Rock Around the Bloc presents an in-depth history of rock music in communist Europe from the mid-1950s to the present, touching on such highlights as the Elvis craze in the late 1950s, Beatlemania in the 1960s and 1970s, and punk and heavy metal music of the 1980s. The reader comes to realize that in some ways, life in the Soviet bloc was surprisingly similar to life in the West. But there are striking differences as well, most notably, the thirty-year war between rock fans and party officials. Book jacket.
Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union’s capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union’s collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.
This in-depth study offers a new examination of a region that is often overlooked in political histories of the Bluegrass State. George G. Humphreys traces the arc of politics and the economy in western Kentucky from avid support of the Democratic Party to its present-day Republican identity. He demonstrates that, despite its relative geographic isolation, the region west of the eastern boundary of Hancock, Ohio, Butler, Warren, and Simpson Counties to the Mississippi River played significant roles in state and national politics during the New Deal and postwar eras. Drawing on extensive archival research and oral history interviews, Humphreys explores the area's political transformation from a solid Democratic voting bloc to a conservative stronghold by examining how developments such as advances in agriculture, the diversification of the economy, and the civil rights movement affected the region. Addressing notable deficiencies in the existing literature, this impressively researched study will leave readers with a deeper understanding of post-1945 Kentucky politics.
Perfect for expecting parents who want to provide a soothing home for the newest member of their family, The Happiest Baby on the Block, the national bestseller by respected pediatrician and child development expert Dr. Harvey Karp, is a revolutionary method for calming a crying infant and promoting healthy sleep from day one. In perhaps the most important parenting book of the decade, Dr. Harvey Karp reveals an extraordinary treasure sought by parents for centuries --an automatic “off-switch” for their baby’s crying. No wonder pediatricians across the country are praising him and thousands of Los Angeles parents, from working moms to superstars like Madonna and Pierce Brosnan, have turned to him to learn the secrets for making babies happy. Never again will parents have to stand by helpless and frazzled while their poor baby cries and cries. Dr. Karp has found there IS a remedy for colic. “I share with parents techniques known only to the most gifted baby soothers throughout history …and I explain exactly how they work.” In a innovative and thought-provoking reevaluation of early infancy, Dr. Karp blends modern science and ancient wisdom to prove that newborns are not fully ready for the world when they are born. Through his research and experience, he has developed four basic principles that are crucial for understanding babies as well as improving their sleep and soothing their senses: ·The Missing Fourth Trimester: as odd as it may sound, one of the main reasons babies cry is because they are born three months too soon. ·The Calming Reflex: the automatic reset switch to stop crying of any baby in the first few months of life. ·The 5 “S’s”: the simple steps (swaddling, side/stomach position, shushing, swinging and sucking) that trigger the calming reflex. For centuries, parents have tried these methods only to fail because, as with a knee reflex, the calming reflex only works when it is triggered in precisely the right way. Unlike other books that merely list these techniques Dr. Karp teaches parents exactly how to do them, to guide cranky infants to calm and easy babies to serenity in minutes…and help them sleep longer too. ·The Cuddle Cure: the perfect mix the 5 “S’s” that can soothe even the most colicky of infants. In the book, Dr. Karp also explains: What is colic? Why do most babies get much more upset in the evening? How can a parent calm a baby--in mere minutes? Can babies be spoiled? When should a parent of a crying baby call the doctor? How can a parent get their baby to sleep a few hours longer? Even the most loving moms and dads sometimes feel pushed to the breaking point by their infant’s persistent cries. Coming to the rescue, however, Dr. Karp places in the hands of parents, grandparents, and all childcare givers the tools they need to be able to calm their babies almost as easily as…turning off a light. From the Hardcover edition.
"It was not a matter of propaganda ... black and white ideological broadcasts ... What made [Radio Free Europe] important were its impartiality, independence, and objectivity."---Vaclav Havel "Radio Free Europe and Radio Liberty were critically important weapons in the free world's competition with Soviet totalitarianism---and without them the Soviet bloc might even have not disintegrated ... The account in this book of their activities is therefore not only informative, but critical to understanding recent history."---Zbigniew Brzezinski "The studies and translated Soviet bloc documents published in this book demonstrate the enormous impact of Radio Free Europe, Radio Liberty, and Voice of America during the Cold War. By promoting democratic values and undermining the monopoly of information on which Communist regimes relied, the Radios contributed greatly to the end of the Cold War."---George P. Shultz "I know of no other mass media organization that has done more than RFE/RL to help create the Europe in which we live today---a Europe not divided into two opposing camps."---Elena Bonner Examines the role of Western broadcasting to the Soviet Union and Eastern Europe during the Cold War, with a focus on Radio Free Europe and Radio Liberty. It includes chapters by radio veterans and by scholars who have conducted research on the subject in once-secret Soviet bloc archives and in Western records. It also contains a selection of translated documents from formerly secret Soviet and East European archives, most of them published here for the first time.
The essays in this collection make up the first study of “dropping out” of late state socialism in Eastern Europe and the Soviet Union. From Leningrad intellectuals and Berlin squatters to Bosnian Muslim madrassa students and Romanian yogis, groups and individuals across the Eastern Bloc rejected mainstream socialist culture. In the process, multiple drop-out cultures were created, with their own spaces, music, values, style, slang, ideology and networks. Under socialism, this phenomenon was little-known outside the socialist sphere. Only very recently has it been possible to reconstruct it through archival work, oral histories and memoirs. Such a diverse set of subcultures demands a multi-disciplinary approach: the essays in this volume are written by historians, anthropologists and scholars of literature, cultural and gender studies. The history of these movements not only shows us a side of state socialist life that was barely known in the west. It also sheds new light on the demise and eventual collapse of late socialism, and raises important questions about the similarities and differences between Eastern and Western subcultures.
This book presents a side of Russian life that is largely unknown to the West - the world of popular culture. By surveying detective and science fiction, popular songs, jokes, box office movie hits, stage, radio and television, Professor Richard Stites introduces the people and cultural products that are household words to Russian people. Spanning the entire twentieth century, the author examines the subcultures that draw upon and enrich Russian popular culture. He explores the relationship between popular culture and the national and social values of the masses, including their heroes and myths, and assesses the phenomenon of the celebrity from the silent screen star to the latest rock music idol. Richard Stites pays particular attention to the dramatic battle between elite and popular culture and to the intervention of revolutions, wars, and the state in the production and control of this culture.
Punk rock may have started in the United Kingdom and United States but it certainly didn’t stay in either country. The genre flew around the globe like a contagion, touching off simultaneous movements in nearly every market imaginable: Japan, Yugoslavia, the Philippines, South Africa, New Zealand, Chile, Mexico, Poland, Burma, Singapore, and Turkey, among countless others. Performing punk rock in many of these places wasn’t just rebellious, it was legitimately dangerous, thanks to regimes far more oppressive and brutal than what existed in the West. Brave Punk World immerses readers in these foreign scenes, describing the lifestyles and art of passionate, hard-charging groups who remain secret to the punk majority but who are just as crucial as the Ramones or the Sex Pistols. James Greene, Jr. explores Brazilian bands like Ulster who angrily protested and openly mocked their region's cruel dictatorship, Germans such as Slime who see many of their songs still banned to this day, the Algerian-by-way-of-France performers Carte de Séjour who had an alleged hand in inspiring the landmark Clash hit "Rock The Casbah," and a galaxy of other punk groups from more exotic locales. Punk diehards and travel enthusiasts with a taste for chaos will enjoy the country-by-country cultural explorations and wild stories offered within these pages.
Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
