Batman, on the verge of killing a man for the first time, embarks on a journey of self-discovery that may also reveal secrets about his enemies and allies.
Based on the popular comic book series and toy line from the 1970s comes the first title in an all-new trilogy that takes readers into the realm of The Micronauts, immortals who have paid the cost with their humanity. Earthman Ryan Archer is thrown into their world and instigates change. Original.
The early adventures of the deadly duo of darkness and light! As Cloak and Dagger wage war on drugs, crime lords Silvermane and the Kingpin are in their sights - and Spider-Man is stuck in the middle! Then follow Tyrone Johnson and Tandy Bowen into their own uncanny adventures, and discover what set them on their vigilante path together. Detective O'Reilly wants to arrest them, Father Delgado wants to reform them - but does anyone really understand them? Featuring Doctor Strange, the New Mutants and Power Pack! COLLECTING: PETER PARKER, THE SPECTACULAR SPIDER-MAN (1976) 64, 69-70, 81-82, 94-96; CLOAK AND DAGGER (1983) 1-4; MARVEL TEAM-UP ANNUAL (1976) 6; MARVEL FANFARE (1982) 19; NEW MUTANTS (1983) 23-25; CLOAK AND DAGGER (1985) 1-11; DOCTOR STRANGE (1974) 78; MARVEL GRAPHIC NOVEL: CLOAK AND DAGGER/POWER PACK - SHELTER FROM THE STORM (1989) GN; MATERIAL FROM STRANGE TALES (1987) 1-2
Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic “underground” comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.
In ancient Greece, the gods would toy with the lives of mortals as it suited their fancy. None could oppose the will of these mighty gods— until the arrival of Godzilla!
Spirited teenager Domino Blackthorne Drake was just a normal girl… until she stumbled upon an alien artifact, acquired uncanny power, and became a beacon for intergalactic trouble! With her tabby cat Cap’n Kidd in tow, Domino joins the motley crew of the Starshadow – a spacefaring pirate ship captained by the charismatic and fearless Raader. Domino embarks on a cosmic odyssey to save her kidnapped parents and overthrow the evil Colonizer Empire. Imagine a young, bright-eyed girl on a galaxy-wide escapade, full of high-energy antics straight out of Guardians of the Galaxy and Pirates of the Caribbean, and you’ve got Swords of the Swashbucklers!
This is a trilogy about three young men finding the fulfillment of their youthful ambitions, from the late 1980s onwards, in rock music and journalism, up to the present day and middle age. As middle age comes on, each must accept a wider responsibility for their past sins. Having either emigrated to or been born in London, all of them become caught up in tantalising opportunities in the capital to fulfill their ambitions of success and fame. Each of them also finds that success comes with an immense price for them personally, and private failures that unmercifully torment them. Their hopeful idealism and dreams become tainted by ruthlessness, opportunism and betrayal of their principles. As each character grows older, he realises he wants to redeem himself and somehow resolve the worst things he has perpetrated in his life – but true redemption requires genuine sacrifice; one even more intense and difficult than their hard-won successes of the past. It may be more than any of them can endure. All of this happens against the background of London’s fantastic, fabulous variety and wealth and exoticism, opportunity and glamour, corruption and poverty and loneliness and harshness. Its pitfalls, rewards and insatiable demands as a fast-moving cultural and media capital are a significant part of the novel’s tone, with an intensified sense of time and place. Edward St. Boniface takes inspiration from a wide range of authors, including Ray Bradbury, Mark Z. Danielewski and David Foster Wallace. The London Trilogy is a work of adult contemporary fiction that will appeal to fans of highbrow and literary novels, bildungsromans and satire.