The essays here reconsider the protean nature of Middle English romance, including the works of Chaucer and Arthurian romances, rarely treated together. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and genres, as they were "re-written" during the Middle Ages and beyond. The volume also serves as a tribute to the crucial work of Professor Helen Cooper on romance and its influences.
We live in a time of great uncertainty about relationships. We search for "The One," but find ourselves staying single because nobody measures up. The reality of our relationships is not what we expected, and it becomes hard to balance it with all the other things that we want out of life. At the same time that marriage shows itself to be the one 'recession proof' industry; the rates of separation and break-up soar ever higher. Rewriting the Rules is a friendly guide through the complicated - and often contradictory - rules of love: the advice that is given about attraction and sex, monogamy and conflict, gender and commitment. It asks questions such as: which to choose from all the rules on offer? Do we stick to the old rules we learnt growing up, or do we try something new and risk being out on our own? This book considers how the rules are being 'rewritten' in various ways, for example the 'new monogamy', alternative commitment ceremonies, different ways of understanding gender, and new ideas for managing conflict and break-up where economics and child-care make complete separation a problem. In this way Rewriting the Rules gives the power to the reader to find the approach which fits their situation.
First comprehensive examination of the ways in which printers, publishers and booksellers adapted and rewrote Arthurian romance in early modern France, for new audiences and in new forms.
The third book in Sarah MacLean's witty and romantic Scandal & Scoundrel series featuring a ravishing heroine and the man, desperately in love, who now has to make amends. The one woman he will never forget… Malcolm Bevingstoke, Duke of Haven, has lived the last three years in self-imposed solitude, paying the price for a mistake he can never reverse and a love he lost forever. The dukedom does not wait, however, and Haven requires an heir, which means he must find himself a wife by summer’s end. There is only one problem—he already has one. The one man she will never forgive… After years in exile, Seraphina, Duchess of Haven, returns to London with a single goal—to reclaim the life she left and find happiness, unencumbered by the man who broke her heart. Haven offers her a deal; Sera can have her freedom, just as soon as she finds her replacement…which requires her to spend the summer in close quarters with the husband she does not want, but somehow cannot resist. A love that neither can deny… The duke has a single summer to woo his wife and convince her that, despite their broken past, he can give her forever, making every day the Day of the Duchess.
"An intricate magic system, a grimly humorous Black heroine, AND a heart-thumping romance? This book leaves nothing wanting." - Jordan Ifueko, New York Times bestselling author of Raybearer Andromeda is a debtera—an exorcist hired to cleanse households of the Evil Eye. She would be hired, that is, if her mentor hadn’t thrown her out before she could earn her license. Now her only hope of steady work is to find a Patron—a rich, well-connected individual who will vouch for her abilities. When a handsome young heir named Magnus Rorschach reaches out to hire her, she takes the job without question. Never mind that he’s rude and demanding and eccentric, that the contract comes with a number of outlandish rules... and that almost a dozen debtera had quit before her. If Andromeda wants to earn a living, she has no choice. But she quickly realizes this is a job like no other, with horrifying manifestations at every turn, and that Magnus is hiding far more than she has been trained for. Death is the most likely outcome if she stays, the reason every debtera before her quit. But leaving Magnus to live out his curse alone isn’t an option because—heaven help her—she’s fallen for him. Stunningly romantic, Lauren Blackwood's heartstopping debut, Within These Wicked Walls, ushers in an exciting new fantasy voice. "Fierce, eerie and heartfelt... a romantic and spine-chilling reimagining of a classic. I loved every creepy, swoon-worthy moment of it." - Laura E. Weymouth, author of The Light Between Worlds
New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions.The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both. women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.uistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.
Charting important new territory within medieval gender studies, Megan Moore explores the vital role that women played in transmitting knowledge and empire within Mediterranean cross-cultural marriages. Whereas cross-cultural exchange has typically been understood through the lens of male-centered translation work, this study, which is grounded in the relations between the west and Byzantium, examines cross-cultural marriage as a medium of literary and cultural exchange, one in which women's work was equally important as men’s. Moore's readings of Old French and Medieval Greek texts reveal the extent to which women challenged the cultures into which they married and shaped their new courtly environments. Through the lens of medieval gender and postcolonial theory, Exchanges in Exoticism demonstrates how the process of cultural exchange – and empire building – extends well beyond our traditional assumptions about gender roles in the medieval Mediterranean.
When life gives you lemons, it's time for shots of tequila. That's my new saying in life, and trust me, life has handed me lots of lemons. My name is Danielle DeChenne, and for eighteen years I took every punch "destiny" threw at me. Now I'm no longer a naive girl. Traumatic abuse will do that to you. I was forced to grow up too fast, and the one person I depended on-that gorgeous Marine, Zane-turned his back on me. So now I say screw the lemonade and just give me a bottle of Jack Daniel's, because I don't believe in destiny anymore. There is no pre-destined path set out for each of us. That crap doesn't exist. Sometimes bad things happen...it's just how the world works. It sucks, but you have to pick yourself up and get on with your life. Even if it's an impossible task. I'm done sitting around and waiting for my life to change or something good to fall in my lap. It took me awhile to understand, but once I stopped being the doormat for destiny, it was time for me to take control. Now I decide where I go in life and what will happen. It won't always be pretty, it will sometimes hurt like hell, but I will make sure I live my life to the fullest... Then the gorgeous Marine from my past returned with a vengeance-except this time, I was ready for him. It's time to rewrite destiny.
