Using diverse sources ranging from hagiographies and historiographies to historical novels and satirical poems, this is the first book-length examination of Emmanouil Roidis’ Pope Joan (1866). Providing a long-overdue and authoritative introduction to the sinuous poetics of one of the most celebrated Modern Greek novels, Roidis and the Borrowed Muse takes in a broad gamut of British writers, from Swift, Sterne and Gibbon to Scott, Macaulay and Byron, and casts a fresh and original eye on the intertextual connections between their work and Roidis’ magnum opus. This comprehensive comparative study will appeal not only to intellectual historians, literary critics and students, but also to scholars of Romanticism and readers interested in the many facets of satire.
This volume presents a number of original essays on aspects of Lawrence Durrell which have not previously been discussed. Durrell (1912-1990) was the ground-breaking author of The Alexandria Quartet, Tunc-Nunquam (The Revolt of Aphrodite) and The Avignon Quintet and of many plays, volumes of poetry and essays. This volume, by one of the world’s foremost experts on Durrell’s life and work, explores his early literary connections with Henry Miller, Anaïs Nin, Alfred Perlès and David Gascoyne in topics such as surrealism and psychology. It features new insights into Durrell’s approach to popular literature, Greek politics and sexual orientation, and establishes Durrell’s mental states from an examination of his private notebooks. It presents a composite portrait of a writer obsessed with the themes of identity, creativity, sexuality and freedom.
Drawing on an interdisciplinary panel of contributors, this book presents a stimulating dialogue between economics and art theory and considers how this might aid our understanding of both areas of research. The collection explores themes which both fields share, including rationality, abstraction and model building, the nature of social reality, representation and transformation. The contributions employ a broad range of methods to investigate the links between economics and art, and their coverage includes architecture, history of ideas, art theory, literature studies and beyond. This innovative volume will be of interest to advanced students and scholars of economic theory, cultural economics, literary and art theory and it intends to be a starting point for new avenues of interdisciplinary research.
Using diverse sources ranging from hagiographies and historiographies to historical novels and satirical poems, this is the first book-length examination of Emmanouil Roidis Pope Joan (1866). Providing a long-overdue and authoritative introduction to the sinuous poetics of one of the most celebrated Modern Greek novels, Roidis and the Borrowed Muse takes in a broad gamut of British writers, from Swift, Sterne and Gibbon to Scott, Macaulay and Byron, and casts a fresh and original eye on the intertextual connections between their work and Roidis magnum opus. This comprehensive comparative study will appeal not only to intellectual historians, literary critics and students, but also to scholars of Romanticism and readers interested in the many facets of satire.
At the apex of international Cold War tension, an alliance of Greek military leaders seized power in Athens. Seven years of violent political repression followed in Greece, yet as Cold War allies, the Greek colonels had continued international support- especially from Britain. Why did successive governments, those of Harold Wilson and Edward Heath, choose to pursue an alliance with these military dictators? Alexandros Nafpliotis' book examines British foreign policy towards Greece, exposing a guiding principle of pragmatism above all else. This is the first systematic study of Britain and the Greek military Junta of the early 1970s to be based on newly released National Archive documents, US and Greek sources and personal interviews with leading actors. Comparing and contrasting the attitudes of both Labour and Conservative governments towards the Junta in Greece, Nafpliotis outlines a great degree of continuity, as well as showing where and how moral and public relations issues were overcome in order to facilitate a close relationship with the colonels. 'Britain and the Greek Colonels' is a comprehensive history of international diplomacy and realpolitik in the Cold War period and will be essential reading for students and scholars of Cold War history, the history of modern Greece and International Relations.
This is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874-1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer's most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn. 0Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death. 0Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as "the only ancient Greek I ever knew."
A detailed up-to-date survey of the most important woman writer from Greco-Roman antiquity. Examines the nature and context of her poetic achievement, the transmission, loss and rediscovery of her poetry, and the reception of that poetry in cultures far removed from ancient Greece, including Latin America, India, China, and Japan.
Ezra Pound (1885 - 1972) was an American poet and harsh critic following World War I. Pound was also a key contributor to the Modernist movement. One of Pound's most famous works is Instigations which is a series of essays critiquing a variety of writers and books.
British Romantic Literature and the Emerging Modern Greek Nation makes an original contribution to the field of British Romantic Hellenism (and Romanticism more broadly) by emphasizing the diversity of Romantic-era writers’ attitudes towards, and portrayals of, Modern Greece. Whereas, traditionally, studies of British Romantic Hellenism have predominantly focused on Europe’s preoccupation with an idealized Ancient Greece, this study emphasizes the nuanced and complex nature of British Romantic writers’ engagements with Modern Greece. Specifically, the book emphasizes the ways that early nineteenth-century British literature about contemporary Greece helped to strengthen British-Greek intercultural relations and, ultimately, to situate Greece within a European sphere of influence.
For Decadent authors, Romanticism was a source of powerful imaginative revisionism, perversion, transition, and partial negation. But for all these strong Decadent reactions against the period, the cultural phenomenon of Decadence shared with Romanticism a mutual distrust of the philosophy of utilitarianism and the aesthetics of neo-Classicism. Reflecting on the interstices between Romantic and Decadent literature, Decadent Romanticism reassesses the diverse and creative reactions of Decadent authors to Romanticism between 1780 and 1914, while also remaining alert to the prescience of the Romantic imagination to envisage its own distorted, darker, perverted, other self. Creative pairings include William Blake and his Decadent critics, the recurring figure of the sphinx in the work of Thomas De Quincey and Decadent writers, and Percy Shelley with both Mathilde Blind and Swinburne. Not surprisingly, John Keats’s works are a particular focus, in essays that explore Keats’s literary and visual legacies and his resonance for writers who considered him an icon of art for art’s sake. Crucial to this critical reassessment are the shared obsessions of Romanticism and Decadence with subjectivity, isolation, addiction, fragmentation, representation, romance, and voyeurism, as well as a poetics of desire and anxieties over the purpose of aestheticism.
