaine at Preuilly-sur-Claise in Touraine, Saint-Eyre at Toul, and Saint-Vincent near Digne in Provence. Each entry, including basic data, description and analysis, is illustrated by one or more photographs. A list of pieces presumed to be of doubtful authenticity concludes the volume, along with provenance and iconographic indexes.

The Brummer Collection of Medieval Art
The Brummer Collection of Medieval Art

Author: Duke University. Museum of Art

Publisher: Duke University Press

Published: 1991

Total Pages: 114

ISBN-13: 9780822310556

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The Brummer Collection of Medieval Art in the Duke University Museum of Art is one of the finest to be found in any American university museum. It is remarkable for its breadth and the variety of objects represented, with works varying in scale from monumental stone pieces to small-scale objects in wood, ivory, or metal, and ranging from the seventh to eighth centuries through the sixteenth century. This fine catalog makes available for the first time this rich but little-known collection. Five studies by leading art scholars focus on key works in the collection and contribute to a new understanding of the origins of many of the pieces. Two introductory essays comment on the character of the collection as a whole, its acquisition by Duke University, and its conservation. Finally, the catalog section discusses the more important pieces in the collection and is followed by a checklist of entries and smaller photographs of all other objects. Contributors. Ilene H. Forsyth, Jean M. French, Dorothy F. Glass, Dieter Kimpel, Jill Meredith, Linda S. Roundhill

Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters
Italian Medieval Sculpture in the Metropolitan Museum of Art and the Cloisters

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 2010

Total Pages: 370

ISBN-13: 1588393968

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"The collection of Italian medieval sculpture in The Metropolitan Museum of Art and The Cloisters began with the acquisition in 1908 of a Romanesque column statue; today the Museum's holdings comprise more than seventy works dating from the ninth to the late fifteenth century ... The birthplaces of these works range from Sicily to Venice; some typify local styles, others illustrate the intense artistic exchanges taking place within Italy and between Italy and the wider world ... Technological advances of the last decades have made it possible to determine more precisely the materials and techniques from which works of art are made, the history of their alteration, and the mechanisms of their deterioration. Using such techniques, scholars have been able to ascertain, for example, that sculptures previously thought to be modern works carved in the medieval manner were in fact completely authentic. This innovative volume represents a watershed in the study of sculpture: a collaborative dialogue between an art historian and a conservator—between art history and art science—that deepens our understanding of the object we see, while illuminating its elusive, enigmatic history"--From publisher's description.

Romanesque Patrons and Processes
Romanesque Patrons and Processes

Author: Jordi Camps

Publisher: Routledge

Published: 2018-03-09

Total Pages: 656

ISBN-13: 1351105582

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The twenty-five papers in this volume arise from a conference jointly organised by the British Archaeological Association and the Museu Nacional d’Art de Catalunya in Barcelona. They explore the making of art and architecture in Latin Europe and the Mediterranean between c. 1000 and c. 1250, with a particular focus on questions of patronage, design and instrumentality. No previous studies of patterns of artistic production during the Romanesque period rival the breadth of coverage encompassed by this volume – both in terms of geographical origin and media, and in terms of historical approach. Topics range from case studies on Santiago de Compostela, the Armenian Cathedral in Jerusalem and the Winchester Bible to reflections on textuality and donor literacy, the culture of abbatial patronage at Saint-Michel de Cuxa and the re-invention of slab relief sculpture around 1100. The volume also includes papers that attempt to recover the procedures that coloured interaction between artists and patrons – a serious theme in a collection that opens with ‘Function, condition and process in eleventh-century Anglo-Norman church architecture’ and ends with a consideration of ‘The death of the patron’.

The Marvellous and the Monstrous in the Sculpture of Twelfth-century Europe
The Marvellous and the Monstrous in the Sculpture of Twelfth-century Europe

Author: Kirk Ambrose

Publisher: Boydell Press

Published: 2013

Total Pages: 204

ISBN-13: 1843838311

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Richly-illustrated consideration of the meaning of the carvings of non-human beings, from centaurs to eagles, found in ecclesiastical settings. Representations of monsters and the monstrous are common in medieval art and architecture, from the grotesques in the borders of illuminated manuscripts to the symbol of the "green man", widespread in churches and cathedrals. These mysterious depictions are frequently interpreted as embodying or mitigating the fears symptomatic of a "dark age". This book, however, considers an alternative scenario: in what ways did monsters in twelfth-century sculpture help audiences envision, perhaps even achieve, various ambitions? Using examples of Romanesque sculpture from across Europe, with a focus on France and northern Portugal, the author suggests that medieval representations of monsterscould service ideals, whether intellectual, political, religious, and social, even as they could simultaneously articulate fears; he argues that their material presence energizes works of art in paradoxical, even contradictory ways. In this way, Romanesque monsters resist containment within modern interpretive categories and offer testimony to the density and nuance of the medieval imagination. KIRK AMBROSE is Associate Professor & Chair, Department of Art and Art History, University of Colorado Boulder.