In this remarkable book, David-Emil Wickström traces the transcultural flow of popular music production emanating from St. Petersburg, a central hub of the Russian music scene. With a specific focus on the post-Soviet emigrant community in Germany and their event 'Russendisko', Wickström – himself a trumpet player in two local bands – explores St. Petersburg's vibrant music scene, which provides an electrifying platform for musical exchange. The findings shed a new light on Soviet and post-Soviet popular music history and even Russia's relationship to Ukraine. Wickström demonstrates the filtering processes embedded in transcultural flows and how music is attributed new meanings within new contexts. This innovative book not only promotes a deeper understanding of the role of popular music in society, it also enables a better comprehension of cultural processes in the second decade after the fall of the Soviet Union."
Popular music is a growing presence in education, formal and otherwise, from primary school to postgraduate study. Programmes, courses and modules in popular music studies, popular music performance, songwriting and areas of music technology are becoming commonplace across higher education. Additionally, specialist pop/rock/jazz graded exam syllabi, such as RockSchool and Trinity Rock and Pop, have emerged in recent years, meaning that it is now possible for school leavers in some countries to meet university entry requirements having studied only popular music. In the context of teacher education, classroom teachers and music-specialists alike are becoming increasingly empowered to introduce popular music into their classrooms. At present, research in Popular Music Education lies at the fringes of the fields of music education, ethnomusicology, community music, cultural studies and popular music studies. The Routledge Research Companion to Popular Music Education is the first book-length publication that brings together a diverse range of scholarship in this emerging field. Perspectives include the historical, sociological, pedagogical, musicological, axiological, reflexive, critical, philosophical and ideological.
Through in-depth case studies, Religion and Popular Music explores encounters between music, fans and religion. The book examines several popular music artists - including Bob Dylan, Prince and Katy Perry - and looks at the way religion comes into play in their work and personas. Genres explored by contributing authors include country, folk, rock, metal and Electronic Dance Music. Case studies in the book originate from a variety of geographic and cultural contexts, focusing on topics such as nationalism and hard rock in Russia, fan culture in Argentina, and punk and Islam in Indonesia. Chapters engage with the central issue of how global music meets local audiences and practices, and considers how fans as well as religious groups react to the uses of religion in popular music. It also looks at how they make these interactions between popular music and religion components in their own identity, community and practice. Tapping into a vital and lively topic of teaching, research and wider cultural interest, and employing diverse methodologies across musicians, fans and religious groups, this book is an important contribution to the growing field of religion and popular music studies.
Though informed by case studies conducted in Ukraine, this book transcends its country-specific scope. It explains why informality in governance is not necessarily transitory or temporary but a constant in most political systems. The book discusses self-protective mechanisms, responses to incomplete or unfocused policy making, and strategies employed by individuals, classes, and communities to respond to unusual demands. The book argues that when state or company expectations exceed normative behavior, informal behavior continues to thrive. New tactics help cope with the reality of governance. Informality also challenges the values imposed by power through attitudes and behaviors that take place "beyond" or "in spite of" the state.
This volume explores the relationship between new media and religion, focusing on the digital era’s impact on the Russian Orthodox Church. A believer may now enter a virtual chapel, light a candle through drag-and-drop, send an online prayer request, or worship virtual icons and relics. In recent years, however, Church leaders and public figures have become increasingly skeptical about new media. The internet, some of them argue, breaches Russia’s “spiritual sovereignty” and implants values and ideas alien to Russian culture. This collection examines how Orthodox ecclesiology has been influenced by its new digital environment, such as the intersection of virtual religious life with religious experience in the “real” church, the role of clerics on the Russian Web, and the transformation of the Orthodox notion of sobornost’ (catholicity), asking whether and how Orthodox activity on the internet can be counted as authentic religious practice.
