Bernini and the Birth of Baroque Portrait Sculpture
Bernini and the Birth of Baroque Portrait Sculpture

Author: Andrea Bacchi

Publisher: Getty Publications

Published: 2008-01-01

Total Pages: 338

ISBN-13: 0892369329

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Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.

Baroque Sculpture in Rome
Baroque Sculpture in Rome

Author: Alessandro Angelini

Publisher: 5Continents

Published: 2005

Total Pages: 178

ISBN-13:

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Reconsidering the terminology art historians use to describe 17th-century Roman sculpture, this history examines how famous artists, such as Bernini, Alessandro Algardi, François Duquesnoy, and lesser-known artists influenced one another during this period. Artistic events and completed works are presented in chronological order with an emphasis on the workshop relationships that allowed accomplished sculptors to apprentice younger artists. The use of Venetian-derived color, sublime accents, and travertine and marble that marked this era created a thoroughly modern Rome as statues and other examples of sculpture were placed in gardens, homes, and churches.

Critical Perspectives on Roman Baroque Sculpture
Critical Perspectives on Roman Baroque Sculpture

Author: Anthony Colantuono

Publisher: Penn State University Press

Published: 2014

Total Pages: 294

ISBN-13:

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Examines seventeenth-century sculpture in Rome. Focuses on questions of historical context and criticism, including the interaction of theory and practice, the creative roles of sculptors and patrons, the relationship of sculpture to antique models and to contemporary painting, and contextual meaning and reception.

Roman Baroque Sculpture
Roman Baroque Sculpture

Author: Jennifer Montagu

Publisher: Yale University Press

Published: 1989-01-01

Total Pages: 262

ISBN-13: 9780300053661

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Draws on contemporary biographies and a wealth of hitherto unpublished archival material to illuminate the position and practice of the Baroque sculptor, to enable the reader to appreciate, understand and evaluate the sculptural monuments of the Roman Baroque.

The Origins of Baroque Art in Rome
The Origins of Baroque Art in Rome

Author: Alois Riegl

Publisher: Getty Publications

Published: 2010

Total Pages: 294

ISBN-13: 1606060414

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Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.

Bernini
Bernini

Author: Franco Mormando

Publisher: University of Chicago Press

Published: 2013-04-02

Total Pages: 452

ISBN-13: 022605523X

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Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.

The Artist and the Eternal City
The Artist and the Eternal City

Author: Loyd Grossman

Publisher: Simon and Schuster

Published: 2021-08-03

Total Pages: 256

ISBN-13: 1643137417

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This brilliant vignette of seventeenth-century Rome, its Baroque architecture, and its relationship to the Catholic Church brings to life the friendship between a genius and his patron with an ease of writing that is rare in art history. By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome—celebrated both as the Eternal City and Caput Mundi (the head of the world)—had lost its preeminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile, and a mania for creating new architecture, determined to restore the prestige of his church by making Rome the key destination for Europe's intellectual, political, and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist—no mean feat in the age of Rubens, Rembrandt, and Velazquez.

The Life of Gian Lorenzo Bernini
The Life of Gian Lorenzo Bernini

Author: Domenico Bernini

Publisher: Penn State Press

Published: 2012-01-31

Total Pages: 500

ISBN-13: 0271037490

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"A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.