Simon Kordonsky divides the social structure of contemporary Russia into distinct estates or social groups and describes each organization’s unique resource-based political and economic nature. As he guides readers through Russia’s peculiar service and support estate system, Kordonsky reveals how remarkably effective inventing and institutionalizing threats can be in the distribution of scarce resources in a social system of this kind. His book emphasizes the fundamental differences between resource-based economies and traditional risk-based economies and their role in Russia’s future.
Straddling Europe and Asia, the Russian Federation is the largest country in the world and home to a panoply of religious and ethnic groups from the Muslim Tatars to the Buddhist Buryats. Over the past 40 years, Russia has experienced the most dramatic transformation of any modern state. The second edition of Historical Dictionary of the Russian Federation provides insight into this rapidly developing country. This volume includes coverage of pivotal movements, events, and persons in the late Soviet Union (1985-1991) and contemporary Russia (1991-present), This second edition of Historical Dictionary of the Russian Federation contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russia.
With the dissolution of the Soviet Union and the demise of the Cold War’s bipolar world order, Soviet successor states on the Russian periphery found themselves in a geopolitical vacuum, and gradually evolved into a specific buffer zone throughout the 1990s. The establishment of a new system of relations became evident in the wake of the Baltic States’ accession to the European Union in 2004, resulting in the fragmentation of this buffer zone. In addition to the nations that are more directly connected to Zwischeneuropa (i.e. ‘In-Between Europe’) historically and culturally (Belarus, Moldova, Ukraine), countries beyond the Caucasus (Azerbaijan, Georgia, Armenia), as well as the states of former Soviet Central Asia (Kazakhstan, Uzbekistan, Kyrgyzstan, Turkmenistan, Tajikistan) have also become characterized by particular developmental pathways. Focusing on these areas of the post-Soviet realm, this collected volume examines how they have faced multidimensional challenges while pursuing both geopolitics and their place in the world economy. From a conceptual point of view, the chapters pay close attention not only to issues of ethnicity (which are literally intertwined with a number of social problems in these regions), but also to the various socio-spatial contexts of ethnic processes. Having emerged after the collapse of Soviet authority, the so-called ‘post-Soviet realm’ might serve as a crucial testing ground for such studies, as the specific social and regional patterns of ethnicity are widely recognized here. Accordingly, the phenomena covered in the volume are rather diverse. The first section reviews the fundamental elements of the formation of national identity in light of the geopolitical situation both past and present. This includes an examination of the relative strength and shifting dynamics of statehood, the impacts of imperial nationalism, and the changes in language use from the early-modern period onwards. The second section examines the (trans)formation of the identities of small nations living at the forefront of Tsarist Russian geopolitical expansion, in particular in Central Asia, the Caucasus, and the Southern Steppe. Finally, in the third section, the contributors discuss the fate of groups whose settlement space was divided by the external boundaries of the Soviet Union, a reality that resulted in the diverging developmental trajectories of the otherwise culturally similar communities on both sides of the border. In these imperial peripheries, Soviet authority gave rise to specifically Soviet national identities amongst groups such as the Azeris, Tajiks, Karelians, Moldavians, and others. The book also includes more than 30 primarily original maps, graphs, and tables and will be of great use not only for human geographers (particularly political and cultural geographers) and historians, but also for those interested in contemporary issues in social science.
Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German.
Duncan Leitch exposes the unexpected consequences of international aid for post-communist transitions. Examining the efforts to reform relations between Kiev and the regions of Ukraine, Duncan Leitch explores how and why fiscal decentralization and regional policy programs initiated by the Ukrainian government and supported by the Western donor community failed to achieve a sustainable outcome. Drawing on concepts from institutional theory, comparative politics, and development studies, Leitch explains the complex interactions between external donors and the domestic recipients of their advice. His findings shed light on the narrow circumstances under which short-term success can be achieved, but also point towards the failings of the donor community to lay the groundwork for lasting reform. A valuable resource for anyone working in the development sector in Eastern Europe or beyond, this book provides a new outlook on the political realities of the reform process, the relevance of international advice, and the domestic pressures leading to the Maidan uprising of 2013.